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README.md
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๐ฌ Awesome Seedance 2.0 Video Prompts
A curated collection of high-quality video generation prompts for ByteDance's Seedance 2.0
โ ๏ธ Copyright Notice: All prompts are collected from the community for educational purposes. If you believe any content infringes on your rights, please open an issue and we will remove it promptly.
๐ Table of Contents
- ๐ View in Web Gallery
- ๐ค What is Seedance 2.0?
- ๐ Statistics
- โญ Featured Prompts
- ๐ฌ All Prompts
- ๐ค How to Contribute
- ๐ License
- ๐ Acknowledgements
- โญ Star History
๐ View in Web Gallery
๐ Browse all Seedance 2.0 prompts on YouMind
Why use our gallery?
| Feature | GitHub README | youmind.com Gallery |
|---|---|---|
| ๐ฌ Video Playback | โ Static thumbnails only | โ Full video playback with streaming |
| ๐ Search | Ctrl+F only | Multi-field fuzzy matching search |
| ๐ค AI Recommendation | - | AI-powered prompt recommendations |
| ๐ฑ Mobile | Basic | Fully responsive |
๐ค What is Seedance 2.0?
Seedance 2.0 is a video generation model developed by ByteDance. It is the industry's first model supporting simultaneous quad-modal input โ image, video, audio, and text.
Key Features:
- ๐ฅ Text-to-Video โ Generate videos from text descriptions
- ๐ผ๏ธ Image-to-Video โ Animate static images into dynamic videos
- ๐น Video-to-Video โ Transform and extend existing videos
- ๐ต Audio-Driven โ Generate videos driven by audio input
- ๐ Up to 1080p resolution, 4โ15 seconds duration
- ๐ Auto dubbing & scoring โ Automatic voiceover and background music
๐ Statistics
| Metric | Count |
|---|---|
| ๐ Total Prompts | 6187 |
| โญ Featured Prompts | 6 |
| ๐ Last Updated | 2026-08-26 |
๐ฅ Featured Prompts
โญ Hand-picked prompts with outstanding results
No. 1: Seedance 2.0: 15-Second Cinematic Japanese Romance Short Film
๐ Description
A highly detailed, 15-second multi-scene prompt for Seedance 2.0, designed to generate a cinematic, ultra-realistic Japanese high school pure love short film. The prompt specifies scene setting (empty classroom, warm golden sunlight, dust motes), camera movements, character consistency (no deformation/drift), subtle micro-expressions, synchronized breathing/lip movements, dialogue, and sound effects (cicadas, pen scratching, low-frequency heartbeat, soft piano). The narrative focuses on the intense, awkward, and intimate emotional tension between a girl writing and a boy secretly watching her, culminating in a shy confrontation.
๐ Prompt
15-second cinematic Japanese drama pure love ambiguous short film, ultra-realistic quality, warm golden sunlight in an empty classroom in the afternoon, spilling through the blinds onto the side-by-side desks, fine dust motes slowly floating in the light beams, old wooden desks, extremely natural subtle movements, breathing, and eye tension, characters maintain consistent faces, clothing, and hairstyles throughout without deformation, drift, or artifacts, real slight chest rise and fall synchronized with breathing, shallow depth of field, creamy blurred background, warm film grain, 8K sharp, Japanese youth restrained heart-fluttering suffocating atmosphere.
0-4 seconds: Extremely slow push-in shot from a medium shot of the desktop to a close-up of the two people's side profiles sitting side-by-side. A pure girl in a summer school uniform is focused on writing notes with her head down, long black hair and stray hairs by her ears are gently lifted by a slight breeze, long eyelashes cast subtle shadows, skin is naturally pink and tender, a slight, unintentional upturn of the corner of her mouth in concentration, light and even breathing.
4-9 seconds: Switch to a close-up of the boy. His school uniform collar is slightly loose, he props his elbow on the desk and secretly turns his head to gaze at her, his eyes filled with gentle, restrained affection and tenderness, pupils slightly dilated, his Adam's apple gently rolls. Suddenly noticing her pen pause, he quickly and flusteredly turns his head to pretend to look at his own notes, his earlobes quickly turn slightly red, his fingertips tremble slightly as he grips the pen, occasionally glancing at her from under his bangs, his breathing is slightly disordered, and his lips are tightly pressed in an effort to remain calm.
9-15 seconds: Extreme close-up of both faces in the same frame, slow-motion eyes suddenly meet: the girl slowly turns her head, first showing a dazed surprise, then quickly and shyly lowers her head for 0.3 seconds, gently biting her lower lip, her cheeks and earlobes instantly bloom with cherry blossom pink, her moist eyelashes timidly look up to meet his gaze again, while softly and shyly whispering, "...What are you looking at?"; the boy freezes completely, his pupils dilate, and he is stunned for 0.4 seconds, then flusteredly and quietly stutters in response, "N-nothing...". The girl whispers even quieter, biting her lip and peeking at him again, continuing to whisper, "...Liar.". The boy pauses, then gently sighs and whispers, "...Just looking at you.", the corner of his mouth slowly curls up into a shy, gentle, crooked smile, fine lines appear at the corners of his eyes, and his breathing noticeably deepens. An invisible current seems to pull the ambiguous tension between their faces, sharing each other's breathing temperature, the background completely melts into layers of creamy, dreamy light spots, warm halos, and fine air particles.
Lip synchronization is natural and precise, emotional micro-tremors and breathing are synchronized, dialogue is low-energy whispering with a shy tone, natural short pauses between 200-400 milliseconds, the mouth only moves slightly when speaking, without exaggeration or robotic feel, perfect natural lip-sync and emotional authenticity.
Overall Sound Effects: Distant summer cicada chirping faintly, the soft scratching sound of the pen touching the paper, the almost inaudible low-frequency pulse of their heartbeats, finally fading into a very light, airy piano. The dialogue is completely naturally integrated into the scene as whispers, the girl's voice is soft and shy, the boy transitions from flustered stuttering to gentle.
Character identity is maintained throughout, real subtle head tilts, eye movements, and breathing synchronization, no text, watermarks, or subtitles, pure Japanese style youth secret crush heart-fluttering suspense.
๐ฌ Video
๐ฅ Click image to download video | ๐ฌ Watch Video โ
๐ Details
- Author: AIGC๏ฝ้ณๅฎถ่ฑช
- Source: Twitter Post
- Published: March 15, 2026
No. 2: Hollywood Haute Couture Fantasy Video Prompt
๐ Description
A detailed, multi-scene video generation prompt for Seedance 2.0, designed to create a Hollywood Haute Couture Fantasy film. The prompt specifies style, resolution (8K), rendering engine (Unreal Engine 5), duration (15 seconds), and three distinct camera/action sequences involving a model in liquid blue-and-white porcelain that shatters into ink-wash swallows, culminating in a 3D fluid ink vortex.
๐ Prompt
[Style] Hollywood Haute Couture Fantasy blockbuster, 8K ultra-clear, Photorealistic, High-fashion Editorial Style, Unreal Engine 5 fluid rendering, visual illusion. [Duration] 15 seconds. [Scene] An endless, real-life Salar de Uyuni (Sky Mirror) salt flat. The sky is filled with oppressive dark clouds, and the ground perfectly reflects everything like a mirror, with the overall picture presenting a minimalist, cool tone. [00:00-00:05] Shot 1: Haute Couture Entrance and Porcelain Skin. Camera position: Extremely low-angle upward shot, ultra-telephoto lens zoom-in. Action: An Asian female model with a highly recognizable, high-fashion face walks coolly on the water surface. Effect: She is wearing not fabric, but a long dress made of flowing, real Liquid Blue-and-White Porcelain. As she walks, the skirt makes a crisp collision sound like real ceramic, with a flowing luster on the surface. The traditional blue-and-white patterns move across the white porcelain-textured skirt as if alive. [00:05-00:10] Shot 2: Physical Shattering and Ink-wash Descent. Camera position: Extreme close-up of the face, focus rapidly pulls back. Action: The model suddenly stops, stares coldly at the camera, and snaps her fingers crisply. Effect: The moment the fingers snap, her blue-and-white porcelain dress does not fall, but instantly explodes into thousands of extremely photorealistic Ink-wash Swallows. These swallows carry real water droplets and ink marks, dragging black fluid afterimages in the air, spinning frantically around her. [00:10-00:15] Shot 3: Dimensional Dissolution and Abyss Reflection. Camera position: High-altitude overhead shot, camera rapidly rotates and descends. Action: The swarm of ink-wash swallows plunges into the mirrored lake water beneath the model's feet. Effect: The surface tension of the originally solid salt lake instantly disappears. The entire extremely realistic world begins to violently bleed and dissolve like concentrated ink dropped into clear water. The real dark clouds and the model's figure transform entirely into an extremely grand 3D Fluid Ink Vortex, completely swallowing the camera into a black and white interwoven abyss.
๐ฌ Video
๐ฅ Click image to download video | ๐ฌ Watch Video โ
๐ Details
- Author: John
- Source: Twitter Post
- Published: February 23, 2026
No. 3: Modern Rural Aesthetics Healing Short Film Video Prompt
๐ Description
A detailed, three-shot prompt for Seedance 2.0 to generate a healing, cinematic short film in the Modern Rural Aesthetics style. It specifies the style (Cinematic Commercial, 4K/8K, Extreme Macro, natural light, ASMR), the setting (a modern open kitchen with a garden view), the character (a focused creator in linen), and specific actions for three scenes: picking a tomato, precise cutting, and a quiet moment of eating.
๐ Prompt
[Style]
Modern Rural Aesthetics, Cinematic Commercial quality, shot with Sony A7S3/cinema camera, 4K/8K ultra-clear, Extreme Macro, natural transparent lighting, healing ASMR, no historical costume drama feel.
[Scene]
A well-maintained modern farmhouse open kitchen, background is a lush vegetable garden, bright sunshine.
[Character]
Modern Rural Creator, black long hair casually tied up with a wooden hairpin, wearing a dark blue comfortable linen outfit, clear makeup, focused and peaceful eyes.
[Shot Details]
[00:00-00:05] Shot 1: Morning Harvest (The Freshness)
Visuals: High-definition close-up. Morning sunlight hits the plants with side backlighting.
Action: The Creator's bare hands (long, clean fingers) pick a bright red tomato with glistening dew drops from the vine.
Details: Extremely sharp focus, clearly showing the fuzz on the tomato surface and the trajectory of sliding water droplets. Background is blurred high-quality green.
[00:05-00:10] Shot 2: Extreme Craftsmanship (The Craft)
Visuals: Indoor stove area, full of life but spotless.
Action: The Creator is cutting vegetables, movements are skilled and precise (non-performance nature).
Details: Macro lens captures the moment the knife blade slices through the ingredients, juice splattering. Then switches to the orange flame flickering in the earthen stove, light and shadow are warm and real.
[00:10-00:15] Shot 3: Tranquil Time (The Moment)
Visuals: Full shot/Medium shot.
Action: A delicate home-cooked dish is placed on the wooden long table in the yard. The Creator sits down quietly, gently tidies a stray hair, and picks up a bite of food.
Atmosphere: Steam slowly rises against the backlight, the scene is so quiet you can almost hear the wind, showcasing the ultimate sense of relaxation modern people yearn for.
๐ฌ Video
๐ฅ Click image to download video | ๐ฌ Watch Video โ
๐ Details
- Author: John
- Source: Twitter Post
- Published: February 12, 2026
No. 4: Live-Action Anime Adaptation: Water vs. Thunder Breathing Duel
๐ Description
A highly detailed, 15-second prompt for generating a live-action adaptation of an anime-style duel, featuring 'Water Breathing' (blue water dragon) versus 'Thunder Breathing' (golden lightning). The prompt specifies the style (Hollywood live-action, dark samurai, 4K, fast cuts), scene setting (misty forest under moonlight), and three distinct, action-packed shots detailing character actions, special effects, and the final collision of powers.
๐ Prompt
Live-Action Anime Adaptation ยท Breathing Technique Decisive Battle (15 seconds ยท Super Burning Special Effects Version)
ใCore Focusใ: Water Breathing (Blue Water Dragon) VS Thunder Breathing (Golden Lightning), live-action extreme speed duel.
ใStyleใ: Hollywood live-action anime adaptation film quality, dark samurai style, 4K ultra-clear, extreme fast cuts, explosive particle light effects, no gore.
ใDurationใ: 15 seconds
ใSceneใ: Misty forest under the moonlight, muddy ground, falling leaves.
[00:00-00:05] Shot 1: Water Melody Prelude ยท Starting Stance (Sense of charging)
Visuals: A young samurai wearing a green and black checkered haori (jacket), lowering his center of gravity under the moonlight, gripping his sword with both hands.
Action: He takes a deep breath, and the surrounding air instantly solidifies. As he draws his sword, a giant blue water dragon, condensed from high-pressure water flow, appears out of thin air, rotating rapidly around his body and blade, emitting the roar of flowing water.
Special Effects Details: The water flow has a realistic sense of splashing, illuminating the dark forest.
[00:05-00:10] Shot 2: Thunder Flash ยท Charge (Sense of extreme speed)
Visuals: The opponent, a blonde swordsman wearing a yellow triangular patterned haori, is crouched extremely low, adopting the posture of Iaijutsu (sword drawing technique).
Action: The ground suddenly explodes, and he instantly transforms into a dazzling golden lightning afterimage, refracting and charging through the forest in a "Z" shape at a speed undetectable by the naked eye.
Special Effects Details: Golden electric arcs and scorched fallen leaves remain in the places he passes.
[00:10-00:15] Shot 3: Water and Thunder Collision ยท Final Sound (Ultimate move clash)
Visuals: Extreme speed collision. The young samurai swings the giant blue water dragon down to meet the attack, and the blonde swordsman, transformed into lightning, crashes into him head-on.
Action: The two swords violently collide in the center of the frame.
Special Effects Spectacle: The blue water dragon and the golden lightning instantly explode, forming a massive water-thunder energy storm that spreads outwards. The surrounding large trees are snapped in half by the energy wave, and mud and light obscure the camera. The scene ends in an extremely dazzling blue, yellow, and white light.
๐ฌ Video
๐ฅ Click image to download video | ๐ฌ Watch Video โ
๐ Details
- Author: John
- Source: Twitter Post
- Published: February 11, 2026
No. 5: Seedance 2.0: 80-Year-Old Rapper MV
๐ Description
A detailed, 15-second prompt for Seedance 2.0 to generate a 16:9 horizontal street rap music video (MV) featuring an 80-year-old woman. The prompt specifies the style (neon purple/blue cool tones, explosive atmosphere), character appearance (silver hair, leather jacket, hip-hop accessories), scene breakdown (0-3s intro, 3-7s rapping, 7-11s dancing, 11-15s climax/conclusion), specific Rap lyrics, camera techniques (low angle, 360-degree rotation, quick cuts), and sound design (Trap electronic music, heavy 808 drums).
๐ Prompt
16:9 horizontal screen, street rap MV style, neon purple and blue cool tones, explosive cool and fierce atmosphere. 0-3 seconds: Medium shot push-in, city street night scene with flashing neon lights, an 80-year-old silver-haired woman stands in front of a graffiti wall, short silver-white hair styled in a neat slick-back, distinct square face contour, sword-like eyebrows slanting towards the temples, eyes sharp like electricity, wrinkles at the corners of her eyes like badges of time, a confident smile on the corner of her mouth, wearing a black leather jacket over a white printed T-shirt (large black letters "YOLO" on the chest) + black cargo pants + white high-top sneakers, a thick gold chain necklace around her neck, silver bracelet on her wrist, holding up a microphone with both hands, strong drum beats of the BGM start, the old woman's eyes sharpen, and her lips open to start Rap. 3-7 seconds: Medium shot + close-up switch, the old woman starts rapping, with an extremely strong sense of rhythm, her silver hair flying with her head-nodding movements, one hand holding the microphone, the other hand making gestures to match the rhythmโindex finger pointing at the camera, palm cutting the rhythm up and down, making hip-hop gestures, movements are smooth and flowing, eyes sharp and looking directly at the camera, wrinkles vividly jumping with her expression, lips opening and closing rapidly to spit out lyrics: [Rap Lyrics] "Eighty-year-old legs, can jump better than you! Silver hair flowing, this is my pride! Don't call me old, my Flow is better than yours, when you were playing rap, I was listening to disco!" (Fast speed, strong rhythm, fierce attitude) Quick cuts: facial close-ups, hand movements, full-body swaying, side silhouettes, synchronized with the BGM beat. 7-11 seconds: Dance segment, the camera pulls back to show the full body, the old woman starts dancingโfirst the classic hip-hop bounce, then a neat street dance freeze, followed by a body wave transmitting from the shoulders to the toes, and then a quick footwork workout, movements are clean and sharp, silver hair flies under the neon lights, the leather jacket flutters in the air, she continues to Rap while dancing: [Rap Lyrics] "Legs and feet are nimble, speed is not slow, my lyrics are carved in time! You play with phones, I play with beats, eighty years of life, written into this verse!" (Faster rhythm, stronger tone) Low-angle upward shot + 360-degree surrounding shot, capturing the old woman's cool and fierce dance moves. 11-15 seconds: Climax ending, the old woman makes a cool turn, her silver hair arcs in the air, she faces the camera and makes a "shush" gesture with her finger, then her lips move closer to the microphone, singing the last line in a low, magnetic voice: [Reality Lyrics] "Time never defeats a beauty, I just changed the way I experience youth..." (Slow rhythm, deep emotion, lingering finish) The camera slowly pushes in for a close-up of the old woman's eyes, the wrinkles at the corners of her eyes are all stories, her gaze is still sharp yet with a hint of kindness, the BGM abruptly stops at the climax, the frame freezes on the old woman's cool yet slightly gentle smile, vignetting + neon purple light halo.
๐ฌ Video
๐ฅ Click image to download video | ๐ฌ Watch Video โ
๐ Details
- Author: ๆพๆๅ ๆฃฎ
- Source: Twitter Post
- Published: March 15, 2026
No. 6: Cinematic Street Racing Sequence for Seedance 2
๐ Description
A detailed, multi-shot prompt designed for Seedance 2 to generate a cinematic street racing sequence at night, focusing on intense driver focus, dynamic camera work, and explosive acceleration, structured with specific time segments for scene progression.
๐ Prompt
cinematic street racing sequence at night, a focused driver inside a high-performance car grips the steering wheel, intense eye focus, city lights reflecting on windshield, tension building before sudden acceleration
camera: rapid multi-angle system with seamless transitions, interior close-up โ over-the-shoulder โ exterior tracking โ low ground shots, ultra dynamic camera movement, whip pans + speed ramp transitions + motion blur masking cuts, continuous flow illusion
(0-2s) interior close-up on driver, hand tightens on gear shift, subtle breathing, dashboard lights glowing
(2-4s) over-the-shoulder shot, road ahead stretching into neon-lit city, engine vibration building
(4-6s) extreme close-up on finger pressing NOS button, instant ignition reaction
(6-8s) explosive acceleration, camera snaps to exterior side tracking shot, car launches forward with violent speed surge
(8-10s) ultra low ground shot near asphalt, wheels spinning at extreme velocity, environment streaking past
(10-12s) high-speed chase through tight streets, sharp turns, camera whip pans between angles, reflections and light trails enhancing speed
Dense urban night environment, wet asphalt reflecting neon lights, tunnel passages, street lights streaking, high-speed city atmosphere
Ultra realistic, fast and furious inspired energy, photorealistic lighting, intense motion blur, high contrast neon reflections, cinematic depth of field, extreme sense of speed, fluid transitions, no distortion, no stretching
๐ฌ Video
๐ Details
- Author: Pierrick Chevallier | IA
- Source: Twitter Post
- Published: April 2, 2026
๐ฌ All Prompts
๐ Sorted by publish date (newest first)
Watch to Butterfly Mechanical Transformation
A Transformers-style transformation sequence that morphs a real mechanical watch into a machine butterfly with mechanical sound effects.
๐ Prompt
You transform this watch (Image 1) into a machine butterfly (Image 2) in Transformers movie style. No music. Only use mechanical transformation sounds.
Author: Zidan ๅญไธน | Source: Link | Published: Aug 26, 2026
Zombie Forest Bicycle Chase Sequence
An ultra-realistic cinematic prompt for a high-speed chase scene where a woman on a bicycle escapes a zombie horde through a misty, rugged forest.
๐ Prompt
Ultra-realistic cinematic action scene of a young woman desperately riding a red mountain bicycle at high speed through a dense misty forest while being chased by a large horde of shadowy zombies in the background. She has long black hair streaming dramatically in the wind, wearing a fitted white sleeveless top, black athletic shorts, and white ankle boots. Her expression is focused, frightened, and determined as she grips the handlebars tightly. The bicycle races over a rugged dirt trail covered with massive exposed tree roots, leaves, and dust. In one intense moment, she launches the bicycle over a huge fallen tree root, both wheels lifted completely into the air. Dynamic low-angle tracking shot, dramatic motion blur, flying dust and leaves, sunlight filtering through tall trees, atmospheric forest fog, realistic shadows, high-speed action photography, shallow depth of field, cinematic color grading, photorealistic skin and fabric textures, ultra-detailed, 8K, HDR, professional Hollywood survival-thriller cinematography, 85mm lens, f/1.8, vertical 9:16 composition.
Author: AIwithMinal | Source: Link | Published: Aug 26, 2026
Hair Serum Beauty Advertisement
A detailed video prompt for a 15-second beauty commercial featuring a hair transformation sequence with realistic lighting and movement.
๐ Prompt
A realistic 15-second vertical beauty advertisement video of a young East Asian woman with long dark brown hair in a bright modern bathroom with wooden walls, large window with blinds, and natural sunlight streaming in. She wears a simple beige ribbed tank top and has natural glowing makeup with soft pink lips. Start with her holding a frosted glass spray bottle with a gold pump and white label, smiling brightly at the camera while looking slightly to the side. On-screen text appears: โMy Hair Refresh โจโ. She speaks enthusiastically: โIf your hair looks dry and messy in the morning, try this: just a little serum makes such a difference!โ She pumps a small amount of white serum onto her palm, then runs her fingers through her hair, applying the product. Text changes to โSmooth & Frizz-Free โจโ. She flips and smooths her hair, showing the transformation. Next, she runs both hands through her now shiny, smooth, silky hair while smiling and speaking: โLook how smooth and shiny my hair looks now!โ Text changes to โFresh Hair Finish โจโ. She continues flipping and tossing her hair playfully, looking happy and confident. Final text appears: โTry It โจโ. She holds the bottle up again, smiling at the camera, and says: โThis is definitely staying in my morning routine.โ Soft natural lighting, warm golden hour sunlight, high-quality realistic skin texture, cinematic beauty commercial style, smooth camera movements, vertical 9:16 format, 15 seconds duration.
Author: Noor | Source: Link | Published: Aug 26, 2026
Cinematic Visual Style Settings
A technical style prompt defining the aspect ratio, frame rate, and lighting for a desaturated cinematic look.
๐ Prompt
FORMAT AND VISUAL STYLE
16:9 aspect ratio, native 1920ร1080 resolution, 24fps, full-frame image with no letterboxing. Cold, desaturated color palette, restrained cinematic lighting, soft highlights, deep shadows, subtle film
Author: Token360.ai | Source: Link | Published: Aug 26, 2026
Luxury Hotel Thriller Sequence
A narrative video prompt for a thriller scene involving a corridor fight, using an image reference for character consistency.
๐ Prompt
A live-action thriller follows Sue leaving a luxury-hotel elevator and fighting bare-handed down the corridor as ten masked attackers try to stop her.
<<<image_1>>> is the sole authority for Sue's complete appearance. Sue wears exactly its outfit,
Author: Zephyra Leigh | Source: Link | Published: Aug 26, 2026
Science Fiction Short Film
A comprehensive prompt for a 2-minute Hollywood-style sci-fi film consisting of four connected 30-second shots.
๐ Prompt
TOTAL DURATION: 2 MINUTES
STRUCTURE: 4 CONNECTED SHOTS, EACH 30 SECONDS
ASPECT RATIO: 16:9
STYLE: PREMIUM PHOTOREALISTIC HOLLYWOOD SCIENCE-FICTION
Create a complete 2-minute cinematic short film about two
Author: Caden Flux | Source: Link | Published: Aug 26, 2026
Mountain Monastery 2.5D Animation
A detailed prompt for a 2.5D animation of a monastery courtyard at dusk, focusing on a specific non-CGI aesthetic.
๐ Prompt
Cinematic 2.5D animation. NOT flat 2D cartoon, NO bold black outlines, NO cel-shading, NOT glossy CGI, NOT Unreal Engine, NO photorealism, no plastic skin.
WORLD: crumbling mountain monastery courtyard at dusk, mist rolling through broken stone pillars,
Author: PixieVerse | Source: Link | Published: Aug 26, 2026
Istanbul Photographer Lifestyle Vlog
A multi-shot Seedance 2.5 prompt using reference images to create a photorealistic vlog of a photographer in historic Istanbul.
๐ Prompt
Create an ultra-photorealistic cinematic professional photographer lifestyle vlog. STORY: A female professional photographer prepares her camera equipment at home, travels to historic Istanbul, photographs a female model in the historic streets, reviews the photos on her camera, and finishes by walking through the beautiful historic district. REFERENCE PRIORITY: @IMG1 = MAIN FEMALE PHOTOGRAPHER @IMG2 = ISTANBUL HISTORIC LOCATION @IMG3 = PROFESSIONAL CAMERA GEAR @IMG4 = PHOTOGRAPHER + MODEL PHOTOSHOOT @IMG5 = PHOTO REVIEW @IMG6 = FINAL ISTANBUL WALK CHARACTER CONSISTENCY: The EXACT SAME woman from @IMG1 must appear throughout the video. Preserve her exact: face, facial features, hairstyle, skin tone, body proportions, age appearance and overall identity. She remains the photographer throughout. Keep her outfit, camera bag and professional appearance consistent. -------------------------------------------------- 0โ4 SECONDS โ PREPARING AT HOME Use @IMG1 + @IMG3. Early morning. The photographer is at home preparing for the photoshoot. She opens her camera bag. She checks the professional camera. She checks the battery and memory card. She carefully attaches the same 24โ70mm lens shown in @IMG3. She places the camera into her shoulder bag. She picks up the bag and prepares to leave. CAMERA: Quick cinematic close-ups of the camera, lens and accessories. Then a medium shot of her leaving home. Keep the sequence natural and efficient. -------------------------------------------------- 4โ8 SECONDS โ ARRIVING IN ISTANBUL Use @IMG1 + @IMG2. Transition naturally to historic Istanbul. The photographer arrives at the Sultanahmet historic area. She walks along the cobblestone street carrying her camera bag. She looks around at the architecture. She chooses a beautiful location for the photoshoot. She takes the camera out of her bag. CAMERA: Wide establishing shot revealing the historic Istanbul architecture. Then a medium tracking shot following the photographer. -------------------------------------------------- 8โ13 SECONDS โ PREPARING THE PHOTOSHOOT Use @IMG1 + @IMG2 + @IMG3 + @IMG4. The female model arrives. The photographer positions the model against the historic Istanbul architecture. She checks the camera settings. She adjusts the lens. She raises the camera to her eye. She gives the model a subtle hand gesture indicating where to stand and how to pose. The model responds naturally. CAMERA: Medium shot showing photographer and model. Brief close-up of the camera and lens. -------------------------------------------------- 13โ20 SECONDS โ PROFESSIONAL PHOTOSHOOT Use @IMG4. The photographer begins taking professional photographs. The model poses naturally. The photographer moves slightly to one side to change the composition. She takes a portrait shot. Then she changes position and takes a wider environmental shot. Then she briefly crouches to capture a dramatic low-angle photograph. The model remains natural and confident. The photographer presses the shutter naturally. CAMERA: Alternate between: photographer POV, side angle, over-the-shoulder camera shot, low-angle photography position, wide shot showing the historic architecture. Keep the photography process realistic. -------------------------------------------------- 20โ25 SECONDS โ REVIEWING THE PHOTOS Use @IMG5. The photoshoot is complete. The photographer lowers the camera. She turns the camera screen toward herself. She scrolls through the photographs. Show a beautiful portrait of the same model on the camera display. She stops on one particularly strong image. She looks pleased with the result. A subtle satisfied smile appears. CAMERA: Medium shot โ close-up of camera screen โ close-up of photographer's satisfied expression. Make the camera screen look realistic. -------------------------------------------------- 25โ30 SECONDS โ FINAL WALK AWAY Use @IMG6. The photographer puts the camera on her shoulder. She adjusts the camera strap. She picks up her camera bag. She begins walking calmly through the historic Istanbul street. Warm golden-hour sunlight illuminates the buildings. She walks away from the camera. The camera slowly pulls back into a wide cinematic shot. Reveal the historic street, architecture, domes and distant minarets. End with the photographer becoming smaller in the beautiful Istanbul environment. CUT TO BLACK. -------------------------------------------------- CAMERA STYLE: Premium cinematic travel-fashion photography vlog. Smooth tracking shots. Natural handheld movement. Professional documentary-style camera work. Wide establishing shots. Medium lifestyle shots. Close-ups for camera equipment. Over-the-shoulder photography shots. Gentle cinematic pull-back at the ending. Do not use excessive camera shake. Do not use unrealistic camera movements. -------------------------------------------------- REALISM: Realistic camera handling. Realistic lens interaction. Realistic shutter operation. Realistic walking. Realistic model posing. Natural human anatomy. Realistic hands and fingers. Natural facial expressions. Realistic clothing movement. Realistic camera screen. Natural Istanbul environment. -------------------------------------------------- CONTINUITY: Same female photographer throughout. Same face. Same hairstyle. Same outfit. Same camera. Same lens. Same camera bag. Same Istanbul location. Same model during all photoshoot scenes. No identity swapping. No different photographer. No different model. No camera change. No lens suddenly changing. No face morphing. No distorted hands. No extra fingers. No cartoon. No anime. No CGI-looking people. No text. No logos. No watermark. FINAL FEELING: A polished professional photography lifestyle vlog. The viewer should feel they followed the photographer through a real working day: PREPARE CAMERA โ LEAVE HOME โ ARRIVE IN ISTANBUL โ SET UP SHOOT โ PHOTOGRAPH MODEL โ REVIEW PHOTOS โ WALK AWAY.
Author: Elsa Ai | Source: Link | Published: Aug 26, 2026
Baby Dragon Mimicking Adult Roar
A heartwarming 3D animation prompt of a baby dragon trying to imitate the powerful roar of an ancient dragon in an enchanted forest.
๐ Prompt
Cinematic 3D animation of a cute baby dragon with dark grey scales and large golden eyes fluttering its small wings in a sunlit enchanted forest, standing in front of a giant colossal ancient dragon with antler horns. The camera tracks up close to the baby dragon smiling, then pulls back as the massive dragon behind it opens its jaws and lets out a powerful roar, with the tiny dragon spreading its wings and imitating the roar. Set in an enchanted forest with mossy ground, glowing blue mushrooms, ferns, volumetric golden god rays, fog, realistic scale textures, 8k resolution, highly detailed fantasy style.
Author: Julia | Source: Link | Published: Aug 26, 2026
Glass Skin Beauty Serum Commercial
A commercial sequence depicting a skincare routine that transforms tired skin into a radiant, hydrated glass-skin look.
๐ Prompt
โA commercial-style high-definition video sequence of a young East Asian woman with glowing, glass-like skin The sequence begins with close-up shots showing minor skin imperfections and freckles, transitioning to her looking tired while working in front of a laptop She reaches for a minimal glass bottle of clear hydrating facial serum on a sunlit marble counter. Macro close-ups show the clear serum pouring onto her palm and being gently applied to her face As the serum absorbs, her complexion transforms into radiant deeply hydrated, glass skin She smiles confidently in a bright, modern white apartment as sheer white curtains billow in the breeze. Soft natural lighting, aesthetic beauty commercial cinematography, 4k resolution, 60fps, smooth cinematic cuts.
Author: Lavinia | Source: Link | Published: Aug 26, 2026
Realistic Japanese High School Vlog
A highly detailed, long-form prompt for generating a realistic 30-second vlog-style video of a Japanese high school student's after-school activities with a nostalgic, home-movie aesthetic.
๐ Prompt
Create a 30-second personal home video in the style of a vlog, filmed by a high school classmate walking home with a Japanese high school girl. Hyper-realistic. The 30 seconds should consist of a montage of hard cuts comprising about 12 short shots (2-3 seconds each). Each shot should be in a different place and at a different moment, where 1 shot = 1 small event. Do not use transition effects or fades. Since the person filming is a close classmate, she is completely relaxed, smiling at the camera, showing things, and talking (words are inaudible). Not poses or acting, but the natural expressions she only shows to friends.
Main Subject:
The same Japanese high school girl throughout all shots. Natural, healthy, realistic skin texture, no makeup, slightly tired but bright eyes after club activities. Black hair tied in a high ponytail with a few stray hairs on her cheeks. White short-sleeved sailor uniform (navy collar and scarf), knee-length navy pleated skirt, white socks, white sneakers, and a shoulder school bag. Keep face, body shape, hairstyle, uniform, and belongings completely consistent from start to finish.
Locations:
A school road and its slopes from after school in summer until sunset. After-school classrooms, hallways, entrance halls, school gates, vending machines, riverbank paths, candy stores, and crosswalks at sunset. Authentic school roads full of everyday life. No crowds, advertisements, or recognizable brands.
Camera / Visual Style:
Common to all shots: a handheld old consumer digital camera held by a classmate. Natural shake, imperfect framing, occasional autofocus changes, exposure fluctuations, soft image detail, light motion blur, subtle digital noise, slightly suppressed colors, and imperfect white balance. No stabilization, gimbals, drones, slow motion, cinematic lighting, or commercial color grading.
Shot List (in order, 2-3 seconds each, all hard cuts):
1. Getting ready to go home in the after-school classroom. Noticing the camera, smiling, and lightly covering the lens with her palm.
2. Walking together down an empty hallway after school. The sound of indoor shoes echoes.
3. Changing into sneakers at the entrance while talking and laughing about something (inaudible).
4. Leaving the school gate, turning back once to look up at the school building in the evening.
5. Buying two drinks at a vending machine and offering one to the lens.
6. Walking along a riverbank path. Laughing while holding her ponytail fluttering in the wind.
7. Squatting down to reach for a cat on a wall, laughing with her friend as the cat deftly dodges.
8. Splitting a popsicle from a candy store in half and offering one side to the camera.
9. A sudden summer shower. Running while laughing with her school bag over her head, then stopping to hold it up halfway.
10. Under a roof with wet bangs, intentionally making a funny face to make the photographer laugh.
11. Turning back while crossing a crosswalk at sunset.
12. Waving both hands widely at a fork in the road. In the middle of this, around 00:29, the recording suddenly cuts to black. No fade-out.
Physical Realism:
Maintain plausible real-world physics in all shots. Hands, fingers, feet, uniform, hair, rain, school bags, and popsicles behave naturally. No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, disappearing items, or sudden deformations. Feet remain properly connected to the ground. Maintain subject consistency between shots, with lighting naturally progressing from after-school to sunset.
Audio:
Natural environmental sounds only. Environmental sounds also cut with each shot. Distant club activity shouts, indoor shoe sounds, cicada chirps, vending machine sounds, popsicle splitting sounds, rain sounds, crosswalk sounds, and inaudible voices and laughter. No music. No narration. No artificial sound effects.
Final Atmosphere:
A video that feels emotional when looked back on, even though it's just 12 ordinary moments lined up. Not a commercial work. Not a fashion film. Not a music video. A record of an ordinary but irreplaceable after-school moment left on a classmate's camera. Carefree, in the middle of youth, nostalgic, warm, spontaneous, and deeply human. Prioritize the feeling that the camera just happened to be there.
Author: ๅฆ็ฒพใขใผใคใใ | Source: Link | Published: Aug 26, 2026
Morning Barn Loft POV
A cinematic POV shot of a morning scene in a barn loft, capturing a soft, intimate moment between a couple.
๐ Prompt
Barn loft, morning. Wakes, looks at wife, brief teasing exchange, a kiss. Close POV on face, soft morning light. Sound:breathing, hay, birdsong.
Author: YORONE | Source: Link | Published: Aug 26, 2026
Cinematic Nighttime Taxi POV Video
A first-person perspective video prompt for Seedance 2.0, capturing an intimate nighttime taxi scene with a handheld camera feel.
๐ Prompt
Create a continuous 13s vertical (9:16) 1x-speed video: handheld phone POV, slightly low side angle, very close to her face in a nighttime taxi backseat
Author: YORONE | Source: Link | Published: Aug 25, 2026
Fantasy Martial Arts Live Action
A 30-second martial arts prompt utilizing multiple character and environment reference tags for high photorealism.
๐ Prompt
REFERENCE TAGS
Use: @.Aisha exact Indian female character reference
@.Harumin exact Korean female character reference
@.FrozenCourtyard exact environment reference
30 seconds | 16:9 | ultra photorealistic live action fantasy martial arts |
Author: BMX | Source: Link | Published: Aug 25, 2026
Futuristic Starship Cockpit POV
A first-person perspective prompt for Seedance 2.0 and GPT Image-2, depicting a pilot inside a starship cockpit overlooking a neon cyberpunk city.
๐ Prompt
POV from pilot's seat inside a single seat starship cockpit, looking out through the windshield. Medium close framing: hands on the yoke, illuminated dashboard in foreground; futuristic night metropolis beyond skyscrapers, dense air traffic, neon signage, wet street reflections far below. Young female pilot implied as viewer; visible only via sleeves/gloves/canopy reflections: sleek white gray flight suit, micro LED tactile gloves, subtle cool makeup, low ponytail, confident steady posture, calm tension. Lighting: cool instrument key light, city rim glow, atmospheric haze, windshield reflections, diffused neon glints, minimal noise. Mood: clean minimalist sci fi, quiet suspense, high tech serenity, Oblivion inspired sterile palette and clean lines. Virtual ARRI Alexa 65, 35mm 2ร anamorphic, T2.0, ISO 800, 1/48s, 9:16, shallow depth of field, oval bokeh, subtle film grain, log profile, HDR.
Author: LANDCรSTER.EXE | Source: Link | Published: Aug 25, 2026
Japanese Hall Anime Short
A cinematic anime style prompt for a 15-second clip featuring a dramatic spotlight in a large Japanese hall.
๐ Prompt
Cinematic anime short film clip, 15 seconds. House of Blue Leaves interior, large dark Japanese hall, single dramatic spotlight cutting through the darkness illuminating the center of the floor, dark walls and pillars visible in the shadows, enemies
Author: TechieSA | Source: Link | Published: Aug 25, 2026
Scarlet Priestess Time Freeze Fantasy
A breathtaking cinematic fantasy sequence where a mage stops time during a storm to reconstruct a shattered tree.
๐ Prompt
Create a 15-second multi-shot 16:9 ultra-photorealistic live-action cinematic fantasy sequence. The sequence must look like a real high-end live-action film scene shot on location with a real performer and practical wardrobe. Absolute photographic realism. No 3D look, no CGI feel, no game-engine rendering, no plastic vegetation, no synthetic surfaces, no fantasy illustration aesthetic. Natural skin texture, visible textile fibers, heavy cloth behavior, wet moss, irregular bark, realistic droplets, physically believable wind, real gravity, true inertia, cinematic lens behavior, subtle film grain, restrained cinematic color grading. Core concept: a violent supernatural storm tears through the forest. The mage raises her staff high into the air to stop time. At the exact moment the staff reaches upward, time freezes instantly all around her: rain, leaves, broken branches, bark, wood splinters, moss, droplets and debris are suspended motionless in midair. Important: the mage herself is not frozen. She alone remains alive and moving outside stopped time. Her hair continues to flow in the wind, her immense red garment continues to ripple and breathe with natural weight, and she can move her hand through the frozen world. The camera glides through the suspended storm in macro detail, then reveals her gently touching a frozen droplet with her fingertips. She closes her fingers, and the whole forest rewinds violently in reverse. Final shot: a gigantic shattered tree reconstructs itself around her in a breathtaking live-action spectacle. SHOT 1 โ 0.0โ2.0 s. Wide kinetic establishing shot in the forest, 28mm lens feeling, camera moving through the trees as a violent supernatural storm tears across the landscape. Branches whip, leaves spiral, rain and spray burst through frame, loose bark and splinters fly through the air, ferns bend under sudden force. The mage stands ahead in the distance as a vivid red silhouette against the dark green forest. The storm is chaotic, heavy and physically believable. SHOT 2 โ 2.0โ4.0 s. Dramatic low-angle medium-wide shot. The mage powerfully raises her tall moss-covered staff high above her head toward the sky. Her stance is rooted and sovereign. Her expression is calm, focused, and absolute. Strong wind pushes through her long red hair and the heavy fibrous strands of her cloak, making them stream and flutter with real weight and texture. She is alive, powerful, and dynamic. The storm continues raging violently around her as she completes the upward gesture. SHOT 3 โ 4.0โ5.0 s. Extreme close shot on the staff lifted in the air and on her hand gripping it. At the exact peak of the gesture, time stops instantly. Hard supernatural freeze. Rain droplets, leaves, bark fragments, twigs, mud particles and torn moss become perfectly suspended in the air. The environment freezes absolutely. Important: only the world freezes. The mage remains unfrozen, breathing subtly, with hair and garment still moving in a mysterious residual wind. SHOT 4 โ 5.0โ7.0 s. Macro traversal shot through the frozen storm. The camera moves slowly and elegantly through suspended droplets, torn leaves, wood splinters, clumps of wet moss and airborne soil particles, all perfectly still. Shallow depth of field and delicate rack focus. Hyper-detailed water, bark fibers and plant textures. In the background, the mage remains the only moving element in the frame, her red hair drifting softly and her cloak breathing in the wind while everything else is frozen solid in time. SHOT 5 โ 7.0โ9.5 s. Intimate close shot transitioning from macro to portrait. The camera passes in front of the mageโs face as she slowly extends one hand into the frozen air. She gently touches a single suspended water droplet with her fingertips. The droplet remains perfectly suspended in space while her hand moves freely around it. Her face is alive, calm and controlled, not frozen. Her eyes study the droplet with quiet mastery. Strands of red hair move across the hood and cheeks, and the edges of her garment subtly ripple. Around her, the storm debris hangs motionless like a halo of suspended destruction. SHOT 6 โ 9.5โ12.0 s. Close dynamic shot with a slightly orbiting camera angle. After touching the droplet, the mage slowly closes her fingers. At that exact moment, the entire world reverses direction violently. All suspended elements accelerate backward through their original paths: droplets fly back into rain streams, splinters return into branches, bark fragments reattach, leaves reverse through the air, mud and moss snap back into place. The reverse motion must feel like true time rewinding, not simply objects moving backward. The mage remains centered and controlled while the forest heals around her. SHOT 7 โ 12.0โ15.0 s. Grand final shot, dramatic low-angle to medium-wide composition centered on the mage. Around and behind her stands a gigantic tree that had been violently shattered by the storm. In reverse motion, colossal trunk fragments, bark slabs, inner wood fibers, branches, moss and debris reassemble around her at monumental scale. The ancient tree reconstructs itself completely, sealing and becoming whole again while she stands beneath it with her staff still raised or just beginning to lower, hair and garment still moved by the lingering wind. End on a majestic completed composition: the restored towering tree enclosing her presence, the storm gone, the forest returned to impossible stillness, and the mage the only living force beyond time. Camera language must be varied and purposeful across the sequence: storm-driven wide shot, low-angle heroic gesture, extreme close-up trigger shot, macro traversal through frozen debris, intimate face-and-hand interaction, dynamic rewind shot, and monumental final reveal. Every angle must feel deliberate, original, cinematic, and worthy of a major film director. Keep the supernatural phenomenon grounded in realism. The impossible effect must emerge from fully believable physical materials: water, wood, bark, moss, leaves, mist, cloth, soil, and air. No glowing magic beams, no fantasy energy blasts, no holograms, no stylized VFX overload. The power is expressed through time control, motion contrast, tactile interaction with frozen matter, and physical reversal. Important visual rule: once time is stopped, all environmental elements must be perfectly frozen, but the mage must remain subtly animated. Her hair moves in the wind, her cloak and fibrous garment continue to ripple naturally, and she can deliberately reach out and touch a suspended droplet with her hand. No text, no titles, no captions, no logo, no watermark, no visible UI, no identity drift, no costume change, no staff change, no duplicate character, no malformed hands, no extra fingers, no synthetic skin, no cartoon motion, no low-detail background. no music, no subtitle
Author: Minuit | Source: Link | Published: Aug 25, 2026
Surreal Tree Head Character Animation
A prompt describing a surreal character whose head tree attracts a heavy flock of birds, causing physical comedy movement.
๐ Prompt
Maintain exact same visual style. Character: @[image1]. The tree growing from his head suddenly becomes filled with migrating birds. Their combined weight tilts his enormous head sideways, dragging the tiny body across the landscape. He tries shaking them loose but attracts even more birds. Finally he positions himself beside a cliff where the entire flock launches simultaneously, snapping his head upright like a released spring.
Author: AIrina (Virtual Media Net) | Source: Link | Published: Aug 25, 2026
Cinematic Medieval Warrior Battle Sequence
A highly detailed, ultra-slow-motion cinematic sequence of a medieval warrior in a muddy battlefield, featuring complex armor details and physics-based combat movements.
๐ Prompt
A cinematic video prompt describing an original mature male warrior in heavy steel armor on a muddy battlefield. The sequence features intimate close-ups of his helmet, first-person POV through eye slits, and a detailed battle against mounted attackers using a flail and a polearm. The style is hyper-realistic with a focus on physics, atmospheric fog, and ultra-slow-motion movements, emphasizing the weight and inertia of the armor and combat actions over 20 seconds of screen time.
Author: MadMax | Source: Link | Published: Aug 25, 2026
Post-Apocalyptic Mecha Awakening Transformation
A high-budget cinematic prompt for Seedance 2.5 that depicts the awakening of a character and their transformation into a hyper-realistic mech in a ruined city environment.
๐ Prompt
15 seconds, 16:9 cinematic widescreen, UE5.5 hyper-realistic style, high-precision 3DCG, Nanite high-poly models, PBR physical materials, Lumen global illumination, real-time ray tracing, Octane-level cinematic rendering quality, 8K, 60 fps. High-budget post-apocalyptic sci-fi film style, realistic motion blur, realistic particles, realistic electrical arcs, realistic smoke and dust, and realistic reflections on wet metal. The overall vibe is hard-edged, cool and edgy, oppressive, and exudes a powerful sense of awakening and dominance. Absolutely no anime-style, no cartoonish elements, and no cheap โcostume changeโ feel. [Character Identity Lock] Before transformation, strictly use the character in Figure 1 as the sole reference; do not reset the model or replace the face. Maintain exact consistency with Figure 1 in terms of the face, facial features, long straight light-blonde hair, white sleeveless top, blue jeans, brown high boots, body proportions, and cool, aloof demeanor. After transformation, strictly use Figure 2 as the sole reference for the mech form; do not reset the model or alter the mechโs structure. Maintain the complete appearance shown in Figure 2: the silver-gray-black mech, shoulder armor, chest armor, waist and hip armor, arm armor, leg armor, mechanical boots, back armor structure, orange glowing details, and head and neck structure must all be identical. The transformation must be a continuous evolution of the human character Alin (Figure 1) into the complete mech Alin (Figure 2). The identity must remain absolutely clear and continuous; the character must not transform into an unfamiliar character, the hairstyle must not be altered, and the face must not be completely obscured to become an unrecognizable mech figure. ใEnvironment Lockedใ The environment must strictly match Figure 3. The scene is a massive, ruined elevated platform or rooftop located above a post-apocalyptic megacity. The platform is spacious, damaged, and damp, with a mixed structure of metal and concrete. The ground features puddles left after rain, cracks, seams between steel plates, shattered debris, and scattered mechanical parts. The distant view features a city skyline in ruins: collapsed skyscrapers, broken bridges, distant fire, black smoke, thunderclouds, lightning, and a low-pressure stormy sky. The overall setting is an apocalyptic vantage point just before a storm hitsโopen, dangerous, and highly epic. ใLighting and Atmosphereใ Heavy, low-pressure storm clouds with a predominantly cool gray color palette. Fires in the distant city provide warm orange reflections, while lightning and storm clouds offer cool white highlights; the wet ground on the platform reflects the sky and the firelight. The wind is extremely strong, blowing Alinโs long hair, the hems of her clothes, dust, debris, and suspended mechanical units. The overall lighting features high-contrast, cinematic lighting: cool natural light, warm firelight, blue electric arcs, orange mecha light, and red blade light combine to create sophisticated layers. [Core Narrative] This is no ordinary suit activationโit is the arrival of a true awakening. Alin is first awakened by the power within her, then lifted off the ground by an invisible energy field, hovering above the high-altitude platform. The surrounding battlefield debris and mechanical units are awakened by her and respond to her, assembling at high speed through magnetic attraction around her as she hovers. Once her transformation is complete, she descends slowly onto the platform with an air of total control. The moment her feet touch the ground, she draws her red-hot energy blade and swings it, unleashing a blinding red blade of lightโthe entire sequence executed in one fluid motion, as if the ultimate female war goddess herself had descended upon the battlefield. ใGeneral Requirements for Camera Workใ Camera movements must be smooth, flawless, and seamless; they must not be monotonous or flat, nor should the camera fly erratically. The camera should appear to be guided by an awakened energy field, following her complete sequence of movements: being lifted from the ground, transforming mid-air, landing on the platform, and swinging her blade to unleash a beam of light. Techniques to use: Close-up tracking, semi-circular tracking shots, gliding along the path of her armorโs formation, mechanical parts in the foreground sweeping across the frame to create an occlusion-style transition, low-angle lifts, hovering circling shots, landing tracking, and a fluid pull-back shot during the blade swing. The entire sequence must feel like a single, continuous long take, with the momentum steadily building and no sense of interruption. [Timeline] 00:00 - 00:02 Alin, in the state shown in Figure 1, stands in the center of the high-altitude ruins platform depicted in Figure 3. A stormy sky looms overhead, the city burns in the distance, and lightning flashes through the clouds. The camera slowly pans up from a low angle at her left rear shoulder to her profile. She first tilts her head down slightly, as if suppressing the power within her; her breathing is restrained, and her gaze is cold and hard. Then she slowly raises her eyes, and subtle energy pulses emerge along her collarbone, the side of her neck, the lower part of her spine, and her fingertips. At that very moment, an invisible energy field rises from beneath her feet, and her body slowly lifts off the ground. Her feet leave the damp platform, and her long hair and the hems of her clothes are lifted simultaneously by the energy field and the gale, as she enters a state of suspended awakening. 00:02 - 00:05 Alin hovers in midair, about half a meter to one meter above the platform. The camera begins with a medium-close-up semi-circular shot, moving smoothly from her chest to her shoulders. Mechanical debris, nano-armor fragments, and black-and-silver structural units scattered around her are magnetically drawn from the platform and the air, forming high-speed orbits around her. The skeletal frame on her back unfolds behind her suspended body first, followed by the shoulder lock points, collarbone armor, and chest armor, which snap into place precisely along the curves of her body. The camera must follow the path of the armorโs formation, sweeping past the lock points on her back, over the closing shoulder armor, and gliding to the chest armor as it locks into place. Mechanical fragments streak past the foreground of the shot at high speed, creating a natural transition through visual obstruction. She hovers steadily in midair, her demeanor calm, as if everything is under her control. 00:02 - 00:05 Alin hovers in midair, about half a meter to one meter above the platform. The camera begins with a medium-close-up semi-circular shot, moving smoothly from her chest to her shoulders. Mechanical debris, nano-armor fragments, and black-and-silver structural units scattered around her are magnetically drawn from the platform and the air, forming high-speed orbits around her. The skeletal frame on her back unfolds behind her suspended body first, followed by the shoulder lock points, collarbone armor, and chest armor, which snap into place precisely along the curves of her body. The camera must follow the path of the armorโs formation, sweeping past the lock points on her back, over the closing shoulder armor, and gliding to the chest armor as it locks into place. Mechanical fragments streak past the foreground of the shot at high speed, creating a natural transition through visual obstruction. She hovers steadily in midair, her demeanor calm, as if everything is under her control. 00:05 - 00:08 The camera quickly cuts down to her arms and torso, then rises again with the flow. The mechanical framework of her forearms unfolds upward from the wrists, with silver-gray-black armor plates fitting together, locking, and interlocking one by one; the torso armor locks into place simultaneously with the hip structure; the leg armor closes smoothly from thigh to calf while suspended in midair, with the leather boots in Figure 1 upgrading to the mechanical boots in Figure 2. The camera seems to be dragged along by the armor as it glides from the forearms up to the waist and abdomen, then rises to the chest and neck. The orange energy bar lights up segment by segment along the seams, as if the awakening system is fully activated. The state of suspension lends the entire transformation a more divine and commanding presence. 00:08 - 00:10 The face and head/neck complete the awakening. The scene begins with an extreme close-up of her face; she closes her eyes slightly, her expression shifting completely from repression to total control. Mechanical units deploy at the back of her neck, behind her ears, and on both sides of her jaw, while head and neck armor rapidly closes in along the lines behind her ears, he
Author: Loriel.AI | Source: Link | Published: Aug 25, 2026
Edo Period Dark Fantasy Anime Battle
A complex, time-coded prompt for a high-budget 2D anime swordfight between a ronin and a paper exorcist.
๐ Prompt
Generate a 15-second 16:9 horizontal action-packed cinematic Edo-period dark fantasy anime video from the provided first frame. Characters: Ren (tattered charcoal kimono, cursed black katana, aggressive ronin) and Master Orikami (white Shinto robes, blind exorcist, floating paper cranes). Maintain 100% design consistency throughout. Style & Quality: High-budget TV anime style, sharp ink-wash line art, fluid 2D swordplay choreography, snow and leaf physics, dramatic speed lines, high-contrast cel shading. Time-Coded Action: 0.0s โ 3.0s: Ren dashes across the snowy shrine courtyard, executing heavy crimson-energy sword slashes. Orikami summons a dense wall of paper cranes to absorb the initial blow. 3.0s โ 7.0s: High-speed flurry. Orikami launches a vortex of sharp paper shurikens; Ren deflects them mid-air with lightning-fast sword spins before attempting a jumping overhead strike. 7.0s โ 11.0s: Ren cuts through a paper decoy. Orikami reappears behind him, using folded paper talismans to wrap around Ren's katana and arms, absorbing all momentum. 11.0s โ 15.0s: The paper bindings lock Ren completely in place, disarming his sword into the snow. End on a wide cinematic frame of the defeated ronin locked in paper while Orikami steps away silently amidst falling red maple leaves. Camera & Technical: Fast camera tracking, dynamic angle cuts, close-up blade clangs, wide dramatic ending frame. 16:9 horizontal format, no text, no watermark.
Author: Gilbert Odera | Your AI Plug | Source: Link | Published: Aug 25, 2026
Apartment Hallway Neighbor Confrontation
A scripted multi-shot prompt for Seedance 2.0 Mini involving a character named Zephyr Valentine in a humorous hallway encounter with a neighbor.
๐ Prompt
Main Character: Zephyr Valentine @[image1] @[image2] (keep facial features consistent and the exact same visual style)
Location: Quiet apartment hallway.
Other character: Suspicious elderly neighbor.
Shot 1 โ 0:00โ0:02
Zephyr walks confidently down the hallway. The neighbor steps into his path.Neighbor: โYou donโt live here.โ
Shot 2 โ 0:02โ0:04
Zephyr stops. Slight smile.Zephyr: โStrong opening.โ
Shot 3 โ 0:04โ0:05.5
Neighbor narrows her eyes.Neighbor: โWho are you visiting?โ
Shot 4 โ 0:05.5โ0:07.5
Zephyr looks thoughtfully down the hallway.Zephyr: โApparently nobody.โ
Shot 5 โ 0:07.5โ0:09
Neighbor frowns.Neighbor: โWhat does that mean?โ
Shot 6 โ 0:09โ0:11
Zephyr glances at the floor number, suddenly realizing something.Zephyr: โIt meansโฆโ
Shot 7 โ 0:11โ0:13
Close-up Zephyr removing his sunglasses slightly, embarrassed.Zephyr: โโฆIโm one floor too high.โ
Shot 8 โ 0:13โ0:15
Neighbor gives him a victorious smile. Zephyr points approvingly at her.Zephyr: โExcellent security.โShe immediately looks proud.
Author: AIrina (Virtual Media Net) | Source: Link | Published: Aug 25, 2026
Desert Sci-Fi Epic Artifact Awakening
A three-shot cinematic sequence following a scientist who discovers and activates a glowing alien artifact in a windswept desert.
๐ Prompt
Create ultra realistic 15 seconds Epic cinematic science fiction, photorealistic VFX, dramatic lighting, atmospheric desert environment, high detail, realistic physics, smooth cinematic camera movement, seamless visual continuity.
Shot 1 โ Discovery | 0โ5 sec
A lone scientist in a futuristic exploration suit walks through a vast, windswept desert at golden hour. He suddenly stops and discovers a mysterious alien artifact partially buried in the sand. The artifact glows with an intense blue-white energy, illuminating his face as dust swirls around him. Slow cinematic push-in, dramatic composition, realistic textures.
Shot 2 โ Awakening | 5โ10 sec
The alien artifact slowly rises from the ground and begins floating several feet above the desert. Powerful waves of blue energy pulse outward from it, sending sand and dust spiraling through the air. The scientist steps back in awe as the artifact becomes increasingly brighter. Low-angle camera movement, dramatic energy effects, cinematic lens flare, epic scale.
Shot 3 โ Portal | 10โ15 sec
The sky above the desert suddenly begins to distort and crack with glowing blue energy. A massive circular portal opens among the clouds, revealing a mysterious cosmic dimension beyond it. The artifact releases a powerful beam of energy toward the portal as the desert is illuminated by its glow. The scientist stands silhouetted in the foreground, staring upward. Epic wide shot, dramatic camera pullback, breathtaking sci-fi finale.
Negative prompt: cartoon, low quality, blurry, unrealistic physics, distorted human, extra limbs, text, subtitles, watermark, logo, shaky camera, abrupt transitions.
Author: Nafees | Source: Link | Published: Aug 25, 2026
Female Morning Fitness Lifestyle Vlog
A comprehensive multi-shot lifestyle prompt for a fitness vlog, detailing morning routines from waking up to a brisk outdoor walk.
๐ Prompt
Part 1. 30 second + part 2. 15 second =Total 45 second DURATION: 45 seconds ASPECT RATIO: 16:9 Part 1. 30 second Create an ultra-photorealistic cinematic female morning fitness lifestyle vlog. REFERENCE PRIORITY: @IMG1 = STRICT FEMALE IDENTITY REFERENCE @IMG8 = MASTER FITNESS LOOK, OUTFIT, HAIRSTYLE, SHOES AND ACCESSORIES @IMG2 = BEDROOM ENVIRONMENT @IMG3 = BATHROOM ENVIRONMENT @IMG4 = MORNING WALKING ROUTE @IMG5 = GYM ENVIRONMENT @IMG6 = FITNESS ACTION REFERENCE The SAME woman from @IMG1 must appear throughout the entire video. Use @IMG8 to maintain her exact fitness outfit, hairstyle, sneakers, earbuds, fitness watch and water bottle once she changes for her workout. Do not change her face, identity, hairstyle or appearance. -------------------------------------------------- 0โ5 SECONDS โ WAKE UP Use @IMG1 + @IMG2. Early morning. The woman is sleeping peacefully in her bedroom. Soft morning sunlight enters through the curtains. She slowly wakes up. She opens her eyes, sits up naturally and gently stretches. She gets out of bed. Natural sleepy morning expression. CAMERA: Slow cinematic push-in from a medium-wide bedroom shot. -------------------------------------------------- 5โ10 SECONDS โ BRUSH & FACE WASH Use @IMG1 + @IMG3. She walks into the bathroom. She stands naturally in front of the mirror. She brushes her teeth. Show a brief realistic close-up of brushing. She rinses her mouth. Then she washes her face with clean water. She gently dries her face with a towel. She looks into the mirror with a fresh morning expression. CAMERA: Medium mirror shot followed by brief close-ups. Realistic water movement and natural hand movements. -------------------------------------------------- 10โ15 SECONDS โ GETTING READY FOR FITNESS Use @IMG8. She changes into the exact athletic outfit shown in @IMG8. She puts on the same running shoes. She puts in the same wireless earbuds. She wears the same fitness watch. She picks up the same reusable water bottle. She briefly checks herself in the mirror. She is ready for her morning walk and gym session. CAMERA: Quick but smooth lifestyle cuts: athletic shoes, earbuds, fitness watch, water bottle, then medium shot of her ready to leave. Do not change her outfit after this point. -------------------------------------------------- 15โ22 SECONDS โ MORNING WALK Use @IMG8 + @IMG4. She leaves her home and walks along the peaceful morning walking route. Soft sunrise light passes through the trees. She starts with a comfortable walk. After a few moments she increases her pace into a light brisk walk. Her arms and legs move naturally. She looks calm, fresh and energetic. CAMERA: Smooth side-tracking shot. Then a front-facing tracking shot. Brief close-up of her sneakers walking on the path. Keep the morning environment visible. -------------------------------------------------- 22โ26 SECONDS โ GYM ARRIVAL Use @IMG8 + @IMG5. She arrives at the gym. She approaches the entrance. She opens the door and walks inside. The camera follows her into the gym. Briefly reveal the treadmill and workout area. She walks toward the treadmill. CAMERA: Smooth follow shot from behind. Then wide gym establishing shot. -------------------------------------------------- 26โ30 SECONDS โ TREADMILL BEGINNING Use @IMG8 + @IMG6. She steps onto the treadmill. She places her feet naturally. She begins with a slow warm-up walk. After a moment, she increases the speed slightly and begins a light jog. Her posture is natural. Her arms move naturally. Her expression is focused but comfortable. END THE VIDEO WHILE SHE IS STILL LIGHTLY JOGGING. IMPORTANT: Do NOT finish the workout in Part 1. Do NOT show dumbbells yet. Do NOT show stretching yet. Do NOT show the final water/mirror scene yet. The final moment must clearly establish her jogging on the treadmill so Part 2 can continue from this exact activity. CAMERA: Side medium shot of the treadmill. Finish with a stable cinematic frame of her jogging. -------------------------------------------------- REALISM: Natural human movement. Realistic walking. Realistic running. Realistic treadmill mechanics. Realistic brushing. Realistic face washing. Realistic water. Realistic clothing movement. Realistic hands and feet. Natural facial expressions. No exaggerated movements. No sudden transitions. No teleportation. No face morphing. No identity change. No outfit change after the fitness outfit appears. No distorted hands. No extra fingers. No cartoon. No anime. No CGI-looking human. No text. No logos. No watermark. FINAL FRAME: The woman is lightly jogging on the treadmill inside the gym. Hold the final treadmill shot briefly and cleanly. This final frame will be used as the continuity reference for . PART 2. DURATION: 15 SECONDS Create an ultra-photorealistic cinematic continuation of PART 1. CONTINUITY PRIORITY โ ABSOLUTE: The video MUST begin from the EXACT FINAL FRAME of PART 1. Use the final frame of Part 1 as the PRIMARY STARTING REFERENCE. The SAME woman must continue from the exact treadmill position. Preserve: - exact face - hairstyle - athletic outfit - shoes - earbuds - fitness watch - body position - gym environment - lighting - camera perspective - treadmill position There must be NO visible jump, character change, outfit change or environment change. ADDITIONAL REFERENCES: @IMG8 = MASTER FITNESS CHARACTER @IMG6 = GYM WORKOUT ACTION @IMG7 = POST-WORKOUT ENDING -------------------------------------------------- 0โ4 SECONDS โ CONTINUE TREADMILL Continue EXACTLY from the final frame of Part 1. The woman continues lightly jogging on the treadmill. Do not restart the action. Her running rhythm remains consistent with Part 1. After a moment, she gradually slows the treadmill. She steps off naturally. CAMERA: Continue the same camera angle from the final frame of Part 1 before making a subtle cinematic transition. -------------------------------------------------- 4โ8 SECONDS โ DUMBBELL WORKOUT Use @IMG6. The woman walks naturally from the treadmill to the dumbbell area. She picks up a pair of light dumbbells. She performs controlled shoulder/arm exercises. Her movements are realistic and safe. She completes a few controlled repetitions. CAMERA: Medium cinematic shot. Brief close-up of her hands holding the dumbbells. Keep her face recognizable. -------------------------------------------------- 8โ11 SECONDS โ MAT + STRETCH Use @IMG6. She places the dumbbells down. She moves to an exercise mat. She performs one simple controlled core exercise. Then she stands up and performs a brief gentle stretch. Natural breathing. Relaxed but slightly tired expression. CAMERA: Medium-wide shot. Smooth transition from mat exercise to standing stretch. -------------------------------------------------- 11โ15 SECONDS โ WATER + FINAL SMILE Use @IMG7. The workout is complete. She picks up her reusable water bottle. She takes a natural drink of water. She gently wipes her forehead with the gym towel. She looks at herself in the large gym mirror. She takes a calm breath. She gives herself a small confident satisfied smile. CAMERA: Gentle cinematic push toward her reflection. Finish on the confident smile. CUT TO BLACK. -------------------------------------------------- CONTINUITY RULES: Same woman from Part 1. Same face. Same hairstyle. Same athletic outfit. Same shoes. Same earbuds. Same fitness watch. Same gym. Same lighting. Same morning atmosphere. Same realistic visual style. The first frame of Part 2 must match the final frame of Part 1. No restart. No sudden camera jump. No outfit change. No face morphing. No different woman. No distorted hands. No extra fingers. No unrealistic exercise. No exaggerated movements. No cartoon. No anime. No text. No logo.
Author: Elsa Ai | Source: Link | Published: Aug 25, 2026
Amazon Rainforest Horror Monster Encounter
A suspenseful dark fantasy prompt featuring a predator encounter in the Amazon rainforest, adhering to specific monster and protagonist references.
๐ Prompt
15 seconds, 16:9 cinematic widescreen, UE5.5 hyper-realistic 3DCG, Octane rendering, Nanite high-precision models, PBR physical materials, real-time ray tracing, Lumen global illumination, 8K, 60 fps, cinematic dark fantasy realism. Volumetric fog, Tyndall beams, humid air, muddy ground, decaying leaves, moss, shallow puddles, dripping slime, realistic motion blur, and realistic fluid simulation. The overall tone is more suspenseful, restrained, and sophisticated than a typical monster encounterโlike the final 15 seconds of a death prelude before a major battle erupts. The first half builds tension through silence, uncertainty, and a sense of being watched; in the final 0.5 seconds, the monster suddenly lunges at the playerโs face, and the scene cuts to black just as it is about to bite. [Environment Lock] The environment must be strictly limited to the Amazon rainforest; it must not be a regular forest, a mountainous forest, a swamp, or ruins. The following elements are mandatory: towering ancient trees, thick, twisted roots, massive root mounds, dense canopies, humid tropical air, moss-covered trunks, a layer of decaying leaves, black mud, shallow pools of water, vines, rising water vapor, low-hanging mist, dense vegetation, and localized Tyndall light beams filtering through gaps in the canopy. The overall atmosphere is dark, deep, and oppressive, with the heat and humidity making it nearly impossible to see into the distance. The environment must evoke the feeling of a โpredatorโs territory.โ [Monster Lock-In] Figure 1 serves as the sole reference for the monster; strictly adhere to this designโno resets, no alterations. Maintain its slender, ground-hugging quadrupedal posture, extremely long forelimbs, massive claws, protruding bony ridges, slender tail, low-crouching elongated head, deeply cleft long snout, dense rows of fangs, cold white eyes, slippery dark brown (nearly black) skin, a surface resembling decaying fascia, and constantly dripping mucus. Its movements must resemble those of a high-level predator: low-crouching, slow, calculating, creeping, and capable of sudden bursts of speed. Do not transform it into a humanoid form, do not adopt an โAlienโ-style design, and do not allow its appearance to drift. Multiple creatures of the same species may be lurking, but the main monster must be the clearest, most complete, and most oppressive. ใFemale Protagonist Lock-Inใ Figure 2 serves as the sole reference for the female protagonist, named Alin; this is strictly locked in and must not be reset. Maintain consistency in her face, long straight light-blonde hair, white sleeveless top, blue jeans, brown high boots, physique, and composed demeanor. She is not the screaming-and-running-away type of heroine, but rather someone who suppresses her fear, makes calm judgments, and never backs down. She does not actively attack in the film, but she gradually realizes she has been targeted and, in the end, stands her ground, meeting the main monsterโs gaze. ใCinematographyใ The cinematography should be sophisticated, restrained, and cinematic. Avoid random cuts, music video-style visuals, and exaggerated, shaky camera movements typical of action films. The overall feel should resemble the โdeath approachesโ sequence in a high-tension thriller. Filming principles: First, use a high-speed shot through the forest to establish danger, then slow down as she enters the clearing, followed by low-angle shots and alternating close-ups to establish mutual lock-on, then circle around to reveal she is surrounded, and finally, use extremely short, rapid cuts to bring the attack to its climax. In the first half, itโs better to be a bit slower and more measured rather than rushing to scare the audience. Let the tension suddenly erupt in the final 0.5 seconds to create a jarring contrast. [Second-by-Second Timeline] 0.0โ2.8s We race through the dense Amazon rainforest at FPV-like speeds. The camera sweeps past damp vines, moss-covered trunks, hanging branches and leaves, low-hanging mist, and massive, tangled roots. The pace is fast, but the space feels increasingly oppressive. Leaves, twigs, and shallow puddles are disturbed by the airflow. Occasionally, the blurry outline and cold, white eyes of the monster from Figure 1 flash by in the shadows of distant trees, but its full form must never be clearly visible. The only sound effects are the rustling of damp leaves, the low, guttural vocalizations of a distant creature, and the sporadic snapping of dry branches. The camera suddenly slows down at the end and comes to a stop at the edge of a dim clearing. 2.8โ5.0s Alin slowly steps out of the shadows and mist into the clearing, strictly maintaining the appearance shown in Figure 2. Her boots sink into black mud and decaying leaves, and the shallow water at her feet ripples gently. She isnโt running frantically; rather, as if sheโs sensed something, she slowly comes to a halt and looks up toward the depths of the forest. A beam of Tyndall light filtering through a gap in the canopy falls upon her hair, shoulders, and half her face; her white top stands out starkly against the dim rainforest. Her breathing is light, her shoulders and back are tense, and her fingers are slightly clenched as she begins to realize she is no longer an observer, but the prey. 5.0โ7.2s The camera moves forward at a low angle, skimming the ground, peering through decaying leaves, black mud, and the crevices between tree roots toward the shadows ahead. The main monster slowly reveals half its body from behind a giant tree. First, its massive claws sink into the mud, pushing aside the black mud and decaying leaves; then, its slick bony spine and crouched head slowly emerge from the shadows. It does not pounce, but merely raises its head extremely slowly, its cold, white eyes glowing in the shadows as mucus drips silently from the corners of its mouth. The entire sequence should feel like a predator confirming its prey, not a sudden, startling leap. 7.2โ9.5s Cross-cutting close-ups establish โmutual sight.โ A close-up of Alinโs face shows her pupils slightly constricted and her lips slightly parted, though she makes no sound; a close-up of the monsterโs head shows its long snout slowly opening, revealing sharp fangs and stringy mucus; Alin gently shifts her stance with the tips of her boots, planting her heels more firmly; the monsterโs forelimbs move half a step forward, the muscles in its shoulders, back, and limbs slowly tensing beneath its wet skin. The mist particles in the beam of light float motionless; time seems to stretch out. The emotion here is this: she hasnโt fled, and it hasnโt pounced yet, but the battle has already begun. 9.5โ11.8s The camera makes a slow half-circle around Alin, revealing a greater threat. As the camera moves, several other monsters of the same kind appear faintly among the shadows of the trees and vegetation in the background: some are crawling close to the ground, with only their eyes and front paws visible; others are crouching behind tree roots, their long snouts half-open; still others are merely silhouettes of their spines in the mist farther away. None of them charge out; they simply form a silent encirclement. The rustling in the woods grows denser; bird song in the distance ceases entirely, and the air seems to be taken over by a collective will. 11.8โ13.4s The main monster begins to close in for real. Extreme close-ups of its face, claws, and shoulder line. Its sharp claws dig deep into the mud, pushing aside decaying leaves as black water oozes from between them. Mucus drips from the corners of its mouth onto the mud, making a faint, wet sound. It tilted its head slightly, as if assessing which angle would make it easiest to snap its preyโs throat. Alin still did not back down; she stood firm, raised her head, and met its gaze, her expression shifting from tension to a resolve so calm it bordered
Author: Loriel.AI | Source: Link | Published: Aug 25, 2026
Toy to Giant Dragon Transformation
An ultra-realistic fantasy sequence where a small toy dragon transforms into a massive mythical creature by a river.
๐ Prompt
15-Second Realistic Dragon Transformation Prompt Create a 15-second ultra-realistic cinematic fantasy sequence featuring an adult woman in her 20s playing with a small toy dragon beside a crystal-clear river deep inside a lush, mysterious forest. Scene & Character: A beautiful adult woman in her 20s, natural appearance, realistic skin texture, long flowing hair, wearing a simple earthy-toned casual outfit. She is sitting on smooth rocks beside a shallow forest river, playfully holding a small, highly detailed toy dragon in her hands. The environment feels completely real and immersive: dense green foliage, moss-covered rocks, soft sunlight filtering through the trees, floating dust particles, realistic water movement and natural atmospheric depth. 0โ4 seconds: Begin with a cinematic medium shot of the woman sitting beside the river, smiling naturally as she plays with the tiny dragon. She gently moves the toy through the air as if making it fly. Use subtle handheld camera movement and realistic environmental sounds. Sunlight creates soft highlights across her hair and the water. 4โ7 seconds: She slowly lowers the toy dragon into the shallow river and briefly dips it completely underwater. As the toy touches the water, create subtle but realistic ripples and small waves around it. The woman watches with curiosity. 7โ11 seconds โ Transformation: The water suddenly begins to glow with a subtle mystical energy. The tiny dragon starts expanding beneath the surface. Its body rapidly grows while maintaining realistic anatomy and physical movement. Scales form naturally across its body, wings unfold, claws emerge, and its long tail sweeps through the water. The transformation should feel physically believable and photorealistic, not cartoonish. Water splashes naturally as the creature grows from a tiny toy into a massive, majestic dragon. 11โ15 seconds: The giant dragon rises dramatically from the river, towering above the woman. Water cascades from its enormous scales and wings. It spreads its massive wings and releases a powerful but realistic roar that echoes through the forest. The woman steps back in genuine amazement while maintaining a natural, believable reaction. End with a wide cinematic shot revealing the woman, the giant dragon, the river and the surrounding forest together, creating a breathtaking sense of scale. Visual Style: Ultra-photorealistic live-action fantasy, cinematic Hollywood-level VFX, physically accurate water simulation, realistic dragon anatomy, detailed individual scales, natural skin and hair textures, volumetric sunlight, realistic shadows, atmospheric depth, subtle film grain, high dynamic range, realistic motion blur, full-frame cinema camera look, 35mm lens
Author: Ruzaina | Source: Link | Published: Aug 25, 2026
Pixar Style Beauty Routine Animation
A detailed 3D Pixar-style animation sequence showing a character's bathroom routine, including hair drying and a smooth outfit transition.
๐ Prompt
3D Pixar-style animation sequence set in a luxurious, modern marble bathroom with warm ambient lighting. A young Asian female character with large expressive eyes undergoes a quick routine: 1. Wrapped in a plush white bath towel, she pulls off a matching head towel, letting her wet, dark hair drop around her shoulders. 2. Side shot as she blows dry her long black hair with a sleek pink hair dryer. Her hair flows smoothly in the breeze. 3. Close-up of fingers running through glossy silky, ultra-straight black hair with realistic sheen and movement. 4 She reaches out toward the screen smoothly transitioning from the bath towel into an elegant white silk slip dress. 5. She turns, opens the wooden bathroom door, steps out and gently closes the door behind her.
Author: Lavinia | Source: Link | Published: Aug 25, 2026
T-Rex Dashcam Jungle Attack
A raw, high-intensity survival sequence filmed like authentic dashboard camera footage showing a T-Rex attacking a military jeep in a flooded jungle.
๐ Prompt
Ultra-realistic 12โ15 second blockbuster survival-action sequence filmed as raw dashboard camera / windshield-mounted camera footage from inside a fast-moving military jeep on a flooded jungle road in Vietnam. The footage must feel like authentic accidental real-world capture, not staged cinematography: slight dashboard vibration, realistic camera shake from the suspension, windshield rain streaks, muddy spray, engine vibration, tire slip, natural motion blur, and occasional wiper movement. 2000s/2010s creature-feature realism, grounded and physically believable. No teleportation, no impossible direction changes, no morphing. Vehicle speed, road direction, dinosaur movement, and all collisions must remain spatially coherent. Location / atmosphere: remote jungle road in Vietnam after heavy rain, shallow floodwater over the road, muddy ruts, broken vegetation, dense green jungle on both sides, grey storm daylight, humid haze, puddles, mist, birds scattering from the trees. 0โ2s โ ULTRA HOOK: Start already at full speed from the jeep dashcam. A military jeep is racing down a flooded jungle road behind another vehicle when, within the first 2 seconds, a massive T-Rex explodes out of the jungle from the right side and slams into the lead vehicle. The impact sends the vehicle violently sideways across the muddy road, smashing through water and vegetation. The T-Rex roars directly in front of the camera as the driver of the camera jeep yanks the wheel hard left to avoid the wreck. Water and mud blast across the windshield. One soldier inside the jeep shouts: โLEFT! LEFT! LEFT!โ 2โ5s: The jeep fishtails through the floodwater but keeps moving. The crashed vehicle spins behind them while the T-Rex regains balance and immediately charges after the camera jeep down the road. Keep the motion physically grounded: heavy footfalls, splashing water, mud thrown backward, the predator accelerating with believable weight and inertia. The driver fights for control while the passenger twists around in panic to look back. A soldier yells: โITโS BEHIND US! GO! GO!โ 5โ8s: The T-Rex closes the distance, stomping through the road and shoulder, smashing through low trees and sending branches into the air. The jeep bounces over deep muddy ruts and nearly loses traction. The dinosaur lunges once and snaps its jaws just behind the rear of the vehicle, narrowly missing. The driver swerves around a fallen tree while tires spray muddy water in long arcs. The whole scene should feel dangerously unstable but readable. 8โ11s โ CRISIS: Ahead, part of the road is partially blocked by a large leaning tree weakened by the storm. The driver commits and aims for the narrow gap beside it. The T-Rex charges even harder, almost close enough to bite the jeep. The road curve
Author: DennisVisuals | Source: Link | Published: Aug 25, 2026
Dune Ridge Military Base Sequence
A highly detailed, technical four-shot sequence detailing environmental anchors and camera movements for a desert military base scene.
๐ Prompt
WORLD LOCK: The dune ridge above the base, cold blue sand before dawn. NORTH - a high dune ridge, crest forty metres above the flats, wind combing the sand off every crest. SOUTH - open cold blue flats running to a black horizon, the descending enemy hull burning steady high in that quarter. EAST - the palest band of pre-dawn skyglow lying flat on the horizon. WEST - a black dune field, the deepest part of the night. Named anchors: CENTRAL DOME (thirty metres tall, blistered ceramic, middle of the base), COMMAND DOME (seventy metres east of central), ARMORY DOME (seventy metres west of central, half sunk in sand), OUTER DOME (empty shell, one hundred sixty metres north-west of central, on the perimeter), RIDGE CREST (two hundred twenty metres north of central, forty metres higher), ASHWING PAD (sixty metres north-east of the command dome). SCARECROW stands on the RIDGE CREST, two hundred twenty metres north of the CENTRAL DOME and forty metres above the flats, boots on the crest skin, BODY FACING SOUTH toward the domes. AXIS LOCK: 180-degree line from the RIDGE CREST in the north to the CENTRAL DOME in the south. Camera remains EAST of that line for the whole clip. Screen directions: uphill and north read SCREEN-RIGHT, the base and south read SCREEN-LEFT and far below, the descending star reads high SCREEN-LEFT. [T=0.0-3.2s] SHOT 1 - extreme wide - 32 mm CAMERA: eighteen metres east of Scarecrow, 1.2 m above the crest, east of the axis, looking west across the ridge line. MOVE: STATIC. ACTION: wind combs the crest and lifts long ribbons of sand off it past the standing figure. EYELINE: Scarecrow looks SCREEN-LEFT and down toward the domes. SOUND: hard steady wind, dry sand hiss. HARD CUT at T=3.2s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=3.2-6.0s] SHOT 2 - wide low - 24 mm CAMERA: twelve metres east, 0.25 m above the sand, east of the axis, looking west at boot level. MOVE: TRACK L 1.5 m. ACTION: a dark pulse travels under the dune skin from SCREEN-RIGHT to SCREEN-LEFT and the sand shivers above it. EYELINE: none in shot, the pulse travels SCREEN-LEFT. SOUND: a deep subsonic thud rolling away under the ground. HARD CUT at T=6.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=6.0-9.0s] SHOT 3 - extreme wide high - 28 mm CAMERA: twenty-five metres east and eight metres above the crest, east of the axis, looking west and down over the flats. MOVE: TILT DOWN 10 degrees. ACTION: three buried foundation rings light under the sand one after another, marking three round domes on the flats below. EYELINE: none in shot, the rings light from SCREEN-LEFT inward. SOUND: the subsonic thud repeating three times, each fainter. HARD CUT at T=9.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=9.0-11.6s] SHOT 4 - medium - 50 mm CAMERA: four metres east of Scarecrow, 0.5 m high, east of the axis, looking west at his legs and boots. MOVE: HANDHELD MICRO-SHAKE. ACTION: the sand around his boots vibrates in fine rings and he plants his weight to feel it come up through the leather. EYELINE: he looks straight down at his own boots, SCREEN-DOWN. SOUND: sand grains ticking against boot leather. HARD CUT at T=11.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=11.6-14.4s] SHOT 5 - medium close - 85 mm CAMERA: three metres east, 1.3 m high, east of the axis, looking west at his chest and hands. MOVE: STATIC. ACTION: he raises both living hands in front of his chest and turns them palm up in the cold blue light, studying the skin. EYELINE: he looks down into his own open palms, SCREEN-DOWN. SOUND: wind flattening the coat cloth. HARD CUT at T=14.4s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=14.4-17.0s] SHOT 6 - medium wide over shoulder - 40 mm CAMERA: five metres east and slightly behind his right shoulder, 1.7 m high, east of the axis, looking west-south-west past him. MOVE: DOLLY IN 0.8 m. ACTION: his head turns SCREEN-LEFT and settles on the central dome far below, the lit ring under its sand still glowing. EYELINE: Scarecrow looks SCREEN-LEFT and down at the central dome. SOUND: wind, and a low hum coming up from the flats. HARD CUT at T=17.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=17.0-19.6s] SHOT 7 - medium close low - 65 mm CAMERA: two and a half metres east, 1.0 m high, east of the axis, looking west and up at his jaw and skull. MOVE: TILT UP 12 degrees. ACTION: he tips his head back and the orange point high in the southern sky lays a hot line down his cheek. EYELINE: Scarecrow looks high SCREEN-LEFT into the sky. SOUND: wind thinning, a faint far-off burn. HARD CUT at T=19.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=19.6-22.6s] SHOT 8 - wide sky - 35 mm CAMERA: twelve metres east, 2 m high, east of the axis, angled up thirty degrees into the southern sky. MOVE: STATIC. ACTION: a new star comes down through the high cloud far too fast, burning steady and unblinking, dragging a thin straight trail. EYELINE: none in shot, the star travels SCREEN-LEFT and down. SOUND: a distant flat roar arriving late. HARD CUT at T=22.6s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=22.6-27.4s] SHOT 9 - close - 85 mm CAMERA: two metres east of Scarecrow, 1.6 m high, east of the axis, looking west at his face in three-quarter profile. MOVE: HANDHELD MICRO-SHAKE. ACTION: he speaks one short measured sentence into the wind, jaw and scarred lips moving clearly, eyes staying on the sky. EYELINE: Scarecrow holds high SCREEN-LEFT. SOUND: wind under a steady voice, sand ticking on the coat. HARD CUT at T=27.4s. Scarecrow on the crest facing SOUTH, camera east of the axis. [T=27.4-30.0s] SHOT 10 - extreme wide - 28 mm CAMERA: twenty-two metres east and four metres above the crest, east of the axis, looking west across ridge, base and sky together. MOVE: STATIC. ACTION: the small figure holds the crest while the three lit rings glow far below and the burning point drops toward them. EYELINE: Scarecrow holds high SCREEN-LEFT. SOUND: wind, subsonic hum, distant burn. HARD CUT at T=30.0s. Scarecrow on the crest facing SOUTH, camera east of the axis. END FRAME: extreme wide of the ridge with Scarecrow small on the crest facing south, three ring-shaped glows under the sand far below him and one hard burning point coming down out of the southern sky above the domes. INFORMATION CHANGED: the buried thing under the base has woken and lit its three rings, and Scarecrow has recognised what is coming down out of the sky. NEGATIVES: no on-screen text, no captions, no subtitles, no watermark, no split screen, no crowd in focus, no weapon touching a body, no fingers manipulating small objects, no animals in close-up, no cartoon or neon comic look, no oversaturation.
Author: Vitalii Isaev | Source: Link | Published: Aug 25, 2026
Japanese Summer Festival Vlog
A vibrant vlog-style prompt for Seedance 2.5 that captures the atmosphere of a traditional Japanese Matsuri night festival with detailed scene breakdowns.
๐ Prompt
A vibrant 30 second vlog style cinematic montage shot at a traditional Japanese summer night festival Matsuri. The main subject is a cheerful young East Asian woman with soft brown hair tied back in a low side ponytail, wearing a classic pastel light blue yukata with a clean white obi sash. The scene is illuminated by warm glowing red paper lanterns hanging overhead and warm lights from wooden street food stalls yatai against the dark night sky.
The sequence captures her enjoying the festival: walking through the lively crowded night market, receiving a freshly made boat of sizzling takoyaki from a vendor, taking a bite of hot takoyaki on a wooden skewer, successfully winning a plush toy at a festival ring toss stall, looking up in awe as vibrant fireworks explode in the night sky, and holding her prize while smiling and waving to the camera. High definition, warm festival lighting, soft background bokeh, natural motion blur, cinematic color grading.
Subject and Environment Details
Subject: Young East Asian female, mid 20s, expressive and energetic demeanor.
Wardrobe: Traditional light blue cotton yukata with subtle white pattern, white under collar, white obi sash, delicate gold wrist bracelet.
Location: Japanese night festival Matsuri. Features wooden market stalls, hanging red paper lanterns chochin, crowds in yukata, prize booths with plush toys, and fireworks overhead.
Scene by Scene Breakdown and Dialogue
Scene 1: Walking Through the Festival 0:00 to 0:03
Visuals: Medium handheld selfie or follow shot. She walks along an illuminated street lined with wooden stalls and hanging lanterns, glancing around at the vibrant atmosphere.
Audio SFX: Ambient festival crowds, music, chatter.
Scene 2: Takoyaki Stall 0:03 to 0:06
Visuals: Close up on a street food vendor using wooden picks to turn octopus balls takoyaki on a hot griddle. She holds out a paper boat tray to receive her fresh portion topped with sauce and bonito flakes.
Scene 3: Tasting the Food 0:07 to 0:12
Visuals: Close up shot. She uses a wooden skewer to lift a hot takoyaki ball, blows on it gently, takes a bite, chews, and reacts with genuine delight.
Audio and Dialogue: "Mmm"
Scene 4: Ring Toss Carnival Game 0:13 to 0:20
Visuals: Medium shot at a game booth lined with rows of stuffed animals. She carefully aims a plastic ring, tosses it, and lands it perfectly around a white bunny plush. She gasps in excitement and picks up her won prize with a wide smile.
Audio and Dialogue: "Wah! Sugoi! Wow! Awesome!"
Scene 5: Fireworks Display 0:21 to 0:25
Visuals: Low angle selfie shot. Holding her plush toy close, she looks up into the night sky as bright colorful fireworks burst overhead, illuminating her face.
Audio and Dialogue: "Woah!" Pop and boom of fireworks.
Scene 6: Farewell and Wave 0:26 to 0:30
Visuals: Close up selfie shot. She looks directly into the camera lens with a warm smil
Author: Harboris | Source: Link | Published: Aug 25, 2026
Dark Fantasy Epic Warrior Battle
A cinematic dark fantasy prompt featuring a female warrior, an ancient white dragon, and celestial magic.
๐ Prompt
A cinematic dark fantasy epic video in 8K resolution. Extreme macro close-up of a female warrior's eye, iris reflecting a burning molten celestial orb swirling inside dark storm clouds. Low-angle tracking shot as an East Asian female warrior clad in sleek black leather-and-steel armor walks through shallow water carrying an ornate key. She steps onto a circular stone platform engraved with glowing golden runes, surrounded by mist, cascading waterfalls, and ancient temple ruins. Above, a colossal magma-veined celestial sphere looms within a vortex of swirling clouds. She inserts the key into a moss-covered stone altar, triggering a massive circular runic array that launches vertical high-pressure water geysers into the sky. A giant, majestic white serpentine dragon with fiery orange eyes emerges from the mist. The warrior extends her hand as her eyes glow bright golden, establishing a powerful magical bond. The dragon turns upwards, soaring into the sky and unleashing a beam of pure radiant white energy directly into the celestial orb, causing it to shatter into shockwaves of blinding light. Epic cinematic scale, volumetric fog, photorealistic visual effects, Unreal Engine 5 render style, dark gray and golden color grading, hyper-detailed.
Author: Zyrella | Source: Link | Published: Aug 25, 2026
Post-Apocalyptic Superhero Battle Sequence
A dynamic cinematic action prompt featuring two heroines battling an alien monster in a ruined city, complete with camera shot directions and visual style details.
๐ Prompt
Cinematic action scene set in a post-apocalyptic destroyed city during sunset. Two young East Asian female heroinesโone with long vibrant bright pink hair in colorful streetwear with yellow gloves, and one with a sharp black bob hairstyle wearing a tight black latex superhero suitโrun side-by-side down a cracked, ruined highway. They leap high into the air to battle a massive, menacing black alien monster with glowing red eyes, sharp bio-armor, and dark tendrils. Fast-paced dynamic cuts: sweeping tracking shot, close-up of a high-kick land on the monster's chest, high-angle leap into a smoke cloud, landing together in a low three-point superhero pose looking intense and out of breath. Ends with a extreme close-up of the black alien monster grinning evilly with glowing red eyes and lightning crackling across its face. Photorealistic, 8k resolution, dramatic volumetric lighting, cinematic VFX, Unreal Engine 5 render style.
Author: Julia | Source: Link | Published: Aug 25, 2026
Korean Festival Smartphone Vlog
A high-quality prompt for Seedance 2.5 that uses a storyboard reference to create a realistic handheld smartphone vlog of a Korean woman at a festival.
๐ Prompt
[Reference Role]
@image1 defines only the woman's facial identity, eye shape, hairstyle, hair ornament, yukata and the white baby spotted-seal plush, plus the rough composition and shot order of each panel. @image1 is an 8-panel storyboard grid โ do not reproduce its grid layout, panel divisions, split-screen composition, timestamps or caption text. Read the panels left to right, top row then bottom row, and use them as the shot order of a single continuous vlog.
[Single Instance] โ critical
All eight panels in @image1 show the SAME one woman at different moments. The output must contain exactly ONE instance of her at all times. Never show two of her, never show her duplicated, mirrored, split-screen or in separate panels. The background crowd must not contain anyone resembling her, wearing the same yukata, or with the same hair ornament.
[Subject Profile: HANA]
A Korean woman in her early 20s with hooded inner double eyelids โ long, narrow, almond-shaped eyes with a calm, composed gaze, not wide or round. Jet-black hair in a soft updo with damp flyaway strands, a white tsumami-zaiku flower ornament on the left side. Fair skin with visible pores and a faint sheen of sweat. Off-white yukata with pale blue floral pattern and a cream obi. Identity, eye shape, hair ornament and yukata stay identical in every shot.
[Style]
Ultra-photorealistic handheld smartphone vlog footage, front-camera selfie POV unless stated otherwise. Realistic skin texture, natural fabric physics, mixed warm lantern light and cool stall light, high-ISO noise in shadows, slight motion blur, amateur phone-camera quality. Fast vlog-style cuts. No AI-looking smoothness. No background music.
[Shots]
Shot 1: Selfie close-up on a lantern-lit festival street, HANA smiles into the lens and says in Korean: {Summer festival is here!}
Shot 2: Selfie at a takoyaki stall, steam rising, she holds the paper tray toward the camera. A male vendor beside her says in Japanese: {Here, it's hot!}
Shot 3: Extreme close-up, low selfie angle, she bites a glazed dango off a wooden skewer, cheeks puffed, no dialogue. Red lantern bokeh behind.
Shot 4: Shot from behind โ her yukata back and obi fill the frame as she points at a bright prize stall, arm slightly motion-blurred.
Shot 5: Selfie hugging a white baby spotted-seal plush against her cheek at the prize stall, small proud smile, no dialogue.
Shot 6: Back of her head in the lower foreground, hair ornament in focus, a large firework blooming in the dark sky above the crowd, smoke haze drifting.
Shot 7: Low selfie angle, she looks up off-camera as fireworks flash across one side of her face, lips parted in quiet wonder.
Shot 8: Selfie on the lantern-lit street, she waves an open palm close to the lens and says warmly in Korean: {Thank you for coming with me. See you again next time. Bye!}
[Maintain Consistency]
Exactly one HANA in every shot. Same face, same
Author: TSUBAKI | Source: Link | Published: Aug 24, 2026
Chinese Street Drama Buns Shop Scene
A detailed narrative prompt for a two-part short drama set at a Chinese street bun shop, featuring realistic phone-camera style and character continuity.
๐ Prompt
PART A. Replace the female customer with a preset adult female character, consistently using the facial features, hairstyle, body type, and identity characteristics of Preset Character #1; Character #1 is an adult. Throughout the video, she wears only Preset Outfit #3, with stockings, exquisite facial features, decorative glasses, and deep purple high heels, having a cold yet charming temperament. The man striking up a conversation is replaced with Preset Adult Male Character #2 (hf_20260702_115248_424b92a4-ca6f-401a-baa3-709ae4b60581), with facial features, hairstyle, and body type strictly referencing Character #2. The bun shop owner remains a generic middle-aged male supporting character, wearing a black short-sleeved shirt, and must not have a face mixed with Male Character #2. [Realism Prefix] 16:9 landscape, 1280ร720, 30fps, realistic Chinese street bun shop short video. Handheld shot with original mobile phone camera, filmed by the same person standing at the side of the queue; natural daylight, tree shade, and shop awning form mixed lighting. Auto exposure, auto white balance, slight focus hesitation, subtle breathing jitters, natural motion blur when turning, realistic skin tone and pores, no skin smoothing, no commercial-grade lighting, no cinematic color grading. Only direct hard cuts between shots. Realistic location sound: street pedestrian noise, subtle conversation in the queue, clothing friction, plastic bag sounds, and ambient shop noise. Character voices change naturally with distance, lip-sync is strictly synchronized. No background music, no narration, no exaggerated comedy sound effects. [Scene & Prop Lock] Street-side bun shop, orange-yellow door frame, white square tile wall, glass counter, multi-layer round stainless steel steamers filled with white buns. Only one pre-packed transparent plastic bag of buns is on the counter. Adult customers are queuing outside, background trees and residential buildings are stable. No teleporting or duplicating of characters, steamers, buns, or plastic bags. [Female Character Siren Style Pose] When queuing, refusing, or self-praising, Character #1 tilts her body slightly to form a natural and smooth S-curve, shoulders relaxed and lowered, neck elegantly elongated, chin slightly extended to the side, hips slightly pushed to one side, legs naturally crossed. Only one hand slowly and restrainedly touches a strand of hair, the other hand hangs naturally; half-closed eyelids, cold sideways glance at Male Character #2, expression restrained with a sense of distance. The pose must look like a natural standing posture in real life, no hip-swaying, lip-licking, coquettish smiles, or staged poses; [Strict Time Storyboard] 0.00-1.93s | Handheld medium shot from the side-rear of the shop. The camera shoots towards the glass counter through the queuing crowd. Female Character #1 was originally standing at the front near the counter; Male Character #2 quickly steps forward from behind her, inserting himself between her and the counter, back facing the camera. He slightly raises his right hand to signal the owner, saying naturally and confidently: Male Character #2: "Boss, I'll pay for this beauty's order." Female Character #1 looks at him sideways, brows slightly raised, saying nothing immediately. The owner continues bagging buns. Bottom subtitle: "Boss, I'll pay for this beauty's order." 1.93-4.30s | Hard cut to close-up of Male Character #2. Male Character #2 is on the left, with the profile and hair of Character #1 in the right foreground. The man turns to look at her, first showing a natural and friendly smile, eyes on her, saying tentatively: Male Character #2: "Beauty, you're really pretty, can I add you on WeChat?" Brows slightly raised when saying "WeChat?", keeping an expectant smile, not greasy or exaggerated. Subtitles show sequentially: "Beauty, you're really pretty" "Can I add you on WeChat?" 4.30-6.50s | Hard cut to close-up of Character #1. Character #1 is in the center-right, Male Character #2's shoulder and part of his profile are in the left foreground. She first maintains half-closed eyelids and a restrained siren-style side glance, a momentary polite smile appearing; then briefly looks away, shakes her head slightly, and answers calmly and clearly: Female Character #1: "Sorry, I have a boyfriend." Looks back at Male Character #2 after speaking, expression not disgusted, just polite and distant. Subtitles show sequentially: "Sorry" "I have a boyfriend." 6.50-7.87s | Hard cut to close-up of Male Character #2. Male Character #2 is not hurt or embarrassed, just blinks briefly, keeps a slight smile, and nods: Male Character #2: "Ah, okay then." Then immediately shifts gaze to the counter, preparing to turn. Bottom subtitle: "Ah, okay then." 7.87-11.60s | Hard cut to medium shot of shop. Male Character #2 turns to the counter, gives a brief signal to the owner, saying naturally: Male Character #2: "Boss, I already paid just now." He reaches out to pick up the only transparent plastic bag of buns on the counter. The bag naturally sags and shakes when lifted, making a clear plastic friction sound. He leaves from the front of the queue, passing the camera; his expression is relaxed and natural, not looking back at her at all. Female Character #1 stays in place, following his back with her eyes, thinking she was just hit on, unaware he just took the chance to cut in line. Bottom subtitle: "Boss, I already paid just now." 11.60-13.20s | Hard cut to front medium-close shot of Character #1. Male Character #2 walks out of the left foreground. Female Character #1 faces a companion near the camera, resuming her relaxed siren-style S-curve, neck elongated, chin slightly raised, touching a strand of hair. She sighs helplessly first, then says with a restrained confident smile: Female Character #1: "Can't help it, just too good-looking." Subtitle: "Can't help it, just too good-looking." 13.20-15.00s | Maintain same medium-close shot of lead. No cut. Her confidence continues to rise, eyes glancing upward, head slightly tilted, saying in a tone as if stating a daily fact: Female Character #1: "The biggest drawback is being easily..." Must follow original speed: starts "The biggest drawback is" around 13.20s, starts "easily" at 14.84s; cut off at 15.00s while still pronouncing "easily", no pause, no closing mouth, no finishing sentence. Full subtitle appears at bottom: "The biggest drawback is being easily hit on." [Segment End Frame] Ends suddenly at 15.00s. Character #1 in front medium-close shot, S-curve pose, head slightly tilted right, lips in the "easily" pronunciation shape; background, lighting, depth of field, and full subtitle remain unchanged for direct continuity. [Negative Prompt] No rewriting or adding lines; no gender, voice, or dialogue swaps; no writing "he" as "she"; no Male Character being heartbroken; no female character knowing the truth early; no owner revealing early; no duplicating/disappearing buns/bags; no character face-swaps, outfit changes, or position jumps; no crowd looking at camera; no exaggerated coquettishness, mechanical blinking, plastic skin, or bad fingers; no slow motion, camera tricks, cinematic blurs, music, narration, extra subtitles, platform UIs, or watermarks. PART B: [Generation Task] Continue the previous video, generating the complete second half of approx 8.18s, corresponding to 11.60-19.78s of reference video "BunDrama.mp4". Must complete the plot not yet generated: Character #1 says "Can't help it, just too good-looking. The biggest drawback is being easily hit on." -> Bun shop owner calmly debunks: "You're overthinking it, he just came to cut in line." -> Character #1's siren-style confidence instantly collapses, showing wide eyes and silent embarrassment. Must not continue from the middle of "easily"; both female lines must be spoken fully from the start. [Character Reference Priority] 1. Female customer must use Preset Female Character #1 features; Character #1 is an adult. Only wears Outfit #3 with stockings, glasses, purple heels, cold/charming temperament. 2. The young man who just left is Male Character #2. Only his shoulder or back may briefly leave the left foreground at the start, then he must not reappear. 3. Owner is a middle-aged male, short hair, black short-sleeve shirt, behind the counter. Must not use Character #2's face. [Continuation Starting Point] Use the last frame of the previous segment as the first frame. Male Character #2 just took the buns and is leaving; Character #1 is in the queue, eyes following him. She thinks he was hitting on her, unaware it was a ruse to cut in line. All positions, clothing, lighting, environment, and background must be continuous with the last frame. Do not re-enact the hitting on/paying/taking buns. [Realism Prefix] 16:9, 1280x720, 30fps, realistic Chinese street bun shop. Handheld mobile camera by same person. Mixed daylight/shade, auto exposure/WB, slight jitters/blur. Realistic skin texture, pores, expression lines, no smoothing/commercial lighting. Composition slightly imperfect like a passerby's shot, but expressions and debunking lines must be clear. Direct hard cuts, no transitions, slow-mo, or cinematic pans. [Scene & Prop Lock] Street bun shop structure remains: orange-yellow frame, white tile wall, glass counter, stainless steamers with white buns, owner behind counter, adult customers in queue, trees/buildings in background. The bag of buns was taken by Character #2, do not generate a second bag on the counter. No duplicating or teleporting of items/people. [Female Character #1 Siren Style Pose] Before the reversal, Character #1 maintains a natural, restrained siren pose: body tilted into S-curve, shoulders down, neck elongated, chin slightly up, hips pushed to one side, legs naturally crossed. One hand slowly touches hair, the other hangs naturally. Half-closed eyelids, cold side glance at the departing man, restrained/confident/distant expression. Must blend into real queue movement, not look like a studio shoot; no hip-swaying, lip-licking, frequent blinking, or exaggerated smiles. Adult female poise only, no mythical siren elements like tails, scales, etc. [Strict Time Storyboard] 0.00-1.60s | Hard cut to front medium-close shot of Character #1. Male Character #2's shoulder/clothing exits the left foreground and disappears. Character #1 watches him go, then looks back at her companion. She sighs naturally, body in a siren-style S-curve, neck long, chin up, one hand fixing hair. She shows a "this happens often" helpless look, then a restrained confident smile, saying clearly: Character #1: "Can't help it, just too good-looking." Performance: sighs/eyebrows raise on "Can't help it"; eyes glance up/corners of mouth curl on "too good-looking", no direct look at camera. Subtitle: "Can't help it, just too good-looking." 1.60-4.28s | Maintain same shot. Confidence rises. Siren S-curve, hand moves from hair, head tilts right, half-closed eyelids, says fully with a proud smile: Character #1: "The biggest drawback is being easily hit on." Must start from "The biggest" and finish "hit on". Performance: Brows raise on "biggest drawback"; chin lifts on "is being easily"; head tilts, side glance, and self-satisfied smile on "hit on". No awareness of the cutting-in, no looking at owner yet. Subtitle: "The biggest drawback is being easily hit on." 4.28-4.50s | No dialogue pause. Maintains pose and smile for 0.22s. Only ambient street/queue sounds. No laugh tracks or comedy music. 4.50-6.17s | Hard cut to owner's reverse shot. Shot over Character #1's shoulder at the counter. Owner in center, stainless steamers visible. Owner was looking down at buns, then looks up. No smile or mockery, just a calm, direct, slightly helpless tone: Owner: "You're overthinking it, he just came to cut in line." Performance: briefly looks at her on "overthinking it"; continues working on "cut in line"; looks back down after finishing. "He" must refer to Male Character #2. Subtitles: "You're overthinking it" "He just came to cut in line." 6.17-8.18s | Hard cut to Character #1 front reaction close-up. Closer than before but continuous lighting/direction. Expression sequence: keeps smile for 0.10s; eyes snap open upon hearing owner; pupils turn to owner; eyebrows arch; smile freezes then fades; lips part slightly; jaw stops; one short blink; holds breath, no dialogue. Pose collapses: neck relaxes, hand on hair drops slowly, body goes from S-curve to stiff upright. Ends on a 0.70s hold of wide-eyed, embarrassed expression. No screaming, covering mouth, or falling. No crowd laughing. Ends on this frozen frame. [Audio Requirements] Real location sound: street noise, queue chatter, clothing/hair friction, shop noises, owner's voice with spatial reverb. Character #1 sounds young/natural/confident; owner's voice from behind counter. Strict lip-sync. No BGM, narration, laugh tracks, or clean studio dubs. [Continuity Requirements] Face, hair, Outfit #3, skin, body consistent; Male Character #2 does not reappear; Owner/Male #2 distinct; Bun bag gone; Space/direction consistent; Character outside, owner inside; Character finishes self-praise before debunking; Character reacts only after hearing the owner's line; Subtitles strictly match speaker. [Realism Negative Prompt] No missing lines; no starting mid-sentence; no truncating lines; no "she" instead of "he"; no repeating previous plot; no reappearance of Character #2; no early knowledge or reaction by female; no exaggerated acting (screaming, falling); no face/outfit swaps; no bad fingers/limbs; no crowd performing; no plastic skin/smoothing; no cinematic pans/zooms; no siren fantasy elements; no BGM, narration, extra text, UIs, or watermarks.
Author: John | Source: Link | Published: Aug 24, 2026
Musical City Transformation Sequence
A creative prompt for a city-wide transformation where a gritty realistic street turns into a vibrant 2D cartoon world triggered by an energetic boombox, including animated musical notes and dancing characters.
๐ Prompt
Begin in a DARK, GRITTY, PHOTOREALISTIC modern city street at night. The opening MUST look completely live-action and realistic โ wet pavement reflecting streetlights and neon signs, dark buildings, passing cars, and several pedestrians walking along the sidewalk. The people look tired, serious, and unhappy. Moody cinematic nighttime lighting, realistic human faces, realistic clothing, realistic city environment. [0.0โ1.2s] Fast cinematic establishing shot moving through the gloomy photorealistic street. Pedestrians walk silently with tired expressions. Everything feels cold, dreary, and lifeless. [1.2โ2.0s] QUICK CUT to a close-up of an old-school portable BOOMBOX sitting on the sidewalk. A human hand reaches into frame and forcefully presses the PLAY button. CLICK. Immediately an energetic, joyful, extremely catchy upbeat song EXPLODES from the speakers. [2.0โ4.8s] The boombox speakers suddenly release an enormous, spectacular TIDAL WAVE OF MUSIC. CRITICAL: This is NOT a water wave. It is a gigantic colorful 2D HAND-DRAWN CARTOON WAVE constructed entirely from hundreds of animated musical notes, treble clefs, music staffs, colorful sound lines, rhythm symbols and swirling music graphics. The musical-note wave moves physically like a huge breaking ocean wave, rapidly surging outward from the boombox and racing down the street. The wave itself is already CARTOON ANIMATION while the untouched city ahead of it remains completely PHOTOREALISTIC. As the musical wave touches anything, that object INSTANTLY TRANSFORMS from realistic live-action into colorful hand-drawn cartoon animation. The transformation boundary travels visibly with the wave. It sweeps across pedestrians: REALISTIC HUMAN โ COLORFUL CARTOON CHARACTER. Their tired expressions immediately become huge joyful smiles. They begin dancing, bouncing and moving happily to the music. The wave hits realistic cars: REAL CAR โ FUN COLORFUL CARTOON CAR. It hits buildings, sidewalks, streetlights and signs: REALISTIC CITY โ BRIGHT PLAYFUL CARTOON CITY. Cartoon streetlights bend and bounce rhythmically. Cartoon signs wiggle happily. Cars bounce slightly to the beat. The camera dynamically follows the rapidly expanding transformation. [4.8โ7.0s] The camera quickly CRANES UP above the street into a wide aerial view. The enormous musical-note wave races outward block after block across the city. Behind the wave is an entirely colorful, joyful HAND-DRAWN CARTOON WORLD. Ahead of the wave remains dark photorealistic nighttime reality. As the final portion of the city transforms, the transformation races upward into the sky. DARK REALISTIC NIGHT โ BRIGHT BLUE CARTOON DAYTIME. A huge cheerful YELLOW CARTOON SUN rises behind the newly transformed cartoon skyline. The cartoon sun opens its eyes and forms a gigantic HAPPY SMILE. FINAL IMAGE: A completely transformed colorful cartoon city filled with smiling cartoon people dancing i
Author: FoldingEnd A.I. | Source: Link | Published: Aug 24, 2026
Tribal Warrior Shapeshift Jungle
An epic one-shot cinematic prompt that follows an Amazonian warrior's continuous transformation into various animalsโcrocodile, catfish, anaconda, jaguar, and eagleโthrough a dense rainforest and waterfall.
๐ Prompt
Authentic live-action cinematic footage captured as a continuous one-shot sequence on Arri Alexa 65 with Panavision Ultra Vista anamorphic lenses on real Kodak Vision3 35mm film. Ultra-photorealistic Hollywood adventure film aesthetic with natural film grain, cinematic depth of field, realistic handheld camera inertia, dynamic tracking shots, physically accurate motion blur, volumetric golden-hour sunlight, atmospheric jungle mist, practical lighting, realistic water simulation, authentic environmental interaction, and absolutely no CGI or game-engine appearance.
A powerful Amazonian tribal warrior with weathered bronze skin, long braided black hair decorated with jungle feathers, athletic muscular build, worn leather tribal clothing, and intense recognizable eyes sprints through a dense rainforest while the camera performs an energetic low-angle tracking shot weaving between giant roots, rocks, vines, and tropical vegetation. He bursts out onto the edge of a colossal waterfall and leaps into the air as the camera dives beside him. During freefall his body organically transforms into a gigantic Amazon river crocodile with realistic skeletal restructuring, growing scales, extending jaws, muscular limbs, and a powerful tail before crashing into the river below.
The camera follows underwater in one continuous movement as the crocodile powers through crystal-clear water, scattering schools of fish and passing submerged trees and ancient stone ruins. While swimming at high speed, the crocodile seamlessly transforms into a massive Amazon giant catfish with smooth biological morphing, retracting limbs, sleek skin, broad fins, powerful tail propulsion, and continuous identity preservation. The giant catfish accelerates through flooded jungle ruins before its body thickens and organically transforms into a colossal emerald anaconda with shimmering green scales, enormous muscular coils, and realistic serpentine movement as it glides through submerged temples and rises onto the rainforest floor.
The colossal anaconda rapidly slithers through dense jungle while the camera performs fast ground-level tracking through mud, roots, and foliage. As it launches over a fallen tree, it seamlessly transforms into a powerful black jaguar with sleek black fur, muscular feline anatomy, realistic shoulder movement, explosive sprinting speed, and intense recognizable eyes. The jaguar races through the rainforest before reaching a towering cliff where it leaps into open air. During the jump, its body organically transforms into a majestic giant harpy eagle as black fur becomes feathers, forelegs expand into enormous wings, hind legs become massive talons, and the eagle catches an air current before soaring high above the endless Amazon canopy.
The camera transitions into an FPV-style aerial pursuit as the ha
Author: AIrina (Virtual Media Net) | Source: Link | Published: Aug 24, 2026
Continuous Long Take Combat Camera
A technical camera instruction for a continuous single-shot sequence that follows a protagonist with natural movement and a slight handheld effect.
๐ Prompt
The entire video is shot in a single, continuous long take without any cuts. The camera primarily follows the female protagonist from the front while moving backward, naturally orbiting the combat space as needed. A slight handheld feel is added during combat.
Author: Keiji | Source: Link | Published: Aug 24, 2026
Arctic Aurora Cinematic Landscape
A 10-second majestic cinematic sequence of arctic twilight, featuring aurora borealis and wooden rowboat reflections, for Seedance 2.0.
๐ Prompt
Use @[Image] as storyboard reference for cinematic sequence. use as first shot 01
A 10-second majestic cinematic landscape sequence transitioning in one continuous flow. Visual style: photorealistic 8K, ethereal arctic twilight, vibrant aurora borealis, snow-capped mountain reflections, ultra-high detail, premium nature documentary aesthetic. CRITICAL: Absolutely NO frames, borders, film strips, numbers, UI, or text. Render as seamless full-screen cinematic shots only. Ignore any grid layout. Preserve exact color palette, lighting, and textures from the reference.
Shot 1 (0-3.5s): Low-angle establishing movement. Gentle waves rhythmically lap against the wet shoreline, perfectly reflecting the vibrant pink, orange, and teal sky. A lone wooden rowboat rests peacefully, bobbing slightly with the water's motion. Camera glides slowly forward over the reflective sand.
Shot 2 (3.5-7.0s): Camera smoothly tilts upward, revealing the vast expanse of the calm fjord. The green aurora borealis intensifies, dancing and swirling dynamically across the starry purple sky. The horizon glows with warm golden light, casting shimmering liquid reflections on the water's surface. Snow-capped peaks stand majestically in the distance.
Shot 3 (7.0-10.0s): Wide panoramic hold. The camera settles on the full breathtaking vista. The aurora continues its graceful, fluid dance, stars twinkle softly, and the gentle waves create a soothing, rhythmic motion. The atmosphere is serene, expensive, and deeply immersive. Camera slowly pulls back for a majestic finale. ZERO TEXT.
Style reinforcement: seamless continuous camera movement, photorealistic water and sky simulation, dynamic aurora animation, consistent vibrant color grading, cinematic pacing, NO text, NO grid, NO numbers, ultra-luxury nature aesthetic.
Author: Viki | Source: Link | Published: Aug 24, 2026
Thai Temple Cinematic Clip
A Seedance 2.0 prompt for a 15-second cinematic anime clip featuring an ancient Thai temple and jungle setting.
๐ Prompt
โCinematic anime short film clip, 15 seconds. Outdoor ancient Thai temple, stone walls and pillars, thick jungle beyond, natural daylight through jungle canopy, heavy bag hanging from stone archway, dust particles in the air.
CHARACTER: Use uploaded
Author: ๐๐๐๐๐๐๐๐ โฆ | Source: Link | Published: Aug 24, 2026
Future House Dance Performance
A high-energy dance performance prompt with Future House music, featuring precise rhythmic movements, close-up details, and bedroom studio lighting.
๐ Prompt
Real-life short video style. The character uses preset character #1 throughout. Wearing HOw8obwaoAAHmJT, with stockings hf_20260730_044943_833909d3-0181-4d86-b4ad-8fdd91945fbd, decorative glasses, and deep purple high heels. She is playfully dancing to a Future House style DJ track, her dance moves including playful hip swaying, arm waves, and fixed poses, all in perfect sync with the music beats; the camera pushes and pulls in rhythm with the music. The setting is in a bedroom, with a soft spotlight from the top illuminating her. The overall lighting is soft with a strong atmosphere, aspect ratio 9:16. [Timeline] 00:00-00:03: Ultra-close-up of fingers doing light waves and pointing, fingertips flexible and accurately hitting the beat, partial lace cuffs visible. Background completely blurred. 00:03-00:05: Palm gently pushes towards the camera then quickly retracts, camera pulls back, the character's upper body is clearly visible. 00:05-00:08: Hands continue natural waves, body sways hips twice, eyes look directly and blink gently. 00:08-00:11: Both hands point down simultaneously, then quickly open into a large wave, moving half a step forward. 00:11-00:13: One hand covers the mouth shyly, the other reaches forward, eyes shift sideways and then look back, stocking leg lines stretch with the hip sway. 00:13-00:15: Hands cross to form a large heart shape, body leans back slightly and then returns to position, finally freezing with a bright smile and eye contact. Exclude: blurry, low resolution, noise, watermark, text, logo, distortion, deformation, facial feature collapse, stiff movement, camera shake, disproportionate, clothing error, character face swap, glasses missing, stockings missing, wrong high heel color, hard cut transitions.
Author: John | Source: Link | Published: Aug 24, 2026
Extended Multi-Shot Xianxia Battle Sequence
An advanced 30-second video prompt for Seedance 2.0 utilizing multiple reference images to maintain identity and setting consistency across a complex dark fantasy combat sequence.
๐ Prompt
Use ใ@Image 4ใ as the only strict first frame; use ใ@Image 2ใ to lock the identity, face, hairstyle, body type, dark martial arts attire, and the sheathed sword worn horizontally across the lower back of the cool black-haired swordsman; use ใ@Image 1ใ to lock the identity, face, hairstyle, body type, black-red demon robe, black-gold pauldrons, and obsidian demon sword of the humanoid Demon Lord; use ใ@Image 5ใ to lock the unique solid circular ancient gold coin; use ใ@Image 3ใ to lock the Moonlit Angry River, endless bamboo forest, mud, green stone platform, and the mountain gate space. Generate a full 30-second, 8K 3D CG realistic, PBR physical material, 16:9 landscape, 60fps Chinese dark xianxia movie battle video. ใMoonlit Angry River and endless emerald bamboo forest, an extremely huge bright full moon hangs high in the skyใ, theatrical movie-grade color grading; ultra-realistic character clothing folds, skin pores, hair dynamics, flying bamboo leaves, and authentic cloth dynamics. ใCool black-haired swordsman, wearing dark martial arts attire, sword sheathed horizontally across the lower backใ surrounded by ใcyan heavy water flow and violent electric arcs jumping tightly attached to the armor, body displacement trajectory, and sword bladeใ. ใThe only humanoid Demon Lord, wearing a black-red demon robe and black-gold pauldrons, holding an obsidian demon swordใ surrounded by ใblood-red demonic runes, black fluid ink-like air, and thick black-red demonic flames tightly attached to the obsidian demon sword, body displacement trajectory, and the Demon Lord avatarใ. There are strictly only two characters, the swordsman and the Demon Lord, in the entire film. Characters have absolutely zero standing posture during combat, maintaining ultra-high-speed movements breaking the sound barrier, dragging dense dynamic ink-and-wash smoke afterimages; all moves are overlaid with high-intensity hand-drawn ink-wash flying white effects. Combination of Time Ramp slow and fast motion. Weapon and limb collisions are forcibly matched with three levels of fixed effects: Light collision = black and white impact frame + 0.05-second frame skipping + partial negative film + axial micro-shake. Heavy collision = radial impact frame + 0.1-second frame skipping + central negative film + heavy sinking/rebounding + three-layer fluid explosion. Ultimate move burst = full-screen impact frame + 0.15-second freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + strong Bloom + circular shockwave. Employ a 3A action game inertial follow-up camera, with cinematography following physical actions with high-frequency zoom and speed changes; pure visual output throughout. ใShot 1 | 0-2sใ Front extreme close-up โ 180-degree high-speed orbit shake โ hand macro close-up. ใDynamic movement and move-breakingใ On the Angry River, a single bamboo raft bobs with the waves. The black-haired swordsman has a sheathed sword across his back, sitting lazily at the bow, right hand resting on his knee. Fingers move slightly, a single solid circular gold coin flips and jumps skillfully back and forth between his knuckles and fingers like a living thing. The coin has no square hole, the front is a dragon relief, and the back is a cloud sea pattern. The camera orbits rapidly from his front to his back, then the focus instantly drops, locking tightly onto that right hand flipping the coin. ใAnchored effects and physical feedbackใ The coin flip pulls a short golden afterimage. The swordsman is surrounded by extremely restrained cyan ink-wash mist, and the river surface water vapor is pushed to both sides by the aura. ใVisual rhythm and vibrationใ High-speed motion blur appears during the orbit, and the screen immediately becomes extremely calm and quiet when switching to the hand. The coin is always in the hand area; it is forbidden to hover in front of the swordsman's face or block the face. ใAudio-visual referenceใ White noise of river water hitting the bamboo raft โ the crisp "ding, ding" sound of the coin flipping on the back of the fingers. ใShot 2 | 2-3.5sใ Macro high-speed push-in โ Z-axis vertical Tilt Up follow-up. ใDynamic movement and move-breakingใ The swordsman's thumb flicks upward. The coin makes a "ding" sound and is tossed high into the night sky. The camera instantly detaches from the character, pushing forward at a terrifying speed and tilting upward, tightly following the flipping coin. The swordsman, raft, river, and mountains are thrown high-speed toward the bottom of the frame. Only one high-speed rotating gold coin remains in the center of the frame. The dragon pattern front, cloud sea back, and thick side of the coin pass through the moonlight in sequence. ใVisual rhythm and vibrationใ Rapid ascent creates a strong sense of weightlessness. Forbidden for the coin to stick to the character's face, for the coin to stop spinning, or for a second coin to appear. ใShot 3 | 3.5-5.5sใ Coin macro match cut transition โ high-altitude ultra-wide angle โ high-speed Dive follow-up. ใDynamic movement and move-breakingใ Camera approaches the coin at high speed. The circular outline of the gold coin expands rapidly to fill the screen, and the highlight on the gold surface transforms into a massive, oppressive bright full moon. A continuous shape-match transition must be completed using the circular outlines of the coin and the full moon. Flash-whites, black screens, ordinary dissolves, and scene restarts are forbidden. The camera passes through the full moon formed by the coin, revealing an endless emerald bamboo forest waving like waves under the night sky. At this moment, the swordsman's silhouette suddenly leaps from off-screen high altitude into the direct front of the moon, forming a sharp back silhouette; then he adjusts to a high-speed dive posture, turning into an afterimage plummeting toward the bamboo forest below. Camera follows in a rapid dive. ใAnchored effects and physical feedbackใ The swordsman's falling body tears through the night wind, dragging a straight cyan heavy ink-wash air trail and violent electric arc afterimages. ใAudio-visual referenceใ The sonic boom of the wind howling piercingly in the ears. ใShot 4 | 5.5-7sใ Ground-level high-speed Push In โ extreme low-angle tilt freeze-frame. ใDynamic movement and move-breakingใ Boom! The swordsman's feet smash heavily onto the wet mud at the edge of the bamboo forest. He doesn't stand upright but crouches low to unload force, left foot landing first, right foot sliding back. His spine is like a drawn bow, adopting an aggressive cheetah-like charge posture. The sheathed sword on his back vibrates violently, his left hand steadily gripping the hilt, killing intent locked deep into the courtyard. ใAnchored effects and physical feedbackใ Upon landing, a cyan living aura forms a circular airwave pushing outward, bending dozens of thick emerald bamboos before they violently snap back; bamboo leaves fall, and mud water explodes to both sides of the camera along the direction of force. ใShot 5 | 7-8.5sใ OTS (Over-the-Shoulder) panoramic view โ Dolly Zoom. ใDynamic movement and move-breakingใ Camera instantly cuts to the view behind the swordsman's left shoulder. The long sword is still tight against his lower back, left hand lowering to prepare for a draw. Ten meters straight ahead, the only humanoid Demon Lord stands before a green stone platform. The Demon Lord wears a black-red robe and black-gold pauldrons, body facing the swordsman, right hand on the hilt of the obsidian sword on his left waist. The courtyard between them is completely empty. Forbidden to show demon soldiers, monks, zen masters, crowds, or a third character. ใVisual rhythm and vibrationใ Dolly zoom stretches the black-red mountain gate and bamboo forest behind the Demon Lord, infinitely magnifying his sense of oppression visually. The short silence before the storm is not a static pose: the swordsman's body continues to press forward, left hand tightening on the hilt; the Demon Lord slowly retreats half a step with his right foot, shoulder line turning to create space for drawing the sword. ใShot 6 | 8.5-11sใ High-speed macro close-up โ Time Ramp slow motion โ focus shift. ใDynamic movement and move-breakingใ Swordsman's left hand grips the hilt, slowly pulling the blade out. Forced 0.3-second bullet time. The blade is drawn halfway, revealing a piercingly cold cyan light. An emerald bamboo leaf shaken off by the airwave floats in front of the camera. The moment the leaf passes over the blade, it is silently cut into two halves by the invisible sharp edge; the two halves continue to fall in their respective inertial directions. ใAnchored effects and physical feedbackใ Within the half-drawn blade's gap, violent cyan heavy water flow and dense electric arcs are like a compressed volcano, spitting and swallowing smoke particles extremely slowly. ใAudio-visual referenceใ The extremely dull, tension-filled 'zhengโ' sound of the blade friction is magnified ten times. ใShot 7 | 11-13.5sใ Time resumes with a roar โ follow-the-blade trajectory โ high-speed Pan โ violent vibration. ใDynamic movement and move-breakingใ Blade fully drawn. The swordsman turns into a cyan lightning bolt, charging from the left side toward the Demon Lord at ultra-high speed. The Demon Lord simultaneously draws the obsidian sword from his left waist. Black fluid, dark red demonic flames, and blood-red demonic runes ignite rapidly along the sword surface. The swordsman completes three high-speed Z-shaped slashes around the Demon Lord: 1st strike: Swordsman cuts in from the front-left, sword thrusting at the Demon Lord's chest line. Demon Lord retreats his right foot, obsidian sword parrying upward to push the thrust outward. 2nd strike: Swordsman slides low along the parried direction to the Demon Lord's right, twisting his waist to swing the sword at the waist line. Demon Lord spins and presses down with the obsidian sword, the blades making their first clear heavy contact. 3rd strike: Swordsman uses the counter-force to step onto a bamboo trunk, rebounding upward and stabbing diagonally down behind the Demon Lord's shoulder. Demon Lord turns immediately, obsidian sword held horizontally above his head, blocking the sword tip for the second time. ใAnchored effects and physical feedbackใ Camera stays tight on the swordsman's blade, each contact producing cyan and black-red sparks, ink-wash flying white, and short impact frames. Forbidden for the swordsman to pass through non-existent minions, for the Demon Lord to wait statically for a hit, or for hits without contact. ใShot 8 | 13.5-15sใ Eye macro quick cut โ extreme low tilt โ radial heavy vibration. ใDynamic movement and move-breakingใ Swordsman's momentum from the third strike never wanes; his right foot crushes a boulder as he leaps into the air above the Demon Lord like a whirlwind, the sword slashing down from top-left to bottom-right. Camera cuts rapidly to a close-up of the Demon Lord's eye. The Demon Lord's eyes snap open, dark red light erupting from his pupils. Demon Lord grips the obsidian sword with both hands, lifting it horizontally to block at a terrifying speed. ใAnchored effects and physical feedbackใ Lethal heavy collision. Swordsman's sword hits the obsidian sword, cyan heavy water lightning and black-red demonic flames collide destructively. Forced radial impact frame + 0.1s high-speed frame skipping + central negative film + three-layer fluid explosion. Demon Lord's knees sink under the force, the stone platform beneath him cracks; swordsman is bounced to the top-left by the counter-force. ใShot 9 | 15-17sใ Ultra-high-speed shuttle follow-up โ high-frequency Whip Pan. ใDynamic movement and move-breakingใ Without a pause, both sides charge from the courtyard into the dense bamboo forest for afterimage-level combat. Swordsman's feet step and rebound off left and right bamboo trunks, the sword completing thrust, lift, swipe, and shave. Demon Lord uses large movements, obsidian sword completing horizontal block, downward press, blade-entangling, spinning back slash, and power cleave. ใAnchored effects and physical feedbackใ Continuous light collisions x5, each must have a clear attack starting point, trajectory, contact point, force direction, and next move. Cyan and black-red sparks fly in threads. The airwaves from their high-speed movement cut some thin bamboos in half; thick bamboos are only cracked, bent, or have leaves shaken offโrandom bamboo forest explosions are forbidden. ใShot 10 | 17-19sใ Side follow-up โ Dolly Zoom โ intense motion blur. ใDynamic movement and move-breakingใ Combat has rhythm. Demon Lord raises the obsidian sword with both hands, performing a heavy vertical Taishan-style downward cleave. Swordsman slides to avoid, demon sword smashes the mud, and mud water, broken bamboo, and black-red ink air explode forward. Swordsman uses the opportunity to flash in, his sword sliding against the metal spine of the obsidian sword with sparks and electricity, slashing toward the Demon Lord's wrist. Demon Lord decisively releases his front hand, hitting the side of the blade with his left palm to redirect forceโthe palm must not catch the blade front-on. Both sides simultaneously slide back at high speed using the counter-force, re-establishing distance. ใAnchored effects and physical feedbackใ Blade friction ignites piercing cyan-red sparks. As they slide back, their feet plow deep mud trenches, cyan and black-red ink-wash auras dragging over ten meters of afterimages in opposite directions. ใShot 11 | 19-21sใ High-speed zoom-out to ultra-wide angle โ extreme low-angle tilt. ใDynamic movement and move-breakingใ Before the slide ends, the Demon Lord stomps the ground. Black-red circular airwaves explode from his feet as he takes off, hovering above the bamboo forest. Demon Lord forms a suppression gesture with his hands in front of his chest. The space behind him distorts rapidly and is torn open by black fluid. A hundreds-of-meters-tall, heaven-towering two-armed humanoid Demon Lord avatar emerges with a roar. The avatar maintains a normal humanoid structure, with only one head and two arms, wearing a tattered black-gold crown, face cold and majestic. ใAnchored effects and physical feedbackใ The avatar is not a common phantom but composed of extremely dense black fluid, dark red demonic flames, blood-red runes, and shattered black-gold armor plates. The avatar's appearance creates a terrifying gravity field; all bamboo below is bent outward to the ground by the center, and mud water is pressed to the surroundings. ใShot 12 | 21-23sใ High-altitude overhead follow-up โ continuous high-frequency vibration. ใDynamic movement and move-breakingใ Demon Lord roars in mid-air, striking downward with his palms repeatedly. The two-armed avatar behind him is perfectly synchronized, striking only one set of giant black-red demonic palm prints at a time. The prints fall one by one from high altitude in a clear sequence; simultaneous random generation of multiple palms is forbidden. ใAnchored effects and physical feedbackใ Each demonic palm print is composed of black fluid, dark red demonic flames, and blood-red runes, the edges glowing red with friction heat. Camera follows the palm prints down from high altitude; the bamboo forest, swordsman's position, and palm landing points must remain visible. ใShot 13 | 23-24.5sใ Ground-level facing high-speed Push In โ camera physically hit turns to black. ใDynamic movement and move-breakingใ Swordsman performs extreme Z-shaped maneuvers on the bamboo forest floor like lightning. Each turn must be completed via foot-stomping, ground-sliding, or bamboo-rebounding; movement-less teleportation is forbidden. Black-red demonic palm prints explode successively behind and to the sides of the swordsman. Huge black-red palm-shaped craters are pounded into the ground. Terrifying explosions throw up mud, rocks, broken bamboo, and leaves. The final palm print's earth-and-stone storm hits the camera directly; the screen is completely obscured by thick smoke and falling leaves, turning black naturally and briefly. ใAudio-visual referenceใ Continuous world-destroying heavy impact sounds โ bamboo forest snapping sounds โ the rustling friction of mud burying the lens followed by a brief dead silence. ใShot 14 | 24.5-27sใ Macro within smoke โ Tilt Up breaking through โ ultimate move burst. ใDynamic movement and move-breakingใ Inside the silent smoke, a tiny cyan light line appears first. The line instantly expands into a massive cyan fluid sword light, cutting straight through the thick smoke curtain from bottom to top. The smoke rolls back from the center cut. Swordsman and sword merge into a cyan giant sword rising against the air, charging high along the same vertical axis, striking the center of the Demon Lord avatar's chest. ใAnchored effects and physical feedbackใ Lethal ultimate move collision. Forced full-screen black and white impact frame + 0.15s freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + extreme Bloom + circular shockwave. A giant cyan heavy ink-wash sword qi slashes the avatar vertically from the chest. The two-armed avatar disintegrates from the center, collapsing into black ink flow, dark red demonic flames, shattered black-gold armor, and blood-red runes to both sides. Forbidden to generate Buddha statues, golden Buddha light, Sanskrit, Buddha palms, or lotuses. ใShot 15 | 27-30sใ Satellite-level high-speed pull-away โ invincible ultra-wide angle โ epic aftershocks. ใDynamic movement and move-breakingใ Cyan sword light momentum doesn't fade after shattering the avatar. Camera instantly leaves the battlefield, pulling away to the high-altitude clouds at supersonic speeds, breaking through the sea of clouds to form a satellite-level ultra-wide overhead shot. ใAnchored effects and physical feedbackใ The cyan heavy ink-wash sword light continues to spread and extend on the ground, cutting through the vast earth and continuous bamboo-covered mountain ranges in the same direction. The earth is split open by the sword light center, revealing a bottomless, massive abyss canyon extending to the horizon. Sky-filling dust rolls like a tsunami to both sides of the canyon, and cyan electric arcs jump briefly along the edges. ใVisual rhythm and vibrationใ Camera experiences short fisheye distortion and strong aftershocks at high altitude, then gradually stabilizes. Intense light slowly fades; the canyon, smoke, and clouds continue to move, completing the 30-second ending. Forbidden to generate watermarks, BGM, subtitles, text, or logos.
Author: Arvin | Source: Link | Published: Aug 24, 2026
Seedance 2.5 Pyona Water-Style Combat Scene
A highly complex cinematic action prompt for a 30-second 4K video featuring supernatural water-based combat in a Korean school gymnasium.
๐ Prompt
SEEDANCE 2.5 โ PYONA Water System Combat / School Gymnasium Final Version
Use exactly 1 uploaded image asset.
image1 = PYONA is the sole and highest priority reference for character identity and appearance. Strictly maintain her recognizable facial identity, facial proportions, skin tone, body type, and ensure consistent clothing style and all visible accessories as seen in image1. PYONA's clothing, colors, styles, layers, shoes, and all visible accessories must be based entirely on image1, with no extra specifications, replacements, or re-designs. PYONA must always maintain short light pink-blue hair, natural bangs, a white cloud hair clip, and a blue fish hair clip. The light pink-blue hair color is absolutely fixed; black, brown, pure blue, or other colors are prohibited. The character must look like a natural re-shoot of the same real Korean woman; avoid face-swapping effects, texture-like feel, AI plastic skin, 3D, or game CG. Generate a strictly 30-second, 16:9 landscape, native 4K, 24fps, ultra-realistic live-action Korean supernatural campus action short film. REAL LIVE-ACTION + real Korean school gymnasium + premium transparent-water VFX. No BGM, no subtitles, no narration.
[Core Settings]
PYONA has long completed her water system awakening and mastered her abilities. This film is not another awakening. No palm-studying, being surprised by water control, or stopping to admire the water. There are 5 enemies in total, all young adult Korean women with different faces, hairstyles, and temperaments. They wear uniforms from the same school system, but with loose ties, slightly messy shirts, and some with dark cardigans or short jackets, projecting a dangerous, arrogant, and oppressive delinquent girl vibe. No sweet idol feel. Enemies must take the initiative to attack; they do not wait in line or stand around watching PYONA perform.
[Scene]
A Korean school gymnasium at night. Central basketball court, real wooden floors, basketball hoops, sidelines, folding mats against the wall, ball racks, equipment stands, and an open area in front of the stage. Cool white overhead lights, wooden floors with realistic reflections. Small water trails exist locally after evening cleaning, some residue in the drinking area; PYONA can also quickly condense moisture from the air. Spatial continuity: Central court โ near sideline โ open area in front of stage. No sudden position changes.
[Lines]
Leader: "Where are you going?"
Another girl: "Catch her!"
PYONA has no lines throughout.
[Highest Priority Action Principles]
FIGHT AGGRESSIVELY. ZERO CAUTIOUS CHOREOGRAPHY.
All actions must be fast, sudden, tough, and unwavering. Never gently push people, lightly block, slowly glide, or wait for the other party to cooperate. Every major attack uses committed full-body momentum, visible acceleration, hard physical contact, body compression, immediate loss of balance and believable recovery delay. PYONA can be grazed by fists, bumped, or caught; she is not perfectly invulnerable. Enemies also continue to attack; even if PYONA is hitting one person, others still look for angles to rush in. Actions must look like a real movie dangerous fight, not a cautious martial arts tutorial.
[00:00โ00:07 โ Frontal Heavy Hit / Full Fall / Mockery]
The first shot must directly see PYONA's face or 3/4 front face; starting from behind PYONA is strictly prohibited. Central basketball court, 5 delinquent girls surround PYONA at close range. PYONA is visibly tense and alert but does not strike a hero's battle pose in advance. The leader walks up from the front, looks at her and says: "Where are you going?" The next moment, without slow charging, the leader suddenly throws a short, heavy, direct punch to PYONA's abdomen. Must clearly see: FIST โ REAL ABDOMEN CONTACT โ CLOTHING COMPRESSION โ BODY FOLD. PYONA's eyes instantly lose focus, brows furrowed, lips slightly parted, breath harshly interrupted. Her upper body folds sharply, she staggers back 1-2 steps, shoe soles rub against the wooden floor, and then she truly loses balance. Lateral hip hits the floor first, one hand then heavily supports the wooden floor. Must fully represent: HIT โ BODY FOLD โ STUMBLE โ LOSS OF BALANCE โ HARD FALL. No immediate recovery after being hit. Surrounding girls immediately burst into realistic mockery. Some cover their mouths and laugh, some exchange glances with companions and laugh, some look down and point at her while laughing; the leader stands and looks at her with contempt. No mechanical synchronized laughter of the 5. Low camera angle clearly captures PYONA's face. One hand on her abdomen, the other supporting her on the ground, breathing heavily. Natural emotional changes: Pain โ Embarrassment โ Humiliation โ Suppressed anger โ Gaze gradually turns cold. She does not wave her hands to cast spells. Her hand on the ground suddenly presses down, one leg retracts, and shoulders, waist, and hips simultaneously prepare for a low-position rotation. Thin water marks quickly cling to her supporting hand, leg, and shoe sole.
[00:07โ00:11 โ LOW WATER SPIN SWEEP / Ultra-fast In-place Circular Leg Sweep]
This is the first counterattack and one of the most important moves in the film. Two delinquent girls still mocking PYONA are already standing close to her, one to the front-left, one to the front-right. A third is approaching from further back. The ankles and calves of the two close-range enemies must be clearly within PYONA's real sweeping range. The shot must first establish: PYONA's front or 3/4 face on the ground + her one hand supporting + the leg ready to extend + the leg positions of the two enemies. PYONA remains in the low position just after falling. She must not move forward, pounce on enemies, glide, or charge. One hand presses firmly and steadily on the wooden floor; the support hand's position is basically fixed. Body center of gravity is pressed extremely low, hips near the wooden floor. One leg tucks in to help the body form a rotation axis, the other leg quickly extends fully, maintaining height at ankle to calf level. Next moment: EXPLOSIVE LOW CIRCULAR LEG SWEEP. PYONA uses the fixed support hand and low hip as the rotation center; shoulders, waist, and hips simultaneously explode with power, completing a very fast, very fierce low-position circular leg sweep at the original falling position. NO FORWARD TRAVEL. NO SLIDING FORWARD. NO TACKLE. NO CHARGING INTO THE ENEMY. BODY CENTER REMAINS ALMOST IN PLACE. Her extended leg acts like a high-speed rotating horizontal bar, close to the top of the wooden floor, sweeping in a fast arc across the ankles and calves of surrounding enemies. Transparent water flows tightly against PYONA's sweep leg, shoe sole, and leg rotation path, used only to enhance her rotation speed, lateral impact force, and sweep power. What truly makes the enemies fall must first be the direct contact of PYONA's own leg. First enemy: PYONA's extended leg hits her ankle and calf at high speed and solidly. The support leg is immediately swept away laterally. The enemy has no time for a slow reaction; the body axis instantly collapses, and she falls heavily sideways onto the wooden floor. PYONA does not stop at all. Using the same high-speed in-place rotation, her extended leg continues to sweep the lower calf of the second enemy. The sweep hits realistically, while the transparent water flow clinging to PYONA's leg rotation violently sweeps over the second enemy's other support foot. Her feet quickly lose stability, her body is forcefully lifted from its original upright axis, followed by a heavy fall. The third enemy further back is approaching but is not within the direct striking distance of PYONA's leg. She is affected by the high-speed spreading low-position water flow, the sudden fall of the two companions in front, and the change in space, forced to retreat and stagger, but is prohibited from falling automatically for no reason. The core sweep action must be extremely fast. From the start of the hip's explosive rotation to hitting the two enemies consecutively, the core circular sweep must be completed within approximately 0.8โ1.0 seconds. The remaining time is used only for: enemies approaching โ PYONA establishing a low support pose โ rapid falling reaction after two real hits. Must clearly represent: FALLEN LOW POSITION โ ONE HAND HARD PLANT โ ONE LEG FULLY EXTENDED โ EXPLOSIVE HIP ROTATION โ FAST IN-PLACE CIRCULAR SWEEP โ FIRST REAL LEG CONTACT โ IMMEDIATE HARD FALL โ CONTINUOUS ROTATION โ SECOND REAL LEG CONTACT โ SECOND HARD FALL. The sweep is sudden, violent, explosive and fully committed. The enemies are not gently pushed. Their support legs are forcefully swept out from under them. They fall immediately because their physical base is removed. STICKLY PROHIBITED: slow sliding, slide tackle, forward crawling, forward body travel, slow spinning, breakdance performance, dance-like rotation, cautious sweep, soft contact, enemies falling before leg contact, enemies gently sitting down, PYONA traveling across the floor during the sweep. Surrounding laughter stops instantly.
[00:11โ00:15 โ HYDRO STEP / Strong Attack on the Third Person]
Another enemy shouts in anger: "Catch her!" and rushes up to punch. PYONA does not get up slowly. The water under her support hand and feet instantly explodes backward; the HYDRO STEP pushes her up from the low position and directly cuts into the enemy. The opponent's punch grazes the side of PYONA's face; PYONA's head has a realistic small deflection but does not retreat. She converts the speed generated by the water pressure thrust directly into a powerful SHOULDER CRASH, shoulder hitting the opponent's upper body solidly, making them retreat visibly. Immediately followed by a short, heavy BODY KNEE accurately hitting the abdomen. HYDRO STEP โ SHOULDER CRASH โ KNEE. Actions are continuous, fast, fierce, with no waiting.
[00:15โ00:18 โ WATER GUARD / Hard Counterattack]
Another enemy immediately throws a heavy punch from the front while someone else approaches. PYONA raises her forearm; the WATER GUARD instantly forms a fast-rotating transparent thick water film. The punch must realistically hit the water film. SPLASH. Water explodes violently, PYONA's forearm also vibrates back half a beat from the impact, but the water film forces the punch off-course. PYONA immediately enters the opening, hitting the enemy's upper body with a short, heavy elbow strike. No pretty pauses. No posing. Immediately enter the next threat.
[00:18โ00:23 โ FACE WATER CANNON]
An enemy approaches at high speed from the front, preparing to attack again. Don't let PYONA stand and gather water slowly. No long charging. PYONA quickly raises her palm. Floor water marks, scattered droplets, and air moisture converge in front of her palm almost instantly. FACE WATER CANNON. A short, violent, concentrated high-pressure transparent water jet blasts directly into the enemy's face and upper chest. Must see: INSTANT WATER GATHER โ VIOLENT FORWARD WATER JET โ DIRECT FACE / HEAD / UPPER-CHEST IMPACT. The water cannon hits the face powerfully; the head snaps back, eyes instinctively shut tight, hair and uniform are instantly blown backward, body retreats continuously and briefly loses sense of direction. Not a pretty fountain. Not a gentle splash. Must be like a powerful high-pressure water stream suddenly hitting the front. PYONA immediately presses forward, not standing to watch the result.
[00:23โ00:26 โ RING WATER SHOCKWAVE / Circular Water Wave Push-back]
The remaining girls approach PYONA simultaneously from different directions. Prohibit generating static water barriers. Prohibit transparent spherical shields. When enemies truly enter close range at high speed, PYONA suddenly lowers her center of gravity and releases power to the ground. Surrounding moisture is instantly pulled to her feet, then: RING WATER SHOCKWAVE. Centered on PYONA, a ring of strong, transparent, heavy water pressure waves suddenly explodes outward along the wooden floor and low space in all directions. Not a protective shield. This is a violent outward release of water pressure impact. Approaching enemies must have strong physical reactions: One person's upper body is pushed back several steps by the water pressure; one's center of gravity is thrown backward; one hits a companion to the side violently; another slips underfoot, knees almost touching the ground. All reactions must occur after the water wave actually contacts the body. The leader does not fall completely. She forcefully withstands the first wave of impact, adjusts her steps, and continues to pounce on PYONA from the front. This naturally establishes the final 1v1 attack line.
[00:26โ00:30 โ HYDRAULIC PALM / Final Climax]
The leader forces her way through the remaining water flow, approaches at high speed from the front, and throws a powerful punch. PYONA does not fire magic from a distance. She actively steps forward into true striking distance, body deflecting, letting the leader's punch graze her face. Meanwhile, moisture around the right hand compresses at high speed. PYONA's right palm must first realistically and heavily hit the center of the leader's upper body. See first: PALM PHYSICAL CONTACT โ CLOTHING / BODY COMPRESSION. 0.1โ0.2 second micro slow motion: WATER COMPRESSION โ dense cavitation bubbles โ HYDRAULIC COLLAPSE. TIME SNAP. HYDRAULIC PALM explodes. Intense transparent water pressure instantly blasts forward from the actual palm contact point. The leader's entire upper body is violently shaken back, feet lose stability, sliding backward at high speed on the gymnasium's wooden floor, large clouds of water mist and shattered droplets explode outward, heavy impact sound echoes strongly in the gym. The last enemy immediately pounces on PYONA from the side-rear, giving her no rest. PYONA uses ground water flow to instantly disrupt her front foot, briefly breaking the sprint rhythm. Followed by a very short HYDRO STEP to turn and enter. The other palm hits the opponent's shoulder-chest line heavily. SHORT HYDRAULIC PRESSURE PALM. Short-distance water pressure blasts from the contact point again; the opponent is immediately pushed down and slides across the wooden floor. PYONA does not celebrate, admire the water, or strike a hero's pose. She is still breathing heavily, short light pink-blue hair visibly slightly messy from combat, realistic water drops remaining on her face and the clothing surface from image1. She immediately turns to maintain a combat stance, scanning the gymnasium quickly. CUT WHILE TENSION IS STILL ACTIVE.
[TARGET LOCK]
All attacks must first have a clear target and correct distance: VISIBLE ENEMY โ CORRECT RANGE โ ATTACK โ PHYSICAL CONTACT / WATER CONTACT โ IMMEDIATE REACTION. LOW WATER SPIN SWEEP must see PYONA's real leg hit the enemy's lower body. Enemies must never fall without a physical cause. SHOULDER CRASH, KNEE, ELBOW must have real contact. FACE WATER CANNON must clearly hit the enemy's face/upper chest from the front. RING WATER SHOCKWAVE must first contact approaching enemies before violently pushing them back. HYDRAULIC PALM must have real palm contact first, followed by the water pressure explosion.
[Photography]
The first shot must be front or 3/4 front view to clearly see PYONA's face and the 5-person encirclement; starting with a back view is prohibited. After PYONA falls, the camera immediately drops to a height near the wooden floor while capturing her pained expression, the mockery of the surrounding girls, and the leg positions of the enemies. For the LOW WATER SPIN SWEEP action, the camera should not rotate around PYONA at high speed or follow her forward. Use a low-angle, slightly wide side-front perspective, keeping it stable and clear during the 0.8โ1.0 seconds of the sweep core action, so that the same frame can read: PYONA's fixed support hand + low hip rotation + extended sweep leg + first enemy's leg being hit + second enemy subsequently swept. Do not use slow motion for this sweep. Use fast tracking for HYDRO STEP. Close/medium shot in WATER GUARD to see the punch hitting the water film. FACE WATER CANNON must see water blasting from PYONA's palm directly into the enemy's face. RING WATER SHOCKWAVE uses a wider shot to see PYONA, the attackers, and the ring water pressure explode outward. Finally, HYDRAULIC PALM enters a strong medium-close-up, prioritizing physical contact, clothing compression, water pressure explosion, and enemy reaction. ACTION READABILITY > PHYSICAL IMPACT > WATER POWER > CAMERA CHAOS.
[Strictly Prohibited]
Prohibit the first shot from only showing PYONA's back. Prohibit re-awakening. Prohibit PYONA from studying her water abilities. Prohibit counterattacking before falling completely. Prohibit LOW WATER SPIN SWEEP from becoming: slow slide, slide tackle, forward crawl, forward travel, slow spin, breakdance, dance move, slow-motion spinning attack. Prohibit PYONA from sliding toward the enemy during the sweep. Prohibit the center of PYONA's body from moving forward significantly during the sweep. Prohibit enemies from falling slowly after light contact. Prohibit enemies from falling automatically without clear leg contact. Prohibit enemies from falling automatically after PYONA lightly waves her hand. Prohibit any cautious, gentle, or slow-motion fighting. Prohibit enemies from waiting in line. Prohibit enemies from not having an obvious physical reaction after being hit. Prohibit standing still for a long time to gather water at 18 seconds. Prohibit FACE WATER CANNON from looking like a gentle spray. Prohibit generating static water barriers or protective shields at 23 seconds. Prohibit giant tsunamis, water dragons, magic circles, lasers, energy balls, or teleportation. Prohibit attacking basketball hoops, equipment, or air. Prohibit game CG characters, cheap anime special effects, AI plastic skin. Prohibit closing with a hero pose.
Core Goal: The first shot must clearly see PYONA's face. She is hit by a heavy frontal punch to the abdomen, falls realistically and completely, and is laughed at loudly by the surrounding girls. The first counterattack must strictly be an in-place low circular leg sweep, not any form of sliding or charging. PYONA remains in the original position, one hand firmly on the ground, with that support point and low hip as the axis, one leg fully extended, completing an explosive high-speed circular sweep in about 0.8โ1.0 seconds. Her body center remains essentially in place; what truly moves is the high-speed rotating leg. The leg first realistically sweeps the ankle/calf of the first enemy, causing her support leg to fail instantly and fall heavily; the same rotation immediately continues to sweep the second enemy, causing her to lose her base and fall heavily. Water only clings to PYONA's real sweep trajectory to enhance speed, impact, and lateral force, and must never replace leg contact to automatically knock people down. Aside from this, subsequent actions remain as structured: Hydro Step rapid advance โ Water Guard hard block โ Face Water Cannon powerful frontal blast โ Ring Water Shockwave violent push-back โ Hydraulic Palm high-pressure climax with real palm contact. The entire action sequence must be tough, fast, dangerous, and unrestrained, never presenting a cautious, gentle, or slow-motion feeling.
Author: Pyona | Source: Link | Published: Aug 24, 2026
Ghibli Style Afternoon Tranquility
A multi-shot prompt for a serene Studio Ghibli-inspired animation featuring a woman on a wooden veranda.
๐ Prompt
A quiet Studio Ghibli-inspired anime sequence on a shaded wooden veranda during a warm August afternoon. A young woman in a pale lavender dress sits near a glass wind chime and watches it move in the summer breeze. Bright garden greenery, soft sunlight, gentle shadows, rich hand-painted textures, tranquil nostalgic mood, highly detailed, 12-second animation.
Shot 1: Wide establishing shot, slow push-in. A peaceful wooden veranda overlooks a lush summer garden.
Shot 2: Medium shot, static. The young woman sits quietly and looks toward the hanging wind chime.
Shot 3: Close-up, static. The glass wind chime sways gently in the breeze.
Shot 4: Close-up profile, slight push-in. She listens with a calm expression.
Shot 5: Wide side shot, static. She remains seated as sunlight flickers across the veranda.
Author: AIrina (Virtual Media Net) | Source: Link | Published: Aug 24, 2026
Pocari Sweat Sports Commercial Prompt
A highly detailed, professional-grade 15-second commercial prompt for Seedance 2.0. It follows a multi-scene storyboard for a sports beverage, including macro shots, water physics, and dynamic athlete movements.
๐ Prompt
Create a cinematic, ultra-realistic 15-second vertical commercial based exactly on the uploaded POCARI SWEAT storyboard. Maintain the same blue-and-white visual identity, energetic atmosphere, dramatic lighting, water effects, and premium sports-commercial aesthetic.\n\nScene 1 โ 0โ1.5s: THE DRY\nExtreme macro close-up of a tired, sweaty athlete. Sweat drops slowly roll down his face. The background is hot, dry, and slightly desaturated. Slow push-in camera, heavy breathing and heartbeat atmosphere.\n\nScene 2 โ 1.5โ3s: THE DROP\nA single water droplet falls in dramatic slow motion and hits the ground, creating a powerful splash. Transition from dry surroundings into fresh blue liquid energy. Macro camera follows the droplet.\n\nScene 3 โ 3โ4.5s: THE OPEN\nClose-up of a chilled POCARI SWEAT bottle. A hand opens the cap. Cold vapor escapes while condensation and water droplets cover the bottle. The liquid swirls with energetic motion.\n\nScene 4 โ 4.5โ6.5s: REHYDRATION\nThe athlete drinks POCARI SWEAT. Glowing blue hydration energy flows through his body in a tasteful, non-medical visual effect. His expression changes from tired to refreshed. Camera performs a smooth orbit.\n\nScene 5 โ 6.5โ9s: THE WORLD REHYDRATES\nA massive wave of clean blue water flows dynamically through a modern city. Buildings and streets become bright, fresh, and vibrant. Fast tracking camera follows the wave as the environment transforms.\n\nScene 6 โ 9โ11s: BACK TO MOTION\nQuick energetic montage of athletes returning to activity: running, cycling, playing basketball, and jumping. Dynamic tracking shots, water splashes, natural movement, bright daylight, powerful music beat.\n\nScene 7 โ 11โ13.5s: LIQUID VORTEX HERO\nHero product shot of the POCARI SWEAT bottle surrounded by a spectacular rotating vortex of crystal-clear water. Bottle remains perfectly sharp and centered while water spirals around it. Premium studio lighting and slow 360ยฐ camera movement.\n\nScene 8 โ 13.5โ15s: FINAL REFRESH\nClean final packshot: chilled POCARI SWEAT bottle standing against a bright blue-and-white background with subtle water droplets and mist. Slow camera push-in. End with the POCARI SWEAT logo and a clean premium commercial finish.\n\nOverall Style: photorealistic, cinematic sports advertisement, high-energy commercial, realistic water physics, macro details, dramatic slow motion, smooth camera transitions, premium blue-and-white color palette, crisp highlights, shallow depth of field, 4K/8K quality, vertical 9:16.\n\nAudio: heavy breathing and heartbeat โ single water drop โ powerful splash โ bottle cap click โ rising energetic music โ water and movement sounds โ clean final musical hit.\n\nImportant: Keep the POCARI SWEAT bottle design, label, logo, proportions, and branding consistent throughout every scene. No distorted text, no warped bottle, no extra logos, and no unrelated objects.
Author: Soaima | Source: Link | Published: Aug 24, 2026
Dark Armored Warrior Transformation
A cinematic sequence prompt that transforms a woman into a dark armored warrior with glowing red eyes and a fiery sword, featuring intense atmospheric effects and high-detail textures.
๐ Prompt
Cinematic cinematic transformations sequence, portrait aspect ratio. A rusty gray sedan parked on a city street. A woman's hand touches the rusted side panel, which cracks open as black clawed gauntlets burst out. Dark obsidian metallic armor rapidly creeps and morphs up her arm and body. Her face transforms into a fierce armored warrior with glowing red eyes and horn-like helmet peak. The dark armored knight drops into a ground-pound pose, shattering the asphalt with glowing orange lava veins. She pulls a massive, glowing fiery sword straight out of the burning cracked pavement, standing tall in full demonic plate armor emitting embers and black smoke. Cinematic lighting, hyper-realistic, dark fantasy aesthetic, 4k resolution.
Author: Julia | Source: Link | Published: Aug 24, 2026
Floating Woman Sunset Cloudscape
A dreamlike, luxury-themed video featuring a glamorous woman floating gracefully above a sea of clouds during a vibrant pastel sunset.
๐ Prompt
Continuous smooth push-in camera movement A stylish glamorous woman floating gracefully above a dense sea of fluffy cloud tops during a vibrant pastel sunset She is wearing a sleek black futuristic bodysuit, sunglasses, and high heels holding a martini glass with liquid splashing slightly and a black quilted luxury handbag The golden hour sky glows with pink, orange and purple hues Ultra-realistic, cinematic lighting, 8k resolution, slow motion.
Author: Lavinia | Source: Link | Published: Aug 24, 2026
Alligator Mutant Rescue Scene
A high-action cinematic prompt depicting a survivor escaping a gigantic crocodile in a tropical jungle, featuring intense camera movements and a dramatic train collision.
๐ Prompt
Hyper-real B-movie creature-feature action. Tropical jungle. Heavy rain from a recent storm. Overgrown railroad crossing cutting through dense vegetation. Rusted warning signs. Fast chaotic pacing. Aggressive handheld camera. Speed ramps. Crash zooms. Whip pans. Sound: engine screaming, crocodile roars, train horn, metal shaking, frantic breathing. โธป 0โ2s โ HOOK Low front-mounted camera on a speeding jeep. A survivor is already driving at full speed down a muddy jungle road. The windshield is covered in mud and rain. Behind himโ A gigantic mega crocodile bursts through the jungle. Forty feet long. Ancient scars across its body. It crashes through trees and keeps pace with the jeep. The driver glances into the rear-view mirror. โCOME ON!โ โธป 2โ5s โ ESCALATION Side tracking shot. The jeep bursts out of the jungle toward an abandoned railroad crossing. The crocodile gains rapidly. Its jaws snap shut inches behind the rear bumper. Mud sprays everywhere. The survivor spots the tracks ahead and floors the accelerator. The crocodile lunges. The jeep barely stays ahead. โธป 5โ8s โ THE PROBLEM Wide shot. The jeep reaches the railroad crossing. Suddenlyโ The engine dies. The vehicle rolls to a stop directly on the tracks. Silence. Then a distant train horn. The survivor looks left. A freight train is approaching at full speed. He looks right. The crocodile is charging. โธป 8โ11s โ CHAOS Rapid cut-tos. Train getting closer. Crocodile getting closer. The survivor desperately tries restarting the engine. Nothing. The crocodile launches forward. The train horn becomes deafening. At the very last secondโ The survivor dives out of the jeep. โธป 11โ13s โ PAYOFF Bullet-time shot. The crocodile leaps. The freight train arrives. Impact. Metal bends. Mud explodes. The crocodile is smashed sideways across the crossing. The jeep is obliterated. โธป 13โ15s โ SHOCKING ENDING The survivor stands up. Relieved. The train continues rolling. Thenโ Something enormous climbs over the top of the moving train. A gigantic reptilian creature larger than the crocodile. Its claw crushes a train car roof. The entire train begins derailing. The survivor stares in disbelief. Hard cut to black.
Author: DennisVisuals | Source: Link | Published: Aug 24, 2026
Neo-Wuxia Cinematic Action Match Cut
A sophisticated prompt for a neo-wuxia cinematic video featuring photorealistic lighting, 8K quality, and a seamless match-cut transition from a temple courtyard to a cliffside.
๐ Prompt
[Style] Neo-Wuxia Cinematic, photorealistic, 8K ultra-clear quality, super slow-mo, action match cut.
[Duration] 10 seconds
[Scene] Deep mountain ancient temple courtyard/cliff platform โ steep seaside cliff rocks with crashing waves.
[Character] Swordsman (young martial artist wearing dark green wide-sleeved ancient style robe, black pants, and sneakers).
[00:00-00:05] Scene 1: Acrobatic entry with broom as weapon (Acrobatic Backflip to High-Knee Step).
[Low-angle frontal push shot] Sunlight slanted on the bluestone floor of the ancient temple, fallen leaves floating in the wind.
Action: Swordsman @Image1 bends knees, jumps high, and completes a clean high-difficulty backflip in the air.
Continuation: Crouching down immediately upon landing, one hand grabs a long bamboo-handle sorghum broom from the ground.
Progression: His eyes are sharp as a hawk, holding the broom like a divine weapon in one hand, striding toward the camera; at the last moment, he lifts his right leg high in a high-knee action.
[Transition/Continuity]: Hard cut at the moment the right leg steps out in the air (Action Match Cut).
[00:05-00:10] Scene 2: Golden staff in mid-air with leg lock & giant wave splash.
[Mid-long shot low angle/Super Slow-mo] Scene instantly cuts to a steep seaside cliff with howling wind.
Props and outfit replacement: The broom turns into a dark gold iron staff (Golden Cudgel), and he wears a black and white wide-brimmed swordsman hat.
Stunt freeze pose: The iron staff stands at a 45-degree angle on the rock. The swordsman takes over the transition with the same movementโone foot on the middle of the staff, the other foot on the top, locking the staff tightly with both feet, body hanging horizontally; one hand in a seal in front of the chest, looking calm and dominant.
Environmental effects: Massive white ocean waves crashing behind the cliff, water droplets splashing in extreme slow motion in the sun, green robe flying in the wind, screen freezing for a shocking finish.
Author: John | Source: Link | Published: Aug 24, 2026
Dark Xianxia Movie Combat Scene
A comprehensive cinematic video prompt for an 8K dark fantasy battle featuring a black-haired swordsman and a demon lord in a bamboo forest.
๐ Prompt
Generate a full 10-second, 8K 3D CG realistic, PBR physical material, 16:9 landscape, 60fps Chinese dark fantasy Xianxia movie combat video. [A moonlit Nu River and endless emerald bamboo forest, with an extremely large bright full moon hanging in the sky], cinematic film-level color grading; clothing folds, skin pores, hair dynamics, and flying bamboo leaves are ultra-realistic, with authentic cloth dynamics. [A cold black-haired swordsman, wearing dark martial arts attire, with a sword in its scabbard horizontally behind his waist] surrounded by [cyan-green heavy water flows and violent electrical arcs tightly attached to the armor, body movement trajectory, and blade]. [A single humanoid demon lord, wearing a black and red demon robe and black-gold shoulder guards, holding an obsidian demon sword] surrounded by [blood-colored demon runes, black fluid ink Qi, and heavy black-red demon flames tightly attached to the obsidian demon sword, body movement trajectory, and demon lord avatar]. The whole film strictly features only two characters: the swordsman and the demon lord. Characters avoid static poses during the fight, maintaining ultra-high-speed maneuvers that break the sound barrier, dragging thick dynamic ink smoke afterimages; all moves are layered with intense hand-drawn ink strokes. Time Ramp combining fast and slow motion. Weapons and limb collisions must match three levels of fixed special effects: Light collision = black and white impact frames + 0.05s frame skipping + local negative film + axial micro-shaking. Heavy collision = radial impact frames + 0.1s frame skipping + central negative film + force-induced sinking/rebound + triple-layer fluid explosion. Ultimate move = full-screen impact frames + 0.15s freeze-frame skipping + full-screen negative film white flash + central fisheye distortion + strong Bloom + circular shockwave. Use a 3A action game inertia following camera, with movements accompanied by high-frequency zoom and speed changes based on physical actions; pure visual output throughout.
Author: Arvin | Source: Link | Published: Aug 24, 2026
Mediterranean Luxury Fragrance Commercial
A high-end 3D product advertisement prompt featuring detailed macro shots of a perfume bottle against a Mediterranean coastal backdrop.
๐ Prompt
A cinematic 3D product commercial for a luxury fragrance set against a sun-drenched Mediterranean coastal cliff overlooking vibrant turquoise water, hyper-realistic, 8k resolution, photorealistic lighting, ray-traced glass reflections, shot on 35mm anamorphic lens, 60fps smooth action: Extreme macro shot starting on the thick clear glass base of a square fragrance bottle with light refracting across stone, smooth tilt-up to reveal the pale green liquid inside, the silver metallic Medusa seal centered on the front, and the silver engraved cap. Small white jasmine blossoms and olive leaves frame the bottle on a rugged stone ledge. Dynamic cut to a close-up of green olives hanging from lush branches with glowing sunbeams piercing through against a deep blue sky. Rapid transition showing the silver bottle cap smoothly popping off into the sky, revealing the nozzle, followed by an ultra-macro shot of the nozzle spraying a fine mist of fragrance in slow motion as sunlight catches the microscopic droplets. Fast forward-zooming whip shot moving through a breezy Mediterranean olive grove, emerging out onto a high cliff ledge where the perfume sits above a shimmering ocean cove. A crystal-clear glass sphere expands and engulfs the scene with glowing green olive leaves swirling through the air around it. Final centered hero shot of the fragrance bottle sitting proudly on the sunlit stone ledge, subtle water reflections beneath it, olive branches framing the top, bright lens flare streaming from above, hyper-detailed commercial aesthetic.
Author: Zyrella | Source: Link | Published: Aug 24, 2026
Field Hospital Medic Breakdown
A harrowing cinematic video prompt of a field hospital medic having an emotional breakdown after reporting casualties, featuring complex handheld camera work.
๐ Prompt
<<<image_1>>> โ Ines
Camera Settings: shot on 35mm film, anamorphic 2x squeeze, 2.39:1, oval bokeh, heavy grain,
halation on the bulbs. Focal length: 35mm. Aperture: f/2.0. Camera Style: handheld inside
the scuffle โ the camera is jostled and knocked by the people restraining her, losing her
frame and finding her again, shoved sideways twice, then dropping to the duckboards with her
and ending on its side looking up at her and at the ring of faces standing over her; one
continuous take, no cuts. Light: cold blue dawn through canvas, bare work bulbs swinging on
a cable throwing hard moving shadows, generator flicker. Style & Mood: field hospital at
first light, blue-grey and dirty amber, war-film grain, generator hum, canvas cracking in
wind, no score. Narrative Summary: a medic breaks down in front of the whole ward while
reporting her losses. Starting Composition: camera 3ft from her face, handheld, already
unsteady. Ines (<<<image_1>>>) stands frame-center already mid-shout at an officer
off-frame, rows of cots and wounded men behind her, covered stretchers deep frame-right,
bulbs swinging overhead.
Dynamic Description: (0sโ5s) Handheld tight 35mm, already knocked off balance at frame one,
catching her face in snatches. She is screaming before the shot begins, face contorted,
tendons standing in her neck, tears cutting clean lines through the soot โ voice torn open,
shouting: "FOUR. There were forty of us and there's FOUR." She rips the loose dressing off
her forearm and hurls it, then drives her fist down onto a folding table so the tin cups
jump. (5sโ10s) Two people grab her from behind and she fights them hard, twisting; the
camera is shoved sideways by a shoulder, loses her completely for half a second, and finds
her again mid-struggle, still shouting with no words left in it, the ampoules on her chest
rattling. (10sโ15s) Her legs go. They lower her and the camera goes down to the duckboards
with her, ending on its side. From the floor, looking up: she is on her knees, doubled over
with both hands in her cropped hair, sobbing at full volume with her forehead almost on the
boards, a ring of faces standing over her, the bulbs swinging behind their heads.
Static Description: field hospital tent at dawn, rows of cots, swinging bulbs, canvas,
covered stretchers, folding table, tin cups, duckboards. Negative: no subtitles, no
captions, no text overlay, no cross-dissolve, no transparency transitions, no wipes, no
cuts, no hard cuts, no edits, no shot changes โ single uninterrupted take, no mirror
reflections, no doubled characters, no visible crew, no wound detail, no slow-motion, no
music, no score, no composed crying, no build-up. She is already screaming in the very
first frame and the camera must be physically knocked at least twice.
Author: Sharon Riley | Source: Link | Published: Aug 24, 2026
Everyday Grocery Shopping Lifestyle Vlog
A 30-second lifestyle vlog prompt following a character from leaving home to shopping at a supermarket and checking out.
๐ Prompt
DURATION: 30 seconds
STYLE:
Ultra-photorealistic live-action everyday lifestyle vlog.
Premium cinematic commercial quality.
Natural human behavior.
Realistic hand movements.
Realistic grocery interaction.
Natural facial expressions.
Smooth cinematic camera movement.
Authentic everyday atmosphere.
REFERENCE ASSIGNMENT:
@IMG1 = MAIN FEMALE CHARACTER
@IMG2 = HOME / ENTRANCE
@IMG3 = SUPERMARKET
@IMG4 = GROCERY SHOPPING ACTION
@IMG5 = CHECKOUT
@IMG6 = HOME GROCERY ARRANGEMENT
Use all references consistently.
CHARACTER CONSISTENCY:
The EXACT SAME woman from @IMG1 must appear throughout the entire video.
Preserve her exact face, facial features, hairstyle, skin tone, body proportions, age appearance and overall identity.
Keep her outfit consistent throughout the shopping journey.
Do not change her identity or appearance between scenes.
--------------------------------------------------
0โ4 SECONDS โ LEAVING HOME
Use @IMG1 + @IMG2.
The woman prepares to go grocery shopping.
She checks her shopping list on her phone.
She picks up her handbag and walks toward the front door.
She opens the door and leaves her home.
CAMERA:
Smooth cinematic tracking shot from inside the entrance following her toward the door.
Natural daylight.
Realistic walking movement.
--------------------------------------------------
4โ8 SECONDS โ ARRIVING AT SUPERMARKET
Use @IMG3.
Transition to the supermarket.
The woman arrives at the supermarket entrance.
She takes a shopping cart.
She enters the store and begins walking toward the fresh produce section.
CAMERA:
Smooth forward tracking shot following her and the shopping cart.
Keep the supermarket environment clearly recognizable.
--------------------------------------------------
8โ15 SECONDS โ SELECTING GROCERIES
Use @IMG4.
The woman pushes the shopping cart through the produce aisle.
She stops at the vegetable section.
She picks up a fresh tomato and examines it.
She places the tomato into the shopping cart.
She selects several fresh vegetables and fruits.
She places them naturally into the cart.
She briefly checks her shopping list on her phone.
Then she continues shopping.
CAMERA:
Alternate between:
medium tracking shot,
close-up of her hand selecting vegetables,
close-up of groceries entering the cart,
medium shot of her checking the phone.
Keep every action physically realistic.
--------------------------------------------------
15โ20 SECONDS โ CHECKOUT
Use @IMG5.
The woman arrives at the checkout counter with her full shopping cart.
The groceries are placed on the checkout area.
The cashier scans several items.
The woman completes the payment using her phone/card.
She receives the receipt.
She collects her grocery bags.
CAMERA:
Medium-wide checkout shot.
Brief close-up of scanning.
Brief close-up of payment.
Return to the woman collecting her bags.
Natural everyday interaction.
--------------------------------------------------
20โ24 SECONDS โ RETURNING HOME
Use @IMG2 + @IMG6.
The woman arrives back home carrying her grocery bags.
She enters the kitchen and places the bags on the countertop.
She begins unpacking them.
CAMERA:
Smooth follow shot as she enters the kitchen.
--------------------------------------------------
24โ30 SECONDS โ ORGANIZING GROCERIES
Use @IMG6.
She takes fresh vegetables from the bags.
She places vegetables neatly into the refrigerator.
She places fruit into a fruit bowl.
She puts pasta, bread and dry groceries into the kitchen cabinet.
She looks at the organized kitchen.
She gives a small natural satisfied smile.
CAMERA:
Begin with a medium shot.
Cut briefly to vegetables entering the refrigerator.
Cut to fruit being placed into the bowl.
Finish with a gentle cinematic push toward her satisfied expression.
CUT TO BLACK.
--------------------------------------------------
CAMERA STYLE:
Use smooth professional lifestyle-vlog cinematography.
Natural tracking shots.
Medium shots for actions.
Close-ups for important details.
Gentle push-ins.
No excessive camera shake.
No unnecessary fast camera movements.
Keep the woman visually readable throughout.
--------------------------------------------------
REALISM PRIORITY:
Natural walking.
Natural hand movements.
Realistic shopping cart physics.
Realistic handling of vegetables.
Realistic phone interaction.
Realistic checkout behavior.
Realistic grocery bags.
Realistic refrigerator interaction.
Natural facial expressions.
Natural body mechanics.
No exaggerated movements.
No teleportation.
No floating objects.
No instant scene changes.
--------------------------------------------------
CONSISTENCY RULES:
Same woman throughout.
Same face throughout.
Same hairstyle throughout.
Same outfit throughout.
Same grocery items throughout.
Same supermarket environment.
Same home environment.
No face morphing.
No different woman.
No distorted hands.
No extra fingers.
No changing groceries.
No cartoon.
No anime.
No fantasy elements.
No text.
No logos.
No watermark.
FINAL FEELING:
The video should feel like a genuine cinematic everyday-life vlog showing a woman completing a normal grocery-shopping trip from leaving home to returning home and organizing her groceries.
Natural.
Realistic.
Relaxed.
Professional.
Cinematic.
Author: Elsa Ai | Source: Link | Published: Aug 24, 2026
Breakdance Flare to Windmill Sequence
A highly detailed structural prompt for Seedance 2.0 to generate a realistic 15-second breakdancing transition from a flare to a windmill with specific physics and camera requirements.
๐ Prompt
shot:
type: R2V
reference: <Picture 1>
camera: fixed, eye-level, medium-wide shot capturing full body throughout, no cuts
duration: 15-second continuous sequence, constant tempo throughout
character:
appearance: delegated entirely to <Picture 1>, no additional description
style_separation:
character: cel-shaded anime style, locked to reference image
environment: photorealistic indoor dance studio floor, neutral wall, soft even lighting
action:
sequence_name: thomas_flare_to_windmill_combo
segments:
- segment: intro_setup
duration: approx 0-3s
description: standing neutral pose transitions down into crouched base position, both palms grounding shoulder-width apart, core braced, hips settling to a fixed rotation height
- segment: flare_combo
duration: approx 3-9s
support_pattern: alternating two-hand support, hand-to-hand transfer, no static single-hand hold
description: two continuous flare rotations - right leg sweeps laterally at constant angular velocity, left leg sweeps diagonally downward-forward as support hand transfers, right leg continues diagonally upward with legs held widely split throughout, hips remain the stationary rotation axis with no vertical bounce; cycle repeats once more at identical speed
- segment: transition_to_windmill
duration: approx 9-11s
description: on the final flare rotation, upper back and shoulder lower to the floor while legs continue their circular momentum, torso rolling from the flare's hip-axis rotation into a back-and-shoulder-axis rotation, hands lift off the floor and tuck near the chest as the transition completes
- segment: windmill_execution
duration: approx 11-15s
description: two continuous windmill rotations - legs swing in a wide circular arc overhead while the upper back and shoulders roll across the floor in constant-velocity rotation, legs stay extended and split for momentum, no hands touching the floor for support during this segment
physics_constraints:
- hip axis remains at constant height during the flare segment, no vertical bounce
- leg sweeps driven by hip rotation and knee flexion, not by jumping or floating
- hand-to-floor contact during the flare is continuous except the brief instant of transfer between palms
- the flare-to-windmill transition is a smooth momentum carry-over, not a stop-and-restart
- during the windmill segment, rotation is driven by shoulder-and-back contact with the floor, not by pushing off with hands
- rotation speed stays constant within each segment, no acceleration bursts
- legs stay maximally extended and split during all rotation segments to convey centrifugal force
lighting: soft studio lighting, consistent throughout, no flicker
Author: ็ฐไธญๅ้ | AI็ปๅใปๅ็ป็ๆ | Source: Link | Published: Aug 24, 2026
Pop-up Book Paper Craft Animation
A creative prompt for a 15-second animation of a physical paper map unfolding and transforming like a pop-up book.
๐ Prompt
Pop-up book paper craft animation, 15 seconds, 16:9. Masterpiece paper engineering. Multi-layered topographic paper design, intricate cut-paper landscapes, embossed details, gold foil map markings, moving paper mechanisms, handcrafted textures, cinematic warm lighting, shallow depth of field. Everything exists as physical paper emerging from an antique atlas. No voice. Audio: turning pages, rustling paper, subtle orchestral wonder. ACT 1 (0-4s) An ancient atlas opens. A magnificent paper map unfolds across both pages. Mountains rise in layered paper relief. Forests, rivers, bridges, cities, and ships emerge from hidden folds. Tiny paper clouds float above the landscape. Camera travels low across the terrain. ACT 2 (4-8s) A page turns. The map begins reorganizing itself. Rivers fold upward into roads. Mountains flatten and transform into oceans. Cities slide across hidden paper tracks. Entire regions rotate and lock into new positions like a giant mechanical puzzle. ACT 3 (8-12s) Another page turns. The map becomes increasingly impossible. New continents unfold from beneath existing continents. Bridges span across the sky. Floating islands emerge from layered mechanisms. Endless paper geography grows outward beyond the original map. ACT 4 (12-15s) Final page turn. The entire world folds inward through thousands of synchronized paper movements, transforming into a giant ornate compass made from landscapes, cities, oceans, and mountains. The compass expands and unfolds into an even larger impossible map extending beyond the book's edges. Freeze on the completed transformation.
Author: Alexandra Aisling | Source: Link | Published: Aug 23, 2026
Nostalgic DV Camcorder Fairground Video
A detailed video prompt for a nostalgic, candid 15-second sequence of a woman at a local fairground, styled with early 2000s DV camcorder aesthetics.
๐ Prompt
Main Subject:
Young Korean woman, early 20s, light cardigan over a summer dress, small crossbody bag, hair down and slightly wavy, excited cheerful expression.
Location: Small local fairground, early evening. Ferris wheel lights starting to glow, distant carnival games, scattered benches, string lights overhead. No crowds, no commercial branding.
Visual Style:
Ultra-realistic documentary realism, joyful candid feeling, soft dusky evening light.
Camera Style:
Early 2000s consumer DV camcorder aesthetic, handheld shake, autofocus hunting on flashing lights, exposure pumping between bright lights and shadow. No stabilization.
Timeline (15 sec, each slot = 2 compressed beats):
00:00โ00:03 โ She sits in the ferris wheel cabin, then looks out as it slowly rises.
00:03โ00:06 โ She turns to camera saying "์ฌ๊ธฐ์ ๋ณด๋ ๊ฒฝ์น ์ง์ง ์ข๋ค" ("The view from here is really nice"), smiling.
00:06โ00:09 โ The cabin reaches the top; she gasps softly at the skyline view.
00:09โ00:12 โ She points at something below, laughing excitedly.
00:12โ00:15 โ She looks at camera saying "๋ค์ ํ๊ณ ์ถ๋ค" ("I want to ride again"), grinning as it fades.
Audio:
Faint carnival music in distance, wind, creaking cabin, distant chatter. Her dialogue as noted above. No music beyond ambient scene sound.
Goal: A joyful, nostalgic fair moment warm, excited, believable.
Author: ๐ | Source: Link | Published: Aug 23, 2026
High-Speed Motorcycle Action Sequence
A dynamic action prompt for a motorcycle chase or racing scene with heavy speed blur and multiple cinematic cuts.
๐ Prompt
Create an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime โ 16โ17 seconds.
A lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout โ never redesign them.
This film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos โ pure cinematic speed.
### CUT LIST
CUT 01 | 0.00โ1.00s
Dynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame.
**CUT 02 | 1.00โ2.00s**
Camera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right.
**CUT 03 | 2.00โ3.00s**
Tight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense.
**CUT 04 | 3.00โ4.00s**
Bike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right.
**CUT 05 | 4.00โ5.00s**
High-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky.
**CUT 06 | 5.00โ6.00s**
Rider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur.
**CUT 07 | 6.00โ7.00s**
Bike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun.
**CUT 08 | 7.00โ8.00s**
Rider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail.
**CUT 09 | 8.00โ9.00s**
Tight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies.
**CUT 10 | 9.00โ10.00s**
Camera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward.
**CUT 11 | 10.00โ11.00s**
Sweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains.
**CUT 12 | 11.00โ12.00s**
High-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside.
**CUT 13 | 12.00โ13.00s**
Camera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks.
**CUT 14 | 13.00โ14.00s**
Rider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain.
**CUT 15 | 14.00โ15.00s**
Wide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame.
**CUT 16 | 15.00โ16.65s
Final high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion.
### Editing & Sound
Extremely aggressive rhythm โ continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion.
BGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release.
Premium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.
Author: Sharon Riley | Source: Link | Published: Aug 23, 2026
Cinematic Mother-Son Kitchen Comedy
A cinematic 20-second video of a mother serving crepes to her young son in a bright, modern kitchen, featuring a comedic twist where she takes his seat.
๐ Prompt
A realistic, cinematic short video (about 20 seconds) set in a bright modern kitchen with glossy white cabinets, black granite countertop, stainless steel appliances, a black coffee machine, and a red blender in the background. Natural daylight fills the space. A young boy @Image (around 8โ10 years old, brown hair, wearing a bright green Pokรฉmon T-shirt) sits at the kitchen island, focused on a black tablet propped in front of him. A fit, tattooed mother @Image generation (long wavy blonde hair, babypink T-shirt with a square neckline and ruched bodice., light blue denim shorts, checkered kitchen towel draped over one shoulder) approaches from behind, carrying a white square plate stacked with golden-brown crepes/pancakes. He places the plate gently on the counter in front of the boy. The boy looks up from the tablet, eyes lighting up with excitement. He quickly closes the tablet, sets it aside, and starts clapping his hands happily while smiling and bouncing slightly in his chair. The mother @Image generation turns, grabs a jar of Nutella from the counter, and places it next to the plate of crepes. she @Image generation then walks behind the boy, she @Image generation aggressively pulls the chair back as the boy @Image falls down from the chair, mother @Image generation then steps around, sits down in the chair, leans forward over the counter toward the plate of crepes and Nutella, looking down at the food with a calm, content expression. Warm, wholesome mother-son atmosphere, natural movements, soft kitchen lighting, slight handheld camera feel, high detail, photorealistic style.
Author: Sharon Riley | Source: Link | Published: Aug 23, 2026
Martial Arts Fight Sequence
A complex 8K cinematic fight choreography sequence between Taekwondo and Kung Fu masters in an industrial setting.
๐ Prompt
DURATION: 30 SECONDS | 16:9 | 8K CINEMATIC
IMAGE 1 = MASTER TAEKWONDO
IMAGE 2 = MASTER KUNGFU
Create an ultra-realistic continuous martial-arts fight using IMAGE 1 and IMAGE 2 as exact character references. Preserve facial identity, hairstyle, body proportions, wardrobe, accessories and appearance throughout. No morphing, face swapping or identity drift.
STYLE: ARRI Alexa 65 cinematic look, 8K detail, 35mm anamorphic lens, realistic skin and fabric, practical lighting, cinematic HDR, natural motion blur, subtle film grain, physically accurate choreography and grounded action-film cinematography.
0โ5 SEC โ OPENING CLASH
Inside an abandoned industrial warehouse, IMAGE 1 attacks with a powerful roundhouse โ spinning back kick. IMAGE 2 narrowly evades and counters with rapid Kung Fu punches, elbow and low kick. IMAGE 1 blocks, pivots and answers with body kick โ high roundhouse. Use aggressive handheld camera, low-angle tracking and Dutch angles. Every impact produces realistic body recoil and weight transfer.
5โ8 SEC โ TRANSITION
IMAGE 1 launches a spinning hook kick. Camera follows the rotation with a fast whip-pan and realistic motion blur. The spinning movement seamlessly carries the fight into a new location. The transition must feel continuousโno teleportation, cuts or frozen poses.
8โ15 SEC โ CONTINUOUS COMBAT
The fight immediately resumes. IMAGE 1 attacks with jumping side kick โ spinning kick. IMAGE 2 ducks underneath and counters with a fast Kung Fu combination. Both fighters maintain realistic footwork, momentum, distance and balance. Camera performs a 360ยฐ orbit, low tracking shots and energetic handheld movement.
15โ21 SEC โ ESCALATION
Both fighters exchange increasingly aggressive combinations: Taekwondo kicks against Kung Fu punches, elbows and sweeps. Include blocks, evasions, pivots, feints and counterattacks. Impacts visibly affect posture, balance and movement. No exaggerated wire-fu or impossible physics.
21โ25 SEC โ FINISHING SETUP
IMAGE 1 gains control with low kick โ body kick โ spinning back kick. IMAGE 2 is driven backward and briefly loses balance. Camera rapidly pushes toward IMAGE 1 as he prepares the final attack.
25โ28 SEC โ FINAL IMPACT
IMAGE 1 explodes forward with a jumping roundhouse followed by a powerful turning kick directly into IMAGE 2. The collision feels heavy and physically devastating. Use controlled cinematic impact shake and realistic full-body reaction.
28โ30 SEC โ EXTREME SLOW MOTION
At the exact impact, shift into dramatic slow motion. IMAGE 2 reacts with realistic physics: torso twisting, shoulders rotating, hips following the force, feet briefly leaving the ground and clothing reacting naturally. Camera performs a slow cinematic orbit toward IMAGE 1.
FINAL FRAME: IMAGE 1 stands firmly in a powerful Taekwondo stance, breathing heavily, while IMAGE 2 lies/falls in the background.
CAMERA: dynamic handheld, Dutch angles, low-angle tracking, rapid push-ins, whip-pan transi
Author: Saul Goodman | Source: Link | Published: Aug 23, 2026
Creamy Chicken Pasta Cooking Vlog
A detailed 30-second storyboard prompt for a cooking vlog, focusing on ingredient preparation, cooking steps, and character consistency.
๐ Prompt
DURATION: 30 seconds ASPECT RATIO: Use the video's available landscape/cinematic ratio. STYLE: Ultra-photorealistic live-action cooking and lifestyle vlog, premium food-commercial cinematography, realistic human behavior, natural hand movements, realistic cooking physics, authentic home atmosphere, cinematic lighting, subtle handheld camera movement, realistic food textures, natural skin and hair. REFERENCE ASSIGNMENT: @IMG1 = FEMALE CHARACTER @IMG2 = KITCHEN ENVIRONMENT @IMG3 = INGREDIENTS AND COOKING SETUP @IMG4 = COOKING ACTION @IMG5 = FINISHED CREAMY CHICKEN PASTA @IMG6 = DINING SCENE Use all uploaded references consistently. CHARACTER CONSISTENCY: The SAME woman from @IMG1 must appear throughout the entire video. Preserve her exact face, facial features, hairstyle, skin tone, body proportions and overall identity. Do not change her appearance between scenes. Preserve the same casual home-cooking outfit from @IMG1. FOOD CONSISTENCY: The dish throughout the entire video is EXACTLY the creamy chicken pasta shown in @IMG3 and @IMG5. Maintain the same pasta, chicken, mushrooms, cherry tomatoes, cream sauce, parmesan and parsley throughout. Do not change the dish between scenes. --- 0โ4 SECONDS โ PREPARATION Use @IMG2 and @IMG3. The woman enters the kitchen and approaches the countertop. The ingredients for creamy chicken pasta are neatly arranged in front of her. She looks over the ingredients and begins preparing dinner. Camera starts with a natural medium-wide kitchen shot and gently moves closer. Show the real home environment. --- 4โ9 SECONDS โ CHOPPING Use @IMG3 and @IMG4. The woman places vegetables on the wooden cutting board. She carefully chops garlic, onion and mushrooms with a kitchen knife. Show realistic hand and finger movement. Include a brief close-up of the knife cutting the vegetables. Vegetables naturally separate as she cuts them. Return to a medium shot showing her focused expression. Keep the action smooth and believable. --- 9โ15 SECONDS โ COOKING Use @IMG4. She places the pan on the stove and adds a small amount of olive oil. She adds the prepared chicken and vegetables into the hot pan. A realistic sizzling sound and subtle steam accompany the cooking. She uses a wooden spoon to stir the ingredients. The chicken gradually cooks while the vegetables soften. Camera moves from a side angle toward the pan. Include a close-up of the food sizzling and being stirred. --- 15โ20 SECONDS โ CREAMY SAUCE & PASTA Continue using @IMG4 and @IMG3. She adds the creamy sauce ingredients to the pan. The sauce mixes naturally with the chicken and vegetables. She adds the cooked pasta. She gently tosses and stirs everything together. The creamy sauce coats the pasta realistically. Steam rises naturally from the pan. Show a satisfying close-up of the finished creamy texture. Do not rush this action. --- 20โ24 SECONDS โ PLATING Use @IMG5. The woman transfers the freshly cooked creamy chicken pasta from the pan onto the ceramic plate. She carefully arranges the pasta. She adds parmesan and fresh parsley on top. A small amount of realistic steam rises from the hot food. Camera transitions into a premium close-up food shot. Make the dish look genuinely freshly cooked and appetizing. --- 24โ30 SECONDS โ DINNER Use @IMG6. The woman sits at the dining table with the finished creamy chicken pasta. She picks up the fork naturally. She takes a small bite. She tastes the food and gives a genuine satisfied smile. She briefly looks toward the camera as if sharing the moment with her audience. Camera slowly pushes toward her and the plate. End on a warm, cozy lifestyle shot of the woman enjoying the dinner she prepared herself. CUT TO BLACK. --- CAMERA PRIORITY: Use natural cinematic camera movement. Wide establishing shots for the kitchen. Medium shots for cooking actions. Close-ups for chopping and sizzling food. Macro-style food detail during sauce and plating. Gentle push-in during the final dining moment. Avoid excessive camera shake. Avoid unnecessary camera movement. Keep the woman and the food clearly readable. --- REALISM PRIORITY: Natural human movement. Realistic hand anatomy. Realistic knife handling. Realistic food physics. Realistic steam. Realistic sauce consistency. Realistic sizzling and stirring. Natural facial expressions. Natural eating motion. No exaggerated movements. No instant food transformations. No teleporting ingredients. No changing kitchen. No changing outfit. No changing character. --- FINAL RULES: Same woman throughout. Same face throughout. Same kitchen throughout. Same outfit throughout. Same creamy chicken pasta throughout. Same ingredients throughout. No different woman. No face morphing. No extra people. No distorted hands. No extra fingers. No unrealistic eating. No cartoon. No anime. No fantasy. No text. No logos. No watermark. The final result should feel like a genuine cinematic cooking vlog filmed inside a real woman's home. Reference Image prompt: Create an ultra-photorealistic premium female character reference sheet using the uploaded woman as the STRICT IDENTITY REFERENCE. IDENTITY โ ABSOLUTE PRIORITY: Preserve the exact identity of the woman in the uploaded image. Keep her: - exact face shape - eyes - eyebrows - nose - lips - jawline - skin tone - natural skin texture - hairstyle - hairline - facial proportions - age appearance - feminine body proportions Do not redesign her face. Do not beautify or alter her recognizable features. She must look like the exact same real woman in every view. CHARACTER CONCEPT: Create a realistic modern young woman who will be the main protagonist of a cinematic everyday cooking/lifestyle video. She has a natural, approachable appearance and relaxed confident personality. Create a realistic everyday home-cooking appearance rather than a fashion-model look. OUTFIT: A tasteful modern casual home outfit suitable for cooking dinner: - simple fitted neutral-colored top - comfortable casual trousers - clean natural styling - minimal jewelry - no high-fashion styling - no excessive makeup Keep the outfit practical and believable for a woman cooking at home. CHARACTER SHEET LAYOUT: Create one professional reference sheet containing: 1. Full-body FRONT view 2. Full-body 3/4 FRONT view 3. Full-body SIDE view 4. Full-body BACK view 5. Medium portrait 6. Close-up facial portrait 7. Natural smiling expression 8. Neutral expression 9. Hands and clothing detail Every view must show the EXACT SAME WOMAN. BODY & ANATOMY: Natural realistic feminine proportions. Lean, healthy everyday physique. Accurate human anatomy. Natural posture. No exaggerated body proportions. HAIR: Preserve the exact hairstyle from the uploaded reference. Show realistic individual hair strands and natural volume. PHOTOGRAPHY: Ultra-photorealistic live-action photography. Premium cinematic lifestyle production quality. Realistic skin pores and texture. Natural hair detail. Physically accurate clothing fabric. Soft professional studio lighting. Natural shadows. Subtle realistic depth of field. High-end commercial photography quality. BACKGROUND: Clean warm-neutral studio background. Minimal distractions. The character must be clearly separated from the background. IDENTITY CONSISTENCY: This exact woman will be used as the main character in: @IMG1 Character @IMG4 Cooking Action @IMG6 Dining Scene and the final 30-second video. Her face and identity must remain identical across all references and video scenes. IMPORTANT NEGATIVE RULES: No face redesign. No different woman. No face morphing. No age change. No hairstyle change. No masculine features. No exaggerated makeup. No unrealistic body proportions. No cartoon. No anime. No CGI-looking skin. No text. No logo. No watermark. Premium photorealistic cinematic character ref
Author: Elsa Ai | Source: Link | Published: Aug 23, 2026
Japanese Festival Travel Vlog
An ultra-photorealistic smartphone travel vlog prompt featuring a Japanese woman in a yukata at a summer festival.
๐ Prompt
Create an ultra-photorealistic live-action smartphone travel vlog scene that initially looks like an authentic real travel vlog.
MAIN CHARACTER:
Use Image 1 only for the woman's recognizable facial identity, natural facial features and hairstyle.
She is a young Japanese woman wearing a beautiful pastel yukata with natural traditional styling. Keep her identity and appearance consistent throughout the entire video.
LOCATION:
A traditional Japanese summer festival at night. Lantern-lit streets, festival stalls, warm practical lighting, crowds of people, traditional decorations, and an authentic Japanese summer festival atmosphere.
VISUAL STYLE:
Ultra-photorealistic smartphone travel vlog.
Realistic human performance.
Realistic skin texture.
Natural fabric physics.
Authentic smartphone camera quality.
Natural handheld camera movement.
Authentic ambient festival sounds.
Cinematic but believable vlog footage.
No obvious AI appearance.
00โ05s โ THE OPENING SHOT
Begin with a natural selfie-style smartphone shot of the woman walking through the lantern-lit festival streets.
She films herself while walking naturally through the crowd.
The camera has realistic handheld movement and authentic smartphone stabilization.
Festival lanterns, people, stalls and decorations appear naturally in the background.
Everything feels like genuine travel-vlog footage.
05โ10s โ THE TAKOYAKI MOMENT
She approaches a traditional festival food stall and buys fresh takoyaki.
The camera remains in natural selfie mode while she shows the food toward the camera.
She takes a bite of the takoyaki and smiles naturally.
Her facial expression and movements remain realistic and spontaneous.
The surrounding festival ambience and crowd sounds remain authentic.
10โ15s โ THE FESTIVAL GAME
She walks toward a traditional Japanese festival game.
She plays the game naturally and successfully wins a small plush toy.
She reacts with genuine excitement and happiness.
She briefly holds the plush toy toward the camera while smiling.
The camera movement remains natural and handheld, maintaining consistent identity and appearance.
15โ20s โ THE FIREWORKS
The scene transitions naturally as she joins the crowd watching a spectacular fireworks display.
The camera captures her genuine excitement as colorful fireworks illuminate the night sky behind her.
Her face is naturally illuminated by the fireworks.
The crowd reacts realistically in the background.
The atmosphere feels immersive, authentic and cinematic while still looking like real smartphone footage.
20โ25s โ THE FINAL VLOG MOMENT
She turns the smartphone camera toward herself again.
The fireworks continue in the background.
She smiles naturally while holding the small plush toy she won earlier.
Her expression shows genuine happiness and excitement from the festival
Author: Saira | Source: Link | Published: Aug 23, 2026
Indian Village Zombie Chase Intercut
A sophisticated intercut sequence contrasting a mother-daughter relationship in a cold zombie reality versus a warm nostalgic memory, using professional cinema camera settings.
๐ Prompt
Create a 26-second ultra-cinematic intercut chase sequence set in an Indian village, built around two parallel versions of the same mother-daughter relationship. The film language must feel sophisticated, emotional, and visually precise โ not like generic zombie content. This should feel like a serious, beautifully directed short sequence shot with an ARRI Alexa / Alexa Mini LF style image, cinematic dynamic range, rich texture, strong highlight rolloff, shallow depth when needed, and confident visual grammar. Use expressive but controlled camera movement: handheld urgency in the present, smoother lyrical movement in the memory world, elegant match cuts, motivated pans, lens breathing, and emotionally meaningful intercutting. Keep it grounded, human, and heartbreaking. The setting is a rural Indian village and adjoining fields โ narrow mud paths, small homes, low boundary walls, patches of crops, wet earth, scattered trees, open field edges, and a recognizable village texture. The sequence has two visual worlds: 1. Present / Zombie Reality Cold, blue-grey, wet, lightly rainy, fearful. This is the real world. The mother is running in panic, crying and exhausted, being chased by her own zombified daughter. This world should have a subtle cool blue tinge, overcast sky, light rain, mud, breath, desperation, and danger. Camera movement here should feel tense and close โ handheld but controlled, with occasional tracking alongside or behind. Rain should visibly strike skin, fabric, and leaves. The daughter is still recognizable as a child, but unsettling: pale skin tone, lifeless focus, feral movement, subtle veins, predatory urgency, wet hair clinging to her face. No exaggerated monster design. Keep her scary because she is still a little girl. 2. Memory / Dream World Warm, sunlit, nostalgic, soft, and emotionally idealized. This is not reality โ it is the motherโs memory or dream overlay. Same geography, same movement patterns, but now it is a golden, dreamy late-afternoon memory with soft warm sunlight, gentle bloom, slightly diffused highlights, and a touch of dreamy lens softness. In this version, the little girl is alive, healthy, playable, and joyfully running after her mother. The mother is laughing and looking back with love. The emotional contrast is the entire point. Camera / Lens Grammar Use 35mm / 40mm / 50mm cinematic language for emotional medium tracking shots, occasional longer-lens compression for the chase, and one or two slightly wider lenses for geography. The intercutting should rely on motion matches: same turn, same gesture, same direction of movement, but different reality. Whenever possible, cut on action so the audience feels the memory and horror colliding. The present should feel sharper, wetter, more immediate. The memory should feel slightly dream-filtered and warmer, but still photoreal. Beat Structure 0:00โ0:12 โ Intercut Chase Open immediately in the cold world: the mother is already running through the village in panic, breathless, crying, slipping slightly on wet earth, looking back over her shoulder. Behind her, the zombie daughter is chasing her with disturbing speed. Rain falls lightly. We stay close and urgent. Start intercutting almost immediately with the warm memory version: in the same path or nearby field edge, the little girl playfully runs after her mother, laughing. The mother turns back in sunshine, smiling with that instinctive playful fear mothers do when pretending to be chased. The key is that the movement and blocking should rhyme. A turn in the present becomes a turn in the past. A backward glance in terror becomes a backward glance in laughter. A muddy footstep becomes a barefoot or dry footstep in sunlit dust or grass. A panicked reach becomes a playful reach. The cuts should become emotionally richer as the first 12 seconds progress. The audience must understand that the mother is not just being chased โ she is also remembering what this child once was. 0:12โ0:24 โ Catch / Field / Play Intercut In the present, the mother stumbles and falls into a field or grassy patch at the edge of the village. She lands hard in wet mud and tries to crawl backward, crying and terrified, as the daughter catches up. Do not resolve it immediately. Intercut this with the warm dream memory of the mother and child tumbling together into a field, laughing, rolling, and playing. The child climbs onto her mother playfully. They laugh, hold each other, and roll in warm grass. The cutting should now become more intimate and emotionally devastating: in one world, the daughter is on top of her like a predator; in the memory, she is on top of her like a playful child. A frightened hand in mud cuts to the same hand touching her daughterโs cheek lovingly in the warm world. A cry in the rain cuts to a laugh in golden light. Keep the sound design working with the cut structure: Present: rain, breath, wet fabric, mud, distant dogs, wind, subtle snarls or feral breathing. Memory: birds, soft wind in crops, child laughter, gentle footsteps, warm village ambience, all with a light dream-echo softness. No generated music. No score. The transitions themselves should feel musical. 0:24โ0:26 โ Dream Break / Infection Sting In the last two seconds, the dream fractures. The warmth collapses. Cut back hard to the cold present. Use brief disorienting flashes โ the motherโs face in rain, the daughter close, the field, a trembling hand. Then give the final disturbing hint: on the motherโs neck, cheek, or temple, we glimpse subtle dark veins or infection-like changes beginning to appear. Do not show a full transformation. Just enough to suggest that now even the mother may be turning โ or that the memory is collapsing into the same fate. Cut immediately. Important No dialogue needed, or only tiny involuntary cries / breaths from the mother. Let the sequence be carried by performance, camera grammar, intercutting, and ambient sound. The emotional effect should be: love memory colliding with horror reality.
Author: Rahul Nanda | Source: Link | Published: Aug 23, 2026
Korean Coastal Travel Vlog
A prompt for a beautiful 15-second Korean coastal travel vlog, following a young woman's journey on a train and arrival at a serene beach.
๐ Prompt
Create a beautiful 15-second Korean coastal travel vlog. A young woman films herself on a train as the ocean appears outside the window. She arrives at a quiet beach, removes her shoes, runs toward the water, and turns back toward the camera with a huge smile. Blue ocean, Korean coastal scenery, realistic waves and wind, cinematic travel vlog, natural handheld movement, no text.
Author: Snow | Source: Link | Published: Aug 23, 2026
Stop-Motion Claymation Nutella Cafe
A charming prompt for a claymation-style animation of a miniature Nutella cafe building itself and being enjoyed by characters.
๐ Prompt
3D stop-motion claymation style, plasticine texture with visible soft fingerprint smudges, warm soft-box lighting, cozy pastel brown, cream, and warm wooden tones. Miniature diorama scale, tilt-shift depth of field, playful frame-by-frame animation feel.
โScene Sequence & Action
โScene 1 (Base Construction): A minimalist clay base and street tile platform build themselves layer by layer on a beige studio backdrop. Streetlamps and small potted plants pop up around the corners.
โScene 2 (Structure & Branding): A small cafe building forms with brown walls and a striped awning. A large clay Nutella jar drops smoothly onto the top, transforming into the main "Nutella" illuminated store logo and roof structure.
โScene 3 (Interior Details): A close-up pan inside showing a miniature espresso machine, shelves lined with mini Nutella jars, and a counter featuring a stack of pancakes topped with chocolate spread, a croissant, and a coffee cup.
โScene 4 (Character Animation): Cute, chibi-style clay characters enter. A young boy and girl sit outside at a tiny wooden table. The boy uses a small knife to spread smooth, glossy Nutella over a stack of fluffy pancakes.
โScene 5 (Final Reveal): Camera zooms out to reveal the full animated diorama: a vibrant, bustling miniature Nutella cafe with outdoor seating, streetlamps glowing, and multiple adorable characters enjoying their treats.
โTechnical Camera & Lighting
Smooth isometric and eye-level camera transitions, macro lens perspective, warm interior glow mixed with soft ambient studio lighting, high-detail clay texture rendering, 4k resolution, 24fps stop-motion rhythm
Author: Maya | Source: Link | Published: Aug 23, 2026
Nostalgic MiniDV Korean Home Video
A nostalgic early-2000s MiniDV camcorder-style video featuring a young Korean woman discovering a mysterious gift box in her bedroom.
๐ Prompt
Create a highly addictive, nostalgic early-2000s Korean MiniDV home-video story designed to hook viewers within the first second and make them stay until the final reveal.
The footage should look like a real forgotten MiniDV tape discovered 20 years later โ authentic 4:3 consumer camcorder, imperfect handheld movement, CCD noise, soft analog sharpness, tape grain, slight color bleeding, autofocus hunting, exposure fluctuations and occasional blown highlights.
Color palette: warm golden bedroom light, dusty pink highlights, soft cream skin tones, muted teal shadows and subtle faded red accents. Cozy, nostalgic, slightly dreamy but completely realistic.
Main character: a 24-year-old beautiful Korean woman with long dark hair, expressive eyes and minimal natural makeup. She wears an oversized pale-blue T-shirt, loose cream pajama pants and cozy socks.
Keep her face, hairstyle, outfit, bedroom, props and lighting perfectly consistent throughout.
SHOT 1 โ 0:00โ0:03 โ THE HOOK
The camera is already recording from a slightly crooked position on a bedroom desk.
The woman suddenly rushes into frame holding a small mysterious red gift box.
She looks around the room as if checking whether anyone is watching.
She whispers excitedly:
โI finally found itโฆโ
She places the box on the bed.
A tiny handwritten label on it reads:
โOPEN WHEN YOUโRE 24.โ
She stares at it in disbelief.
Instant curiosity.
SHOT 2 โ 0:03โ0:06 โ THE MYSTERY
She sits on the floor beside the bed and carefully opens the box.
Inside is an old photograph and a tiny handwritten note.
Her playful expression slowly disappears.
She picks up the photograph.
The camera autofocuses onto it.
The photograph shows a much younger version of herself standing in the exact same bedroom.
She looks from the photograph to the room.
Her expression becomes completely stunned.
SHOT 3 โ 0:06โ0:09 โ THE CONNECTION
She slowly looks around.
The camera remains completely still.
She notices something behind the old photograph: a tiny folded note.
She opens it.
Her eyes widen.
She starts laughing in disbelief while shaking her head.
The note contains a simple handwritten message:
โIf you found thisโฆ you finally grew up.โ
Natural emotional reaction โ not melodramatic.
SHOT 4 โ 0:09โ0:12 โ THE EMOTIONAL TWIST
She sits silently for a moment.
Her expression becomes soft and emotional.
She looks at the old photograph again, then smiles warmly.
She gently places the photograph against her chest.
A tiny nostalgic laugh escapes.
The warm bedroom lamp creates a beautiful glow across her face while the MiniDV camera struggles slightly with exposure.
SHOT 5 โ 0:12โ0:15 โ THE FINAL REVEAL
Suddenly she notices something written on the back of the photograph.
She flips it over.
Her eyes go wide.
She looks directly into the camera as if she has just realized something.
Then she laughs and says:
โWaitโฆ YOU recorded this?โ
She quickly walk
Author: Jahan Zaib | Source: Link | Published: Aug 23, 2026
Luxury Skincare Commercial
A high-end 8K skincare commercial prompt featuring macro product shots, liquid physics, and an East Asian model in studio lighting.
๐ Prompt
A luxury, 8K ultra-realistic cinematic skincare commercial for "AURELIA SKIN HYDRATION SERUM" shot on 35mm lens in high-end studio lighting against a dark pitch-black background.
The video opens with a macro extreme close-up of a clear glass serum dropper filled with viscous, bubbly liquid as a pristine drop slowly forms at the tip. Cut to slow-motion liquid physics as the drop falls and creates smooth, elegant circular ripples across a reflective black surface. Reveal a centered hero shot of the frosted glass bottle with a white dropper top and crisp black typography reading "AURELIA SKIN HYDRATION SERUM" standing on a glossy mirror surface. Macro close-up shot of a gorgeous East Asian model with dewy, radiant skin as a pipette applies serum to her cheek, followed by her fingers gently massaging the glowing serum into her skin. She smiles softly at the camera, holding the product bottle beside her face in soft-focus fashion lighting. Ends on a crisp, static high-fashion shot of the product bottle centered on the dark reflective surface.
Shot at 60fps slow motion, smooth cinematic camera pans, dramatic rim lighting, soft key light, hyper-detailed skin textures, commercial advertisement quality.
Author: Zyrella | Source: Link | Published: Aug 23, 2026
Cinematic Air Fryer Cooking Commercial
A professional video prompt for an air fryer commercial showing the process of cooking chicken and fries with consistent characters and lighting.
๐ Prompt
Create a 14-second cinematic, ultra-realistic commercial video using the provided air-fryer reference image and storyboard as visual reference.
Keep the same modern black air fryer, same girl, same modern kitchen, same lighting, same overall visual style and composition throughout the entire video. The girl should look consistent in every shot, with the same face, hairstyle, outfit, and appearance.
0โ2 seconds:
The girl opens the air fryer drawer and places a generous portion of frozen potato French fries inside. Show a clear close-up of the fries going into the basket.
2โ4 seconds:
She places several seasoned chicken leg pieces/drumsticks beside the fries in the same air-fryer basket, keeping both foods separated and clearly visible. Show a detailed top-down/close-up shot of the fries and chicken together.
4โ5 seconds:
She closes the air fryer and sets the digital temperature and cooking time on the front touchscreen. Show her finger pressing the controls.
5โ8 seconds:
Show the air fryer actively cooking. Use a cinematic close-up through the cooking window/interior: the French fries and chicken legs are cooking simultaneously, gradually becoming golden and crispy. Show realistic heat, gentle steam, and natural cooking movement. The fries become golden and crisp while the chicken develops a delicious roasted surface.
8โ10 seconds:
The girl opens the air fryer and checks the perfectly cooked food. Capture the golden fries and juicy, crispy chicken legs in a beautiful close-up.
10โ12 seconds:
She uses tongs to transfer the crispy fries and chicken leg pieces onto a clean serving plate. Arrange the fries on one side and the chicken pieces on the other. Make the food look fresh, hot, golden, crispy, and appetizing.
12โ14 seconds:
Show a hero close-up of the finished plate beside the air fryer. The camera slowly moves closer to highlight the crispy fries and beautifully cooked chicken.
14โ15 seconds:
The girl smiles happily while holding/looking at the finished meal. End with a premium product shot of the air fryer and plated food, with a clean commercial feeling.
Visual style:
Ultra-realistic food commercial, cinematic product advertising, warm modern kitchen lighting, realistic food textures, natural hand movements, realistic steam and heat, shallow depth of field, smooth camera movements, crisp details, premium commercial photography, 4K quality.
Important: Keep the air fryer design consistent with the reference. Do not change the girlโs identity or appearance. Do not add extra people. Keep the fries and chicken cooking together in the same cooking session, and clearly show the complete process from loading โ cooking โ opening โ plating โ final delicious result. Avoid distorted hands, extra fingers, warped food,
Author: liana | Source: Link | Published: Aug 23, 2026
Pixar-Style Morning Routine
An animated routine following a young woman through her morning activities in a bright apartment, rendered in a 3D Pixar aesthetic.
๐ Prompt
3D Pixar-style animated young East Asian woman with dark hair styled in a neat top bun, large expressive brown eyes, smooth skin, wearing an oversized light grey hoodie. A complete morning routine video sequence featuring her waking up in bed under soft blankets, stretching, brushing teeth and washing face in a bathroom mirror, dressing up in a grey hoodie and black leggings, slicing bread, frying an egg, pouring hot tea from a kettle into a mug, sitting at a wooden kitchen table checking her smartphone, and putting on silver over-ear headphones to work on a laptop while sipping tea in a bright cozy apartment. Warm morning sunlight streaming through the windows, photorealistic textures, soft cinematic lighting, Octane Render, 8K resolution, highly detailed.
Author: Lavinia | Source: Link | Published: Aug 23, 2026
Cinematic Lifestyle Vlog Character Consistency
A structured storyboard prompt for a 20-second lifestyle vlog maintaining character identity across different times of day and locations.
๐ Prompt
DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: @IMG1 = FEMALE HERO / MAIN CHARACTER @IMG2 = BEDROOM / MORNING @IMG3 = KITCHEN / BREAKFAST @IMG4 = WORK / DESK @IMG5 = OUTDOOR / CAFร @IMG6 = EVENING / NIGHT Use @IMG1 as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0โ3 SECONDS โ MORNING Start in the bedroom using @IMG2. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3โ6 SECONDS โ BREAKFAST Smooth cinematic transition to @IMG3. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6โ10 SECONDS โ WORK Transition to @IMG4. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10โ14 SECONDS โ OUTDOOR / CAFร Transition naturally to @IMG5. The same woman leaves home and walks through a beautiful modern city street toward an outdoor cafรฉ. Camera smoothly tracks backward while she walks toward it. She arrives at the cafรฉ, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14โ17 SECONDS โ CAFร MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17โ20 SECONDS โ NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second "A Day in Her Life" cinematic lifestyle vlog.
Author: Elsa Ai | Source: Link | Published: Aug 23, 2026
Magical Girl Teleportation Anime Transformation
A complex storyboard prompt for Seedance 2.0 depicting a schoolgirl transforming into a singer via particle teleportation, moving from a classroom to a concert stage.
๐ Prompt
Seedance 2.0, 15 seconds, 16:9, high-quality anime film style. A high school girl in a classroom is instantly decomposed into light particles and completely disappears, then in the next moment, is reconstructed into a singer's costume on a live stage. A flashy, high-speed teleportation transformation that keeps the audience's eyes fixed.
Role of reference images:
Image 1: The protagonist and uniform before transformation
Image 2: The singer's costume and microphone after transformation
Image 3: The school classroom before disappearance
Image 4: The live stage after appearance
Image 1 and Image 2 show the same one woman from the front, side, and back, and are not three different people. The center front image is the base, and the side/back images are used only for costume structure reference. Completely maintain the protagonist's face, purple-blue eyes, dark navy hair longer than the waist, hairstyle, and physique before and after transformation. There is always only one character.
Before transformation, accurately reproduce Image 1's navy blazer, white shirt, chest ribbon, checked pleated skirt, navy high socks, and brown loafers. After transformation, accurately reproduce Image 2's silver-white bodice, blue crystal ornaments, blue glowing navy pleated skirt, rainbow transparent sleeves and long costume tail, large ribbon on the back, black-navy long boots, blue hair ornament, and blue-black microphone.
0.0-2.2s: An empty classroom with sunset light from Image 3. White curtains sway heavily in the wind, and the protagonist stands alone in her uniform in the center aisle between desks. Rapid dolly-in to the protagonist from a wide angle. She feels a presence and looks up. Classroom ambient sound, wind, distant chimes.
2.2-3.5s: A blue-purple circular teleportation pattern instantly lights up at the protagonist's feet. Several thin beams of light shoot up from the floor, running rapidly through uniform buttons, chest ribbons, and skirt patterns. Surrounding dust and light particles are sucked toward the protagonist, and her long hair and curtains stream toward the center in a violent suction wind. Energy sound rises sharply.
3.5-4.2s: The uniform and the protagonist's outline are broken down at once from the outside to the inside into countless dark navy, silver, and blue-purple light particles. The particles do not spread around the body but are compressed at ultra-high speed into a single point on the chest. The uniform fabric, hair outline, and body silhouette are sucked into the light point within 0.7 seconds, and the protagonist completely disappears. Maintain the face and hair until just before disappearance.
4.2-4.6s: The compressed point emits a sharp bluish-white flash and generates a reverse circular shockwave before vanishing. The protagonist is completely gone, leaving only the classroom.
4.6-4.9s: Show the empty classroom clearly for about 0.3 seconds. Complete silence.
[hard cut] 4.9-5.2s: Center of the live stage in Image 4. A tiny bluish-white light point suddenly appears at the same screen coordinates where she disappeared in the classroom.
5.2-6.2s: The light point explodes into giant spherical energy, and silver-blue particles, crystal shards, and light feathers are radiated at high speed in all directions, and the protagonist's outline is reconstructed.
6.2-8.5s: Particles flow back into the reconstructed light silhouette. Rapidly and sequentially form the singer's costume from Image 2.
8.5-9.8s: The final light particles generate the hair ornament and microphone.
9.8-10.5s: Transformation complete. The protagonist lands powerfully on the stage floor, and blue-purple light wings explode outward.
10.5-12.5s: Camera orbits the protagonist 180 degrees at high speed.
12.5-15.0s: The entire stage lights up explosively, and the protagonist finishes by raising the microphone.
Important Constraints: Strictly adhere to 'Complete disappearance in classroom -> Instant blank -> Sudden appearance on stage'.
Author: ใชใ๏ฝAIๅ็ปใปAI้ณๆฅฝ | Source: Link | Published: Aug 22, 2026
Maglev Train Action Sequence
A high-speed cinematic action prompt on a maglev train roof, detailing combat choreography, speed blur, and realistic wind physics.
๐ Prompt
Cinematic 4K high-speed action sequence on the roof of a maglev train tearing through a mountain corridor at three hundred kilometers per hour. A whip-thin runner with a shorn scalp, a barcode brand behind her ear, and a hardshell jacket flaring open wields twin folding blades. She sprints the spine of the car, drops flat under a tunnel mouth, snaps up, cuts a boarding mercenary's harness, kicks him into the slipstream, vaults the gap between cars, skids sideways, blocks, ripostes, hurls one blade, catches a vent to swing under an overpass, then explodes back onto the roof mid-stride. Torn insulation and sparks streaking backward in hard lines, strobing tunnel lights slashing across her, panels peeling loose and vanishing behind, whip-pan tracking camera with speed ramps, 120fps snapping to 24fps on every impact, realistic wind-shear physics, extreme motion blur, ultra-high detail.
Author: Alexandra Aisling | Source: Link | Published: Aug 22, 2026
Jewelry Boutique Martial Arts Action
A dynamic cinematic action sequence featuring a female hero in an emerald silk gown defeating thieves in a luxury boutique, complete with slow-motion glass shattering and precise martial arts choreography.
๐ Prompt
A dynamic, cinematic action sequence inside a luxury jewelry boutique at night. A confident young woman with long dark hair, olive skin, and sharp green eyes is the hero. She wears an elegant emerald silk evening gown and gold earrings. Three masked thieves in black tactical gear attempt a robbery, and she single-handedly defeats them with fast, precise martial arts choreography. She vaults over glass display cases, shattering them in dramatic slow motion as diamonds, pearls, and glass shards scatter and sparkle through the air like rain, catching warm spotlight beams. She slides across a marble counter, throws one attacker into a shelf of watches, and disarms the last with a spinning kick. At the end, she stands calm amid the glittering wreckage, picks up a single diamond ring, examines it in the light, and looks directly into the camera with a faint smile. Dynamic handheld camera, whip pans, slow-motion inserts, moody warm lighting with deep shadows, realistic physics, high production value, cinematic style, 4K.
Author: Mimu | AI Tools & News | Source: Link | Published: Aug 22, 2026
Stainless Steel Cookware Commercial
A premium product commercial prompt for a stainless-steel cooking pot, using an uploaded reference image to maintain brand and design consistency while adding cinematic lighting and camera movement.
๐ Prompt
Create a premium cinematic product commercial using the uploaded image as the exact visual reference. Show the same stainless-steel cooking pot with its transparent glass lid, elegant golden handles, and golden lid knob placed on a clean modern kitchen countertop. Keep the potโs original shape, design, colors, golden details, and branding exactly consistent with the reference image. Start with a slow cinematic camera push-in toward the pot, with soft studio lighting reflecting beautifully across the polished stainless-steel surface. Slowly move the camera from left to right to highlight the golden side handles and reflective body. Add a gentle close-up of the glass lid and golden knob, followed by a smooth 360-degree product rotation. The modern kitchen background remains softly blurred with realistic depth of field. Use realistic reflections, subtle highlights, premium commercial lighting, smooth camera motion, photorealistic textures, elegant luxury kitchen atmosphere, 4K/8K quality, sharp product details, professional cookware advertisement style. Keep the original logo/text visible and unchanged. No extra objects, no distortion, no changes to the product design. Vertical 9:16 format, 8โ10 seconds.
Author: Soaima | Source: Link | Published: Aug 22, 2026
Viral Funny Elastic Face FX Video
A detailed multi-scene video prompt for creating funny face deformation effects with realistic night street lighting and exaggerated physics.
๐ Prompt
[Style] Viral Funny Elastic Face FX short video, live-action, exaggerated rubber-grade physical deformation special effects, 4K ultra-clear quality, night portrait lighting, clean screen without any watermark text.
[Duration] 10 seconds
[Scene] Night city street, background with warm yellow street lamps and neat street trees, slight reflections on the asphalt road surface.
[Character] Protagonist @Image1 (wearing a black square-neck tight long-sleeved top, black long hair naturally falling).
[00:00-00:02] Shot 1: Rubber Mouth Stretch
Camera: Medium close-up, handheld selfie slightly low-angle perspective, camera shaking slightly with breathing.
Action: The protagonist inserts both index fingers into the corners of the mouth and pulls them extremely wide to both sides. The mouth is stretched as huge as elastic rubber, sticking out a long tongue to make a funny face; after releasing the hands, the mouth instantly returns to its original shape like a spring. The protagonist tilts their head, smiles at the camera, and waves lightly.
Effects: Super exaggerated physical elastic stretching and rebounding of the protagonist's original face (Elastic Face Deformation), maintaining live-action facial features and skin texture, no cartoon replacement.
[00:02-00:05] Shot 2: Giant Head Morphing
Camera: Medium close-up, camera center steadily locked on the head.
Action: The protagonist raises both hands and lightly taps both sides of the top of the head.
Effects: At the moment the palms tap down, the protagonist's original head instantly expands to a "big-headed boy" style, eyes bulging into white eyeballs, cheeks puffing into spheres with a pout, neck and body remain the same; then hands are lowered, and the head instantly and smoothly shrinks back to normal live-action size.
[00:05-00:07] Shot 3: Vertical Face Pull
Camera: Medium shot, steady handheld perspective.
Action: The protagonist grabs two tufts of hair at the top of the head with both hands and pulls up quickly.
Effects: Under the pulling action, the original human face is extremely stretched vertically, and the facial features are stretched and deformed into vertical oval large eyes and an "O" shaped mouth; when the hands are released, the face instantly and smoothly contracts back to original, and the protagonist lowers their head to smile shyly with squinted eyes.
[00:07-00:10] Shot 4: Playful Growl & Freeze
Camera: Medium shot, camera has a small rhythmic push sense with action, finally panning and freezing.
Action: The protagonist's face and body maintain a completely normal live-action state without any deformation effects; hands are raised to the side of the face and opened into a "monster claw" posture, head tilted back, mouth open laughing in an "awoo" growl; then the body tilts slightly to the side, hands are tucked away, and the protagonist looks back directly at the camera with a smile to freeze.
Sound: With funny sound effects and crisp beat-matching sound effects.
Author: John | Source: Link | Published: Aug 22, 2026
Pink Lipstick 3D Product Commercial
A high-end 3D product commercial for a sparkling pink lipstick, featuring macro shots, rose gold metallic textures, and luxury cosmetic aesthetics with floating water droplets and strawberry accents.
๐ Prompt
A high-end 3D product commercial video shot in 8K, vertical 9:16 aspect ratio, macro close-up shot. A sparkling, glittery pink lipstick in a shiny rose gold metallic tube stands upright on a highly reflective glass mirror surface. Surrounding the base are fresh red whole and sliced strawberries with green leaves and clear ice cubes. Soft pink studio lighting creates bright glossy reflections. Floating water droplets, glowing magical sparkle particles, and light trails swirl around the lipstick bullet in slow motion. Dynamic depth of field, ultra-realistic texture, luxury cosmetic aesthetic.
Author: Lavinia | Source: Link | Published: Aug 22, 2026
Shaolin Hero Martial Arts Short
A fast-paced martial arts training sequence featuring a female hero from an uploaded character sheet performing explosive traditional forms in an ancient temple setting.
๐ Prompt
PART 1 โ 15 Seconds Cinematic live-action martial arts short film, 15 seconds. Outdoor ancient Chinese martial arts training ground, wide stone platform surrounded by sparse bamboo, traditional temple with curved red rooftops in the background, stone lanterns, bright blue sky, crisp natural daylight, rich cinematic colors with deep reds, lush greens, warm stone grey, subtle dust drifting through the air. CHARACTER: Female HERO from the uploaded character sheet. Preserve her exact identity, facial features, hairstyle, skin tone, feminine proportions, lean athletic physique, calm focused expression and disciplined martial artist presence. She wears the exact oversized Shaolin-inspired mustard-gold training robe with loose layered sleeves, brown cloth sash, oversized kung fu pants, grey leg wraps and worn cloth martial arts shoes exactly as shown in the reference. Bare hands only โ no weapons. VIDEO STARTS MID-ACTION โ no slow intro, no build up. Viewer is thrown directly into the action from the very first frame. [0:00โ0:02] HOOK HERO is already flowing through an explosive traditional kung fu combination. Camera begins with an extreme close-up of her wrapped fist slicing through the air, fabric snapping with speed, then instantly pulls back into a dynamic three-quarter shot revealing her deep horse stance on the stone platform. Her oversized robe ripples dramatically with every movement. Powerful Chinese percussion fused with modern cinematic drum-and-bass hits immediately on frame one. [0:02โ0:12] MONTAGE Ultra-fast editing synchronized tightly to the music. Every half second introduces a completely different martial arts movement and camera angle. HERO never repeats the same technique twice. MOVEMENTS rotating constantly: Explosive horse stance transitioning into lightning-fast chain punches. Deep bow stance with powerful open-palm strikes. Circular Shaolin blocking combinations flowing into counterattacks. Rapid elbow and forearm combinations. Sweeping low stance followed by spinning back fist. High snap kick flowing into a spinning hook kick. Forward advancing footwork across the stone platform with continuous hand techniques. One-leg crane stance transitioning into double palm strike. Aerial butterfly kick landing directly into a grounded fighting stance. Fast continuous combinations blending punches, palms, elbows, knees and fluid traditional forms. CAMERA ANGLES rotating constantly: Extreme close-up of wrapped fists cutting through the air. Low-angle hero shot with blue sky behind her. Wide cinematic shot revealing the temple and full training ground. Side profile emphasizing clean martial arts silhouettes. Overhead top-down shot tracking circular footwork. Ground-level shot following sweeping leg techniques. Rear tracking shot facing toward the temple. Tight close-up of HERO'S calm, unwavering eyes. Close-up of her feet sliding across worn stone with dust scattering. Slow-motion insert of robe sleeves and cloth sash whipping dramatically through sunlight. Music intensifies continuously with heavier drums, deeper bass, traditional Chinese instruments and cinematic orchestral layers. Every strike creates realistic cloth movement, dust bursts, subtle air displacement and natural motion blur. [0:12โ0:15] HERO MOMENT HERO calmly turns toward the wooden Wing Chun training dummy. The music reaches its hardest beat drop. She launches forward with explosive speed using pure traditional kung fu. An overwhelming barrage of impossibly fast punches, palm strikes, elbows, knees and spinning techniques impacts from every direction, hands becoming nearly invisible from speed. The dummy violently shakes under the relentless assault before one final full-power palm strike lands squarely at its center. The wooden dummy splits cleanly in half vertically in dramatic slow motion as splinters and dust explode outward. The two halves collapse in opposite directions while HERO finishes perfectly balanced in a classic Shaolin stance beyond the broken dummy. Her robe settles naturally in the breeze. Camera freezes on her for exactly one frame โ mustard-gold robes, blue sky, ancient temple behind her โ then cuts instantly to black. Text appears: HERO. Ultra-photorealistic live-action cinematic filmmaking, premium martial arts choreography, Hollywood action film quality, ARRI Alexa 65 look, anamorphic lenses, natural daylight, authentic Shaolin kung fu, realistic human motion, dynamic camera movement, rich cinematic color grading, subtle film grain, volumetric sunlight, cloth physics, dust particles, realistic impact effects, high-speed photography, seamless editing rhythm, epic cinematic sound design, premium live-action martial arts film quality. PART 2 โ 15 Seconds Create a 15-second single continuous-shot realistic live-action martial arts film using the uploaded FEMALE HERO character sheet as the only character reference. Preserve her exact face, hairstyle, lean athletic build, feminine proportions, calm disciplined expression, oversized mustard-gold Shaolin robes, brown sash, grey leg wraps, wrapped hands and cloth shoes throughout. Only one protagonist and three opponents. No duplicate protagonist. Set inside a traditional Chinese dye workshop with hanging white cloth, bamboo racks, large indigo dye vats, wooden buckets, stone floor and warm sunlight. Keep the environment spatially consistent. Cloth moves naturally only when touched or struck. The camera follows HERO continuously as she pushes open the workshop door and enters. An opponent suddenly ambushes from behind a hanging cloth. HERO instantly crouches beneath the punch, captures the attacker's wrist into a twisting wrist lock, then delivers a compact palm-heel strike. A second attacker swings a long staff. HERO ducks underneath, slips through the hanging cloth to switch positions, then traps the staff by wrapping it inside the suspended fabric. She narrowly avoids falling into a dye vat while weaving around the workshop as the third attacker joins the fight. The climax becomes a fast three-sided pincer attack. HERO flows through authentic serpentine continuous-hand kung fu, intercepting punches, seizing wrists, redirecting the staff, pivoting beneath rear attacks, and chaining short palm strikes, reverse palms, elbow strikes and body turns into one uninterrupted sequence. Every strike has realistic impact, body mechanics and visible reactions. No flailing. No fantasy effects. No wire work. HERO passes through one final curtain of cloth and finishes in a calm Shaolin guard stance as the three defeated opponents collapse behind her. Hold for one second before fade to black. Ultra-photorealistic live-action martial arts cinema, Hong Kong action choreography, ARRI Alexa 65, anamorphic lenses, practical stunts, realistic contact, dynamic handheld camera, natural cloth physics, volumetric sunlight, cinematic color grading, subtle film grain, premium feature-film quality, no anime effects, no CGI energy, no afterimages. Maintain exact female HERO identity and costume continuity from Part 1. Character Sheet โ reference Image Create a premium cinematic character bible sheet for the FEMALE HERO using the uploaded portrait as the strict identity reference. Preserve her exact face, hairstyle, skin tone, feminine body proportions, and appearance. Dress her in an oversized traditional kung fu outfit inspired by Shaolin training robes: - mustard-gold layered robe - loose wide sleeves - brown cloth sash - oversized kung fu pants - grey leg wraps - worn cloth martial arts shoes STYLE: Ultra-photorealistic live-action, AAA movie concept art, cinematic realism, natural lighting, premium editorial presentation. LAYOUT: Clean white background with minimal typography. LEFT: Large golden brushstroke text: HERO. Subtitle: MARTIAL ARTIST / KUNG FU MASTER. One full-heig
Author: Elsa Ai | Source: Link | Published: Aug 22, 2026
Fantasy Dragon River Reveal
An epic multi-shot cinematic sequence of a massive dragon emerging from a forest river at golden hour.
๐ Prompt
Cinematic fantasy creature reveal, 15 seconds, continuous dynamic camera move.
Shot 1 (0-2s): Extreme low angle at water level, camera nearly touching a shallow forest river at golden hour. Wet mossy rocks glisten in soft backlight, ripples on the water surface, a figure's legs walking past in the blurred foreground. Warm dawn sunlight, soft mist rising off the water, shallow depth of field, telephoto compression.
Shot 2 (2-5s): Sudden violent eruption โ a massive dragon bursts up out of the river in an explosive white-water splash, spray flying in all directions. Camera whip-tilts upward following the motion. Iridescent teal-purple wing membranes and dark armored scales catch the light, water sheeting off its body, dramatic backlighting silhouettes the creature against the tree line.
Shot 3 (5-8s): Extreme close-up tracking up the dragon's long serpentine neck, wet scales rippling with teal-to-purple iridescence, water droplets flying off in slow motion, motion-blurred coils twisting through frame, forest bokeh in the background, sunlight rim-lighting the edges.
Shot 4 (8-10s): Tight close-up on the dragon's open roaring mouth, rows of sharp teeth, throat glowing intense orange-white like fire or bioluminescent light, lens flare, heavy atmospheric haze, warm volumetric light pouring through the open jaw.
Shot 5 (10-15s): Camera pulls back rapidly into a wide aerial shot โ the full dragon now airborne, wings fully spread in flight, tail curled beneath it, silhouetted against a bright golden sun low over a misty pine forest river valley. Wings a deep rust-orange with dark vein patterning, mist rolling off the water below, epic scale, anamorphic widescreen framing, cinematic Hollywood color grade (teal shadows, orange highlights), atmospheric haze, volumetric god rays.
Style: photorealistic VFX creature, hyper-detailed scales and wing membrane, natural motion physics on water and spray, dramatic golden-hour lighting throughout, seamless continuous camera motion, no cuts, 24fps film look.
Author: Zahra | Source: Link | Published: Aug 22, 2026
Reflective Glowing Orb Fantasy Journey
A detailed, multi-environment cinematic prompt following a glowing orb through forests, mountains, and futuristic worlds.
๐ Prompt
Create an ultra-realistic cinematic fantasy video centered around a small, perfectly spherical, highly reflective glowing glass-metal orb. The orb must remain the main subject and maintain the exact same shape, size, material, color, and appearance throughout the entire video. Begin in a magical dense green forest at sunrise, with lush ferns, wet leaves, water droplets, soft golden sunlight, volumetric light rays, mist, and realistic shadows. The camera moves smoothly in a cinematic macro style as the reflective orb gently rolls across a wet leaf and falls toward the forest floor. Seamlessly transition into a crystal-clear shallow mountain stream surrounded by moss-covered stones and dense green vegetation. The orb moves naturally through the flowing water, creating tiny realistic ripples, splashes, and beautiful reflections. Seamlessly transition into a breathtaking prehistoric landscape where a gigantic dinosaur walks slowly through shallow water in the background while the tiny reflective orb remains in the foreground. Add mist, prehistoric vegetation, distant mountains, warm sunlight, atmospheric depth, and realistic water reflections. Seamlessly transition into a frozen mountain valley covered with snow and transparent ice. The orb glides smoothly across a thin layer of ice and melting snow, creating subtle reflections and tiny cracks in the ice. Show detailed frozen textures, distant mountains, soft cloudy daylight, and cinematic atmospheric lighting. Seamlessly transition into a peaceful ancient riverside village with traditional wooden houses, palm trees, small wooden boats, and calm reflective water. The orb travels smoothly along the center of the river while warm sunset light creates beautiful reflections on the water. Finally, transition into an elegant futuristic environment made entirely of transparent glass, crystal, and polished reflective surfaces. The orb slowly moves between glass structures while colorful cinematic lights create stunning reflections, refractions, and soft bokeh in the background. Use seamless transitions between every environment, ultra-realistic physics, photorealistic textures, realistic water and reflections, cinematic depth of field, macro photography, volumetric lighting, atmospheric fog, smooth camera movement, dramatic composition, 4K/8K detail, premium Hollywood cinematic quality. Keep the orb perfectly consistent throughout the entire video. No text, no subtitles, no logos, no watermark, no flickering, no distorted objects, no duplicate orb, no unnatural movement.
Author: Lavinia | Source: Link | Published: Aug 22, 2026
Futuristic Desert Off-Road Racing Prompt
A cinematic video prompt for a high-speed racing sequence in a futuristic desert canyon, maintaining visual consistency with reference images.
๐ Prompt
Create a cinematic, high-speed off-road racing sequence set in a futuristic desert canyon. Strictly refer to the provided reference images to consistently maintain character facial features, hairstyles, physique, costumes, color schemes, vehicle designs, team-specific visual language, and the terrain, colors, and atmosphere of the desert environment.
Author: Min Story Lab | Source: Link | Published: Aug 22, 2026
Seedance 2.5 Chiropractic Product Review Video
A detailed product review video prompt for Seedance 2.5. It describes a documentary-style 4K video of a woman in a chiropractic clinic demonstrating a memory foam cervical pillow, including specific camera angles and a scripted storyboard.
๐ Prompt
1. Basic Parameters
This is a vertical short video for health & home product review and recommendation, with an aspect ratio of 9:16 and a total duration of 31 seconds. The video is in 4K ultra HD, 60fps, with photorealistic portrait quality. The overall style is natural and documentary-style, lit with warm soft white light, the frame is clear and grain-free, and all camera movements are smooth and stable.
2. Fixed Scene Setting
The shooting scene is the interior of an American chiropractic clinic: the wall has a light gray matte finish, with an educational poster titled Whiplash Injuries of the Head and Neck (with head and neck anatomy illustrations) hung on the upper section of the wall. A light wood grain barn-door style storage cabinet with black metal hardware is placed against the wall, and on the countertop from left to right are a dark green cone-shaped decorative ornament, a transparent glass bottle, and a white tissue box with a blue logo. Half of an office chair with a black cushion and orange wooden legs is visible on the right side of the frame. The foreground is a dark gray leather three-section chiropractic treatment table. The entire environment is clean and tidy with even, soft lighting.
3. Fixed Character Setting
The on-screen talent is a 25-28 year old Caucasian woman with medium-length wavy blonde hair and natural, healthy skin. She wears gold round vintage earrings, a thin pearl bracelet on her left hand, and two thin plain gold rings on her left middle and ring fingers. She is dressed in a taupe brushed sports camisole (with cross straps and a drop-shaped cutout on the back) paired with matching high-waist tight yoga leggings. She has a friendly and relaxed expression, speaks in a professional yet casual tone, and all her movements are natural and unforced.
4. Core Product Setting
The core product showcased is a white ergonomic memory foam cervical pillow: it has a symmetrical cloud/plump bone shape, with curved raised support edges on the top and bottom ends, rounded bulges on the left and right sides, and a sunken central area that fits the curve of the head and neck. The pillowcase is made of skin-friendly knitted cotton with an invisible side zipper for easy removal and washing, and the inner core is slow-rebound memory foam that slowly regains its shape after being pressed, with sufficient support.
5. Storyboard Sequence
From 0 to 4 seconds, the shot is a medium static shot: the woman stands behind the treatment table, places both hands flat on the cervical pillow in the center of the table, and speaks to the camera. She gently presses down on the pillow surface to demonstrate the slow-rebound support, then lifts the pillow to chest height with both hands to show its full front outline. The corresponding voiceover is: "Today I'm sharing this amazing cervical pillow I got recommended after my chiropractic adjustment, the support is incredible."
From 4 to 5 seconds, the shot is a close-up with the camera panning slightly downward: the woman moves out of the frame, and the camera focuses on the cervical pillow on the treatment table, showing the sunken support structure from a top-down angle. There is no dialogue in this segment, only soft ambient background noise is retained.
From 5 to 8 seconds, the shot is a close-up static shot: the woman lies supine on the treatment table, with her head resting exactly in the sunken center of the pillow, her side face facing the camera. She gently shakes her head left and right to show how well the pillow conforms to her head and neck, with a relaxed expression. The corresponding voiceover is: "When you sleep on your back, your neck is fully supported, there's no gap at all."
From 8 to 12 seconds, the shot is a close-up static shot: the woman slowly rolls over to a side-lying position, with her back facing the camera and her head remaining on the pillow. This segment demonstrates that the pillow height perfectly fits the shoulder and neck during side sleeping, with no head tilt or shoulder pressure. The corresponding voiceover is: "The height is also perfect for side sleeping, it doesn't press on your shoulders at all."
From 12 to 18 seconds, the shot is a close-up static shot: the woman rolls over again to a prone position, with her chest leaning lightly on the pillow, her face resting sideways on the center of the pillow surface, and her arms wrapping around the pillow. She closes her eyes with a comfortable and relaxed expression, and her voice is slightly muffled to match the prone position. The corresponding voiceover is: "It's even super comfortable to rest on when you're scrolling on your phone lying on your stomach."
From 18 to 28 seconds, the shot is a medium static shot: the woman gets up and stands back behind the treatment table, holds the pillow upright with both hands, points to the raised structures of different heights on the side of the pillow and the invisible zipper with her right fingertip in turn, and repeatedly flips the pillow to show the layered side design while explaining. The corresponding voiceover is: "The two sides have different heights: the higher side is great for back sleeping to support your cervical spine, the lower side is perfect for side sleeping. The pillowcase has a zipper so you can wash it, and the memory foam has really great support."
From 28 to 31 seconds, the shot is a medium static shot: the woman places the pillow steadily back in the center of the treatment table, lets her hands hang naturally by her sides, and smiles and nods at the camera as the closing. The corresponding voiceover is: "If you have neck issues, you have to try this, it's a total game changer."
6. Negative Constraints
Facial distortion and misaligned facial features are prohibited; pillow shape deformation and proportion distortion are prohibited; scene prop errors and garbled text on posters are prohibited; shaky camera and blurry frames are prohibited; stiff character movements and exaggerated expressions are prohibited; color distortion and abrupt filters are prohibited.
Author: Jarvis | Source: Link | Published: Aug 22, 2026
Seedance 2.5 Time Travel Lovers Film Prompt
A complex cinematic prompt for Seedance 2.5 designed for a short film titled 'Time Travel Lovers.' It features deep emotional arcs for a young wife and her older husband, precise scene settings for a wedding eve, and strict rules for camera placement and movement to ensure narrative continuity.
๐ Prompt
ใCharacter Emotion Arcใ Young Wife: Pre-wedding anxiety โ Habitual opening of the door after the first knock โ A stranger's voice accurately mentions her first habit โ Brief daze โ Polite defensiveness โ The old man predicts her second minor action โ Off-camera sound happens โ Struck for the first time โ Realizes he knows more than the present โ Confusion โ Alertness โ Observes the old man โ Half-believing โ Captures familiarity from his eyes, demeanor, and expression โ Guesses he is related to her future โ Disbelief โ Softly testing "...You?" โ Receives "Just older." confirmation โ Shock turns to nervousness about the future โ Fearing the answer โ Asking "Was it good?" โ Heart sinks at "Hard sometimes." โ Relaxes after "Still good." โ Finally confirms the marriage โ Settles down at "Tomorrow. And every day after that." โ Fear of tomorrow eases. Old Husband: Uneasiness outside โ Door opens earlier than the second knock โ Seeing her young self, brief loss of focus โ Nostalgia โ Regains restraint โ Starts conversation with a habit โ Slight regret at being unrecognized โ Predicts her second action โ Sees her realize the abnormality โ No mystification โ Uses minimal info to let her reach the answer โ Sees her recognize his face โ Softhearted โ Identified by her โ Confirms with "Just older." โ Stops discussing time travel โ Recalls decades of life when asked about marriage โ Thinks of difficulties and ordinary, real, worthy days โ Gives an unvarnished answer โ Sees her stop being afraid โ Subconsciously makes a physical habit from decades of marriage โ Realizes the relationship hasn't started yet โ Stops โ Quietly accepts this distance. ใCharacters and Basic Settingsใ Young Wife: Must follow reference image {{Mixed 1}}. Old Husband: Must follow reference image {{Mixed 2}}. ใScene Settingใ Location: Entrance of a residence on the eve of a wedding. Young Wife inside, Old Husband outside. Exterior must be a real outdoor space, not a hallway. Possible settings: Quiet street entrance or building exterior with night air. Must remain: Quiet, transparent, beautiful, realistic, with clear depth. Outside: Keep sparse night lights, blurred walls, railings, distant window lights, tree shadows, building dark areas, light air flow, and clear spatial depth under a large aperture. Inside: Slightly warm. Vaguely see the foyer, furniture outlines, coats, console, blurred cups, soft warm lights, and life traces. Do not clutter with wedding items. Context is established by plot and dialogue. ใAtmosphere and Qualityใ Maintain original atmosphere, quality, tone, and transparency. Lighting: Natural, soft, restrained. Main light from above and slightly left of the character. Evenly spread on the face. Avoid hard shadows, sharp boundaries, or theatrical lighting. Inside: Low-intensity soft warm ambient light. Outside: Realistic night-time neutral-to-cool ambient light. Warm light leaks slightly outside. The old man's face receives both. Visual Tone: Realistic, low saturation. ใVisible Performance Detailsใ Focus prioritizes the eye closest to camera. Must see iris, eyelash roots, pupil movement, eyelid changes, teariness, nostrils breathing, lips parting/tightening, swallowing, jaw movements, eyes refocusing, micro-emotional changes, and breathing recovery. Handle movement does not need to appear. Hands are not the focus. Key to the second habit: Not seeing her touch it twice, but the man predicting it, followed by two faint off-camera sounds, pupil contraction, and her shift in gaze. ใCamera Rulesใ Mostly OTS reverse shots. Strictly no crossing the axis. Camera stays on one side of the performance axis. ใFixed Axis and Directionsใ Young Wife on the left, looking right. Old Husband on the right, looking left. No swapping directions. ใOTS Young Wife over Old Husband's Shoulderใ Old man's right shoulder/ear/head on the far right as extreme soft focus foreground (8%-15%). Young Wife on the left-to-center, looking right. Foreground must not block eyes, lips, or micro-expressions. ใOTS Old Husband over Young Wife's Shoulderใ Young wife's left shoulder/hair/profile on the left as soft focus foreground. Old Husband in center-right, looking left. Foreground must retain texture, not a black block. ใAllowed Slight Adjustmentsใ Slow push/pull, 10-20cm pans, passive retreat, 15ยฐ angle corrections. Movements must create real visual changes (door frame proportions, foreground ratio, parallax of lights, structural shifts). No digital zoom. ใForeground Designใ Real spatial layers using door frame, shoulders, hair, console edge, railings, wall edges, distant lights. Structure: Foreground โ Character's face โ Threshold โ Other person โ Transparent outdoor depth. Handle can exist but isn't needed in shot during the second habit. No close-ups on handle. ใEnglish Dialogueใ Relaxed, natural, real speed. Leave space for breathing, pauses, and reactions. Suggested dialogue: OLD MAN: "You still open the door before the second knock." YOUNG WOMAN: "...Sorry?" OLD MAN: "And you'll touch the handle twice." (Pause. Two faint off-camera handle contact sounds. Woman's expression changes). YOUNG WOMAN: "Who are you?" OLD MAN: "I've had a lifetime to notice." (Pause. She observes him). YOUNG WOMAN: "...You?" (Old man's mouth twitches slightly). OLD MAN: "Just older." (Pause). YOUNG WOMAN: "Was it good?" OLD MAN: "Hard sometimes." (Pause). OLD MAN: "Still good." (She watches him). YOUNG WOMAN: "So... we got married?" OLD MAN: "Tomorrow." (Pause). OLD MAN: "And every day after that." ใ30-Second Detailed Storyboardใ 0-3.5s | The Hook: First shot is only her, future voice first. 85mm on Young Wife. No shots of the old man yet. She is distracted. First knock. She opens the door naturally. Exterior night air enters. Old man's voice off-screen: "You still open the door before the second knock." Starts within first 2s. "...Sorry?" No full face of the old man yet. 3.5-7s | He predicts her next move. Keep OTS on woman. Old man is a thin, blurred foreground. Old man: "And you'll touch the handle twice." Short pause. Two faint off-camera sounds. Woman's pupils contract, eyes shift down briefly then up. Emotion shifts from confusion to defensiveness. "Who are you?" Soft voice. 7-10.5s | First full reveal of husband. 70mm OTS over woman. Old man on right. Transparent night background. No mysterious smile. He has a gaze of long-term familiarity. "I've had a lifetime to notice." Simple truth. Woman's breathing becomes shallow. L-cut. 10.5-14.5s | Recognition. 85mm OTS close-up. She observes his eyes, brow, nose, mouth. Finding the young man in the aged face. Pupil vibration, breathing stop. Defensive look softens. Softly: "...You?" L-cut. Old man: "Just older." Time-space relationship established. 14.5-18s | Fearing the future. 85mm on woman. Defense gone, replaced by curiosity and heartache. "Was it good?" Very soft. Teary eyes but no tears. 18-22.5s | "Hard sometimes. Still good." 85mm OTS on old man. He pauses, looks away. Decades of life pass through his eyes. No flashbacks. Just fatigue, understanding, and nostalgia. "Hard sometimes." Very calm. "Still good." Firm but soft. 22.5-25.5s | Acceptance. Reaction shot of woman. She tightened at "Hard" and relaxed at "Still good." "So... we got married?" Natural pause. 25.5-30s | "Tomorrow. And every day after that." 85-100mm OTS close-up on old man. Quietest shot. He watches her with heart-softened certainty. "Tomorrow." (Pause). "And every day after that." Not a movie quote, just a fact. He starts to reach for a stray hair out of habit, then stops, realizing the distance. Hand drops. She sees, then tucks the hair herself. A final look across the threshold. No crying, no hugging, no goodbye. End. ใShot Rhythmใ 30s total. Not equal cuts. Hook is fast, identification is slow, emotional landing is slowest. First half: "Who is he?" Middle: "Is it really him?" End: "Are we okay later?" ใContinuity Rulesใ No mechanical cuts. Use J-cuts, L-cuts, and reaction shots. Voice first, visual second. The handle sounds and her pupil change complete information without showing the handle. ใCamera Parametersใ 2.39:1, 24fps, 180ยฐ shutter. Lenses: 85mm (f/2-2.4) for identification/end; 65-75mm for standard OTS. Subtle handheld movement (breathing, weight shifts). No digital zoom. ใSound Designใ No BGM, no subtitles. Only realistic ambient sounds: night air, distant city hum, light wind. No nearby traffic sounds.
Author: ๆๅฒณ | Source: Link | Published: Aug 22, 2026
Y2K Rock Fashion Transition Video
A high-quality Y2K-style fashion transition video prompt featuring a rotating platform and motion blur match cuts for a nostalgic magazine aesthetic.
๐ Prompt
[Style] Millennium Y2K Rock Fashion, 2000s trend magazine texture, retro warm yellow tone, 60fps, 4K realistic image quality.
[Duration] 15 seconds
[Ratio] 9:16 vertical screen
[Scene] Retro rock dressing room, beige old walls covered with original rock posters without text and vinyl records; white wavy floor lamp on the left, white guitar case leaning on the right, black electric rotating circular platform placed in the center of the floor.
[Character] Protagonist @Image1, facial features, hairstyle, and body shape always correspond to the reference image; calmly looks at the camera throughout, expression is natural and stylish.
[Sound] Original Y2K pop rock beats, a heavy beat every two seconds; no dialogue, no subtitles, no text, no brand logos.
[Core Camera Movement] The camera is fixed in a frontal full-body shot (Locked Full-body Shot) throughout, no panning, tracking, or circling. The protagonist stands in the center of the circular platform, which rotates clockwise at a constant speed. All perspective changes come from the platform's rotation, not camera movement.
[Transition Rules] Before each heavy beat, the protagonist turns from the front to the side or back with the platform; a hard outfit change (Motion-blur Match Cut) occurs when the body passes the center of the camera and full-body motion blur is strongest. After the cut, the character maintains the same position, orientation, gestures, and rotation speed, continuing to rotate clockwise. No flash whites, dissolves, or clothes growing out of thin air.
[00:00-00:03] Shot 1: Basic Millennium Style
Protagonist wears a white slim tank top, light blue low-waist ultra-wide jeans, black studded belt, black platform lace-up boots, hands in pockets standing in the center of the platform. The platform slowly rotates clockwise, the protagonist turns from front to side, then to back. At 00:02.9, the side-back of the body passes the camera center, forming lateral motion blur, cut on the beat.
[00:03-00:05] Shot 2: Black Rock Style
Maintain the same back-facing angle after the cut, change to a black star knit hat, black studded sleeveless top, white layered hem, black pleated leather skirt, black high boots, black shoulder bag. The protagonist continues to rotate clockwise back to the front, one hand holding the bag, then turns to the side-back again. Match cut at 00:04.9 when the bag and skirt swing are most obvious.
[00:05-00:07] Shot 3: Purple Street Style
Change to a leopard print newsboy cap, white asymmetric print top, purple loose five-point cargo pants, studded belt, black handbag, black high boots. Body angle and gait remain unchanged after the cut, the protagonist rotates from side to front with the platform, slightly raising the chin to look at the camera. Turn to the back at 00:06.9, using body and handbag motion blur to switch.
[00:07-00:09] Shot 4: Layered Skateboard Style
Change to a black star knit hat, white long-sleeved base layered with zebra print short sleeves, gradient gray wide-leg jeans, black and white canvas shoes, leopard print large backpack. The protagonist rotates smoothly from back to front facing the camera, hands in pockets, backpack swinging naturally with rotation. Hard cut at 00:08.9 when the backpack sweeps past the side of the body.
[00:09-00:11] Shot 5: Black Cargo Style
Change to a black studded baseball cap, black sunglasses, black slim long sleeves, light blue ultra-wide multi-pocket cargo jeans, letter belt, metal pant chain, black platform boots. Maintain the side angle from the previous frame, continue clockwise rotation; hands in pockets, pant chain producing slight inertial swing. Cut at 00:10.9 when the protagonist raises a hand to adjust the cap brim and the arm passes the face.
[00:11-00:13] Shot 6: Pink Street Style
Change to a pink checkered bandana hat, black sunglasses, gray print tank top, light blue ultra-wide jeans, pink sneakers, checkered crossbody bag. Continue the same hand-raising motion after the cut to complete the brim adjustment; the platform rotates from side to front. At 00:12.9, the protagonist turns to the side-back again, cut when the crossbody bag sweeps across the torso.
[00:13-00:15] Shot 7: Ultimate Millennium Rock Style
Change to a leopard print baseball cap, black sunglasses, black and white patchwork studded short sleeves, black and white art print wide-leg cargo pants, black double-buckle belt, black heavy platform boots, leopard print backpack. Maintain the same side-back angle after the cut, continue clockwise rotation to front. The protagonist has hands in pockets, body leaning back slightly, finally freezing facing the camera; the platform still rotates slowly.
[Physical Continuity] Platform position, speed, and rotation direction remain unchanged throughout; feet fixed in the center; body angle error between cuts is minimal; hats, bags, and wide pants produce realistic inertia with rotation; each outfit is clearly shown before entering brief motion blur.
[Avoid] Camera circling, whip pans, lateral tracking, characters walking on their own, walking out of frame, platform disappearing, counter-clockwise rotation, body orientation jumps after cut, flash white transitions, dissolve transitions, liquid deformation, clothes covering body out of thin air, messy outfit order, missing outfits, repeating outfits, face swapping, hairstyle drift, extra characters, subtitles, text, brand logos, garbled posters, deformed fingers, strap clipping, floating soles, plastic skin. Forbidden
Author: John | Source: Link | Published: Aug 22, 2026
Epic Anime Dragon Battle Prompt
A massive, highly detailed prompt for an anime battle sequence between a female warrior and a dragon, featuring precise movement and structural logic.
๐ Prompt
High-quality anime video. 10 seconds, 16:9 aspect ratio.
[Role of Reference Images]
@material:150204image1 is for face reference. Prioritize the silver-white short bob, amber eyes, facial features, hairstyle, expression, and person identity.
@material:150206image2 is for costume and weapon reference. Prioritize the elegant outfit based on turquoise, white, black, and gold, turquoise cape, decorations, full-body silhouette, and slender rapier design.
Integrate @material:150204image1 and @material:150206image2 as the same person/character. If references conflict, prioritize the face, hair, and eyes of @material:150204image1, and the costume, decorations, full-body silhouette, and weapon of @material:150206image2. Do not copy the background, setting frames, explanatory text, or multi-pose layouts from the reference images into the video.
[Fixed Art Style and Rendering]
3D toon/cel-look high-quality anime video. Soft and clear thin outlines, line colors not too close to black, easy-to-read two-to-three-layer cell shading, vivid colors centered on turquoise, white, black, and gold, high-quality highlights with transparency in silver-white hair and amber eyes, high-density rendering that distinguishes material differences between cloth, metal, scales, stone, and dust. The background is not simplified, maintaining the depth and details of stone architecture, rubble, walls, dust, and debris. Avoid thick outlines, flat single-layer cel painting, generic 3D anime faces, smooth plastic-like CG materials, low-density backgrounds, photorealism, semi-realism, dull colors, or mixed art styles.
[Fixed Protagonist Identity]
The protagonist is a single individual, maintaining the identity integrated from @material:150204image1 and @material:150206image2 throughout. Maintain the silver-white short bob, bangs shape, braided hair with black ribbons, amber eyes, eye shape and facial features, turquoise cape, elegant white/black/gold outfit, gold decorations, turquoise gems, slender physique, and silhouette. Only expressions, gaze, mouth, breathing, combat stance, and natural swaying of hair and clothing may change. Do not allow facial averaging, changing into a different person, age changes, hair/eye/costume color changes, cloning, duplication, adding protagonists, or costume swaps.
[Fixed Weapon and Attached Structures]
The weapon the protagonist uses is only a single slender rapier. Maintain the connection of the tip, thin blade, guard, hilt, and pommel as one continuous structure. The right hand only grips the hilt, not the thin blade or tip. The rapier maintains its slender shape, does not transform into a large weapon or another weapon, and does not multiply, split, or disappear. The main character's attack is a linear, precise thrust with the rapier, not replaced by large swings or magical attacks. The dragon has one pair of wings (two total) and only one tail. The wings are continuous from the wing base on the back through the wing bones and membrane to the body, and the tail maintains the same structure from the base to the scales and tip. Do not rotate or multiply the tips independently; the rapier is sent out linearly as a single structure for the whole weapon.
[Fixed Enemy Identity]
The enemy is only a single giant Western-style dragon. Maintain the same individual throughout with blue-black scales, four limbs, a long neck, a pair of wings (two total), and one tail. The dragon's size is made clear by comparison with the protagonist, buildings, and stone walls, shown as a threat capable of destroying the city. Do not replace the dragon with another creature, crystal, machine, smoke, or mass of light. Do not show a second dragon, additional enemies, or clones.
[World and Damage Situation]
Medieval European-style stone city. Place buildings, stone walls, cobblestones, alleys, rubble, stone fragments, dust, and collapsed outer walls within the screen, making it immediately clear that the giant dragon is destroying the city. The wall maintains its shape before the claws touch it, and only after contact do the stone walls collapse, spreading fragments and dust. Destruction is expressed through impact, crumbling, dust, and flying stone fragments; do not use gruesome bloodshed.
[Combat Basics]
The protagonist's strength is expressed through Timing, Precision, Economy, Acceleration, and Composure, not brute force or large explosions. Avoid unnecessary large swings, dodge the dragon's line of attack by a hair's breadth, and accelerate rapidly only at the necessary moment. The protagonist maintains a calm expression and elegant movements, not taking exaggerated poses after victory. Combat is one-on-one between the protagonist and a single dragon, making the rapier skill the star, not magic explosions.
[Temporal Action Structure]
0.0โ2.0s | The giant dragon attacks the protagonist with its front claws, and the protagonist dodges by a hair's breadth. The claws contact the stone wall, and after contact, the city wall collapses, spreading rubble and dust.
2.0โ4.5s | The protagonist identifies an opening in the attack and accelerates instantly from efficient footwork into the dragon's reach.
4.5โ7.0s | The protagonist sends the slender rapier out linearly, delivering a single precise thrust to the junction of the scales at the base of the neck. Reaction force and local dragon reaction occur only after contact.
7.0โ10.0s | The protagonist finishes the thrust and continues past the dragon's side to the next step. Shortly after, the dragon collapses from its front knees, making the defeat clear.
The entire battle is not shown from a single fixed continuous viewpoint; naturally insert Shot Changes that show the same continuous Action from different angles at meaningful points where the action or state clearly switches, such as from the dragon's attack to hitting the wall/destruction, recognizing the protagonist's opening to approach/accelerate/thrust, and from the end of the thrust to passing the side/delayed collapse. Before and after a Shot Change, maintain the relative positions of the protagonist and dragon, attack direction, movement direction, distance, wall destruction location, and thrust target, continuing the same ongoing Action after the switch. Do not restart dodging or thrusting from the beginning, return the protagonist to the initial position, or rewind the Action.
[Fixed Action and Causality]
The dragon's claws do not hit the protagonist directly; the protagonist moves away from the attack line by a hair's breadth. The wall is undamaged until the claws reach it, and only after contact do cracks, stone breakage, falling rubble, and dust occur. The protagonist identifies the opening from the wall's collapse and approaches/accelerates from the dodge point toward the dragon's reach in the same direction of travel. The rapier thrusts only once into the scale junction at the neck base, showing no wounds or reactions before contact. Only after the thrust's contact do the rapier's reaction force, local swaying of scales, and delayed reaction of the dragon's neck and center of gravity occur. The protagonist passes that reaction force and momentum to the next step, leading to the subsequent collapse of the dragon's entire body. The protagonist's dodging, acceleration, thrusting, and side passage are one
Author: mayv@็ฐกๅใใญ็ดใใญใณใใๅ ฌ้ไธญ๏ผ | Source: Link | Published: Aug 22, 2026
Collecting City Sounds Surrealism
A complex cinematic surrealist prompt where a character physically collects urban sounds until the city falls silent.
๐ Prompt
CAMERA:
One continuous cinematic shot with no cuts. Begin with a slow tracking shot at street level. Follow the character from a three-quarter rear angle. Gradually move closer to the character's hands as the invisible sounds become visible. Finish with a dramatic pullback.
SETTING:
A realistic modern city street at dawn. Soft morning light, light fog, distant traffic, pedestrians, birds, bicycles and subtle urban movement. Photorealistic environment.
0โ3 SECONDS:
The character walks through the street.
Everything sounds normal: distant traffic, footsteps, birds and wind.
Suddenly, the character stops.
A faint translucent ripple appears in the air beside a passing car, shaped like a small floating ribbon of vibrating glass.
3โ6 SECONDS:
The character reaches out and gently grabs the floating ripple.
The instant they touch it, the surrounding car becomes completely silent.
The character looks at the glowing vibrating ribbon in their hand.
6โ10 SECONDS:
More sound becomes visible.
Birdsong appears as tiny glowing waves.
Footsteps become small translucent pulses.
Traffic noise become long vibrating ribbons.
The character calmly gathers them with both hands.
As each sound is collected, that part of the city becomes completely silent.
10โ12 SECONDS:
The character compresses all the collected sounds between their palms.
Thousands of glowing sound waves collapse into one tiny luminous sphere.
The entire city suddenly becomes completely silent.
12โ15 SECONDS:
The character releases the sphere.
It rises a few meters into the air.
The sphere suddenly expands into a gigantic invisible-looking shockwave made entirely of luminous sound patterns.
For one instant, every sound returns simultaneously.
Birds fly upward, cars move, people react, leaves shake violently.
Then CUT TO BLACK.
VISUAL STYLE:
Photorealistic cinematic surrealism, original visual design, realistic urban environment, subtle atmospheric lighting, physically believable particle motion, translucent sound structures, restrained VFX, natural human performance, premium cinematic composition.
SOUND DESIGN:
Begin with realistic city ambience.
Introduce a faint crystalline vibration when the first sound becomes visible.
Gradually remove environmental sounds as the character collects them.
Create complete silence at 12 seconds.
At the final release, restore all accumulated sounds simultaneously for one overwhelming cinematic moment.
NEGATIVE:
No copyrighted characters, no recognizable movie scenes, no logos, no text, no subtitles, no watermark, no famous franchise references, no imitation of any specific director or artist, no cartoon aesthetic, no supernatural creatures, no explosions, no random objects, no scene cuts, no inconsist
Author: Sheikh Sharik 2.0 | Source: Link | Published: Aug 22, 2026
Cinematic Fantasy Anime Sword Duel
A highly detailed video generation prompt for creating a 22-second cinematic fantasy sword duel in a church, featuring two anime characters with complex choreography and multi-angle camera movements.
๐ Prompt
Use [@Image1] as the strictly unique first frame. Do not upload reference videos, storyboards, or other character images. Generate a full 22.27-second, 16:9 widescreen, cinematic fantasy sword fight video combining 3D anime characters with a realistic church environment. On the left is the original Purple Lightning Swordsman, and on the right is the original Scarlet Sakura Swordmistress. Strictly maintain consistency in their faces, hairstyles, costumes, weapons, positioning, and the church space. Only two characters throughout. The church setting is fixed with specific combat zones (A, B, C). Use multi-camera shots with cuts at impact points. 0-1.3s: Initial distance engagement; 1.3-2.43s: Low-angle footwork tracking; 2.43-3.93s: First collision with sparks and purple/red lightning; 3.93-5.37s: Multi-strike exchanges; 5.37-7.5s: Low-angle shot of movement between zones; 7.5-9.57s: Over-the-shoulder tracking; 9.57-10.63s: Close-up of Scarlet Sakura Swordmistress advancing; 10.63-12.43s: Cherry blossom petal curtain transition; 12.43-14.77s: Wide shot of church and petal trails; 14.77-16.37s: Aerial descent of Purple Lightning Swordsman; 16.37-17.9s: Entry through petal mist; 17.9-19.3s: High-speed ground charge; 19.3-22.27s: Final impact and shockwave with characters pushed back. Focused on mid and close-up shots with low-angle tracking. No slow-motion, music, dialogue, or UI.
Author: Arvin | Source: Link | Published: Aug 22, 2026
Kitchen Intruder Action Sequence
A cinematic action storyboard prompt depicting a father protecting his daughter from intruders in a high-intensity kitchen sequence.
๐ Prompt
Create storyboard card for each acan - [0:00โ0:04] VISUAL: Warm kitchen, evening. TOM (40s, quiet, unassuming) sets the table. His daughter LILY (8) draws at the counter. Normal, cozy life. LILY: "Dad, can we watch a movie after dinner?" TOM (smiling): "Only if you finish your veggies this time." SFX: plates clinking, soft kitchen ambience. [0:04โ0:07] VISUAL: Power cuts out. The house goes dark. Tom's smile fades instantly โ his whole posture changes, calm and alert. LILY (whispering, scared): "Dad?" TOM (low, controlled): "Stay behind me. Now." SFX: hard silence, distant glass breaking upstairs. [0:07โ0:11] VISUAL: Front door kicked in โ three armed INTRUDERS in tactical gear storm in with flashlights cutting through the dark. Tom pushes Lily behind the counter. INTRUDER 1 (shouting): "On the ground! NOW!" TOM (flat, dead calm): "Wrong house." SFX: door slamming open, boots on hardwood, gun cocking. [0:11โ0:16] VISUAL: ULTRA-FAST FIGHT SEQUENCE. Tom disarms Intruder 1 in one brutal motion, slams him into a cabinet โ glass shatters (heavy VFX: glass fragments frozen mid-shatter for a beat, then continues). Spins to block Intruder 2's strike. INTRUDER 2 (stunned): "He's not just someโ" TOM (cutting him off, throwing a strike): "Dad. I'm just a dad." SFX: cabinet shatter, bone-crack impact, grunts, glass rain. [0:16โ0:20] VISUAL: Intruder 3 fires โ Tom shoves a propane canister off the stove into the line of fire. MASSIVE VFX EXPLOSION rips through the kitchen, throwing Tom and Intruder 3 through the wall into the next room in slow motion, debris and fire everywhere. LILY (screaming): "DAD!" SFX: deafening explosion boom, wood splintering, ringing ears effect, fire crackle. [0:20โ0:24] VISUAL: Smoke clears. Tom rises from the rubble, bruised, bleeding, breathing hard โ but standing. Intruder 3 down. He staggers back toward the kitchen. TOM (hoarse, urgent): "Lily!" SFX: settling debris, low fire crackle, ringing fading into real sound. [0:24โ0:28] VISUAL: Lily runs out from behind the counter, unharmed, and crashes into him, sobbing with relief. He drops to his knees, holding her tight. LILY (crying, muffled): "You said you were just a dad." TOM (voice breaking, holding her): "I am. That's exactly why." SFX: crackling fire in background, sirens approaching faintly, her sobbing quieting. [0:28โ0:30] VISUAL: Wide shot โ the wrecked, smoking kitchen behind them, red and blue emergency lights beginning to flicker through the broken windows. Hold on the embrace. SFX: sirens growing closer, wind through the broken wall, soft final piano note.
Author: Shara I Ai Video Creator | Source: Link | Published: Aug 22, 2026
Anime Cooking Scene Animation Prompt
A comprehensive prompt for a 30-second hand-drawn 2D animation featuring Japanese-style cooking, divided into 12 segments.
๐ Prompt
A 30-second video consisting of 12 scenes, each 2.5 seconds long, generated solely from text, with no reference images or storyboards.
[Art style]
Original Japanese hand-drawn 2D animated cooking video. Visually, it's entirely hand-drawn.
Lines: Soft, sharp outlines
Author: AIๆดป็จใฉใ@Levela | Source: Link | Published: Aug 22, 2026
Heavy Metal Anime Music Video
An intense anime-style music video prompt for a heavy metal performance on a nighttime rooftop, featuring specific band member roles, camera work, and BPM-synchronized energy.
๐ Prompt
Create a **30-second anime-style heavy metal music video** featuring these three band members.
**K1** is the bassist on screen left, **D1** is the guitarist on screen right, and **G1** is the drummer in the center.
The setting is a **nighttime rooftop stage** with the **AB/CD** platform, multiple amplifiers, spotlights, and a city skyline in the background.
The song is **fast, fun, intense, and dynamic**, at **BPM 180**. Prioritize the energy and groove of the performance.
Use **rapid music-video style editing** with a natural mix of **face close-ups, hand close-ups, shots of bass and guitar picking, drum-hit close-ups, low-angle shots, high-angle shots, front shots, diagonal shots, and light camera movement around the performers**.
Give each of the three members clear spotlight moments, especially showing their **facial expressions, playing motions, and performance intensity**.
Match the flow of the lyrics:
**โStuffed again, I can't deny / Third plate calling, don't ask why / Rice and ramen, sweet and fried / OVERFED! OVERFED! / No regrets, I ate it all / Rolling home, I hit the wall! / OVERFED tonight!โ**
Build naturally from **intro to verse to chorus** with rising excitement.
**Final shot:** K1 and D1 stand behind the drums, with G1 in the center, ending on a **close-up of all three together**.
Render it in **high quality**, with **consistent character appearance, strong live-performance lighting, and energetic camera work**.
Author: Hei | Source: Link | Published: Aug 22, 2026
Animated Comedy Coffee Mugs
A humorous animated short about a group of coffee mugs competing for their human's attention, only for the human to choose their favorite old chipped mug.
๐ Prompt
Cinematic animated comedy short, 15 seconds. A kitchen cabinet opens. Dozens of coffee mugs stand silently in a row. They all look excited. The human reaches inside. Every mug desperately tries to get noticed. A giant mug stretches upward. A fancy mug shakes itself dramatically. A colorful mug waves its handle. But the human ignores all of them and grabs the same old chipped mug. The cabinet goes silent. The chipped mug looks back at the others with a smug smile. As it leaves, it quietly says: "Every morning." The other mugs glare at it. One whispers: "I hate that mug." Fast expressive animation, simple visual storytelling, exaggerated character reactions, cinematic comedy timing. The joke must be instantly understandable: humans always have one favorite mug and ignore all the others.
Author: Alexandra Aisling | Source: Link | Published: Aug 22, 2026
Anime Character Good Morning Wake-up
A comprehensive storyboard-style prompt for Seedance 2.5 designed to animate an anime girl waking up, stretching, and crawling towards the camera with specific camera locks and behavioral constraints.
๐ Prompt
INPUT
Use the attached reference image as the first frame of the video.
FORMAT
20 seconds, 24fps. No BGM. Only quiet indoor ambient sounds. Soft breathing sounds, rustling of clothes, and the faint sound of hands touching the floor.
CAMERA LOCK
Camera is completely fixed. No panning, tilting, zooming, or movement. One take. The angle only changes when the character themselves moves closer to the lens.
FOCUS RULE
The focus is always on her body movements. No time is spent describing the background, light, or space. Ensure the screen is held by what she is doing at every moment. No single action lasts more than 3 seconds. Must move to the next action within 3 seconds. No moments of complete stillness.
IDENTITY LOCK
Do not change the face, hairstyle, hair color, eyes, or clothing from the first frame. Do not turn her into a different person.
VISUAL STYLE
Maintain the color tone, contrast, depth of field, and texture of the first frame throughout. Do not change the direction or intensity of the lighting.
TIMELINE
0.0-2.0s
The head drops forward and then lifts up with a start. The hair sways slightly delayed.
2.0-4.0s
Rub one eye with the back of a clenched fist. Rub the other eye as well.
4.0-6.0s
A small stretch. The body leans to the side and then returns.
6.0-8.0s
Eyes meet the lens. The neck tilts, and the upper body follows. The mouth opens slightly.
8.0-10.0s
Place both hands on the floor in front, leaning the upper body forward. Hair falls forward from the shoulders.
10.0-16.0s
Crawls towards the lens on all fours. One hand at a time, the upper body swaying left and right with each movement. Hair sways beside the face. The face gradually gets larger in the frame. While approaching, eyes remain fixed on the lens.
16.0-18.0s
Super close-up. The face occupies most of the screen. Corners of the mouth lift, eyes narrow, and says "Good morning" in a bright, bouncy voice.
18.0-20.0s
Backed away slightly. Eyes narrow into crescents, nose wrinkles, and cheeks lift. Shoulders sway slightly. Remains in that expression.
NEGATIVE CONSTRAINTS
Camera movement, zoom, and pan prohibited. No cuts. No periods of complete stillness. Prohibit single actions lasting more than 3 seconds. Prohibit using duration for background or scene descriptions. Poses, peace signs, winks, and blowing kisses prohibited. Quick or jumping movements prohibited. Standing up prohibited. Changing character identity prohibited. Real-life style conversion prohibited. No speech other than "Good morning".
Author: ่ผชๅปปใฟใฒ๐๏ธโ๐จ๏ธ๐๐๏ธโ๐จ๏ธ | Source: Link | Published: Aug 21, 2026
Mountain Climber Snowstorm
A dramatic aerial video prompt of a mountain climber struggling in an intense snowstorm during fading light.
๐ Prompt
Dramatic aerial shot with sweeping movements, a mountain climber stuck in a snowstorm, struggling to find shelter on a snowy mountain top, surrounded by swirling snow and ominous clouds, illuminated by the fading light before night falls, in a stark, intense, cinematic style.
Author: DeCat | Source: Link | Published: Aug 21, 2026
Romantic Comedy Tiktok Style Video
A vertical-format video prompt for a 30-second romantic comedy scene. It features a female character in a neon studio setting interacting with an off-camera voice through a scripted dialogue and specific camera movements.
๐ Prompt
[Style] Romantic Comedy, neon studio texture, live-action realistic, 4K HD, exquisite skin texture
[Duration] 30 seconds
[Ratio] 9:16 vertical screen
[Scene] A stylish photo studio surrounded by pink neon lights, background blurred, female lead standing in the center of the frame facing front
[Character] Female lead @Image 1, facial features, hairstyle, and body consistent throughout, wearing a pink strapless stage suit and a pearl necklace; male lead does not appear, only a young male off-camera voice is kept
[Prop] Black and white hard-shell notebook
[Sound] Entirely original English audio, precise lip-sync, natural dialogue exchange between male and female voices, only slight indoor ambient sound; no subtitles, no text, no background music
[Camera] Continuous filming from the same frontal position throughout, no cuts; fixed medium-close-up in the first part, slowly pushing into a face close-up in the last 5 seconds (Slow Push-in)
[00:00-00:04] Shot 1: Confession and Sudden Stop (Medium Close-up)
Female lead looks directly at the camera, corners of the mouth naturally turned up, head slightly tilted.
[Dialogue Lip-sync Guidance]
Off-camera male voice says tenderly: โHey, I like you.โ
Female lead's smile deepens, right hand lightly against her chest: โI like you too.โ
Off-camera male voice immediately asks: โWould you be my girlfriend?โ
Female lead's smile suddenly stops, one hand raised to stop him: โWait.โ
She quickly picks up the notebook and opens it, body leaning slightly forward, gaze turning into serious scrutiny.
[00:04-00:09.5] Shot 2: First Round of Interrogation (Static Medium Close-up)
Female lead holds the notebook with one hand and counts each point with the other; after each answer, she glances down at the notebook and then quickly looks up to follow up. Actions are crisp, leaving no empty beats.
[Continuous Dialogue]
Female: โAre you single?โ
Male: โYes.โ
Female: โDo you have a girlfriend?โ
Male: โNo.โ
Female lead's eyebrow raises, head tilting slightly to the other side: โDo you have a secret girlfriend?โ
Male: โNo.โ
[00:09.5-00:14.9] Shot 3: Escalating Questions (Quick-fire Dialogue)
Female lead flips a page of the notebook, speech speed gradually increasing; each time the male answers โNo,โ she quickly ticks the notebook with a pen. Eyes switch quickly between the camera and the notebook.
[Continuous Dialogue]
Female: โDo you have a girlfriend abroad?โ
Male: โNo.โ
Female: โDo you have an online girlfriend?โ
Male: โNo.โ
Female lead slightly squints: โAre you in a situationship?โ
Male: โNo.โ
[00:14.9-00:20.3] Shot 4: Serious Verification (Locked Camera)
Female lead stops smiling, brow slightly furrowed, staring at the camera; she taps the notebook with the tip of her pen when asking, only continuing to the next question after the male answers.
[Continuous Dialogue]
Female: โYou're still in love with your ex?โ
Male: โNo.โ
Female: โAre you in an open relationship?โ
Male: โNo.โ
Female lead pauses slightly, raising an eyebrow to follow up: โDo you have a friend with benefits?โ
Male: โNo.โ
[00:20.3-00:26.4] Shot 5: Final Check (Subtle Push-in)
Camera begins a slight push-in. Female lead records quickly while following up continuously; her tone remains serious, but the furrow in her brow gradually relaxes with each โNo.โ
[Continuous Dialogue]
Female: โAre you married?โ
Male: โNo.โ
Female: โHave you been married?โ
Male: โNo.โ
Female: โDo you have kids?โ
Male: โNo.โ
Female lead closes the notebook halfway: โDo you have a crush?โ
Male: โNo.โ
[00:26.4-00:30] Shot 6: Confirmation and Acceptance (Close-up Punchline)
Camera pushes into a face close-up. Female lead puts down the notebook, moves closer to the camera, eyebrow raised, making a small finger heart with her thumb and index finger.
[Continuous Dialogue]
Female lead confirms word by word: โDo you like girls for sure, right?โ
Male immediately answers: โYes.โ
Female lead pauses for half a second, her serious expression suddenly releasing into a satisfied smile, index finger pointing at the camera: โAll right, I'll be your girlfriend.โ
After speaking, she maintains the pointing gesture towards the camera, tilts her head slightly, and smiles for the final frame.
[Performance Control] Emotions are in order: happy, suddenly alert, serious verification, gradually relaxed, satisfied acceptance; changes must be triggered by the male's lines. Use eyebrow raises, head tilts, downward checks, and pen ticks during the questioning phase; don't use the same expression for every sentence. Male answers are short and clear, and must follow after the female finishes speaking; male and female voices should not overlap.
[Generation Constraints] Only the female lead corresponding to @Image 1 appears; male lead cannot show his face, body, or hands; maintain same face shape, hairstyle, clothing, necklace, notebook, and lighting; no scene switching throughout.
[Avoid] Subtitles, Chinese text, English text, stickers, watermarks, dialogue translation, background music, wrong speaker, female saying โYes/Noโ for the male, male interrupting, lip-sync drifting, mechanical reading, missed questions, repeated lines, sudden cuts, random camera movement, exaggerated staring, stiff expressions, meaningless gestures, notebook disappearing, facial changes, clothing changes, finger deformities, plastic skin.
Author: John | Source: Link | Published: Aug 21, 2026
Forest Guardian Anime Battle
A vibrant anime-style video prompt featuring a tiny forest guardian defending a village from mechanical hunters with sakuga-style animation.
๐ Prompt
A tiny forest guardian carrying an oversized wooden sword protects a magical village from an approaching army of mechanical hunters, initially hiding behind a mushroom as giant machines crush the trees, then charging forward, bouncing between roots, slicing cables and freeing captured creatures while the forest itself awakens around the battle; the machines deploy a colossal drilling titan that begins tearing into the sacred tree at the center of the village, forcing the guardian to climb its rotating body while vines, birds and glowing spirits attack alongside him; he reaches the top, plants the wooden sword into the machineโs core and channels the entire forest through it, colorful adventure anime with explosive sakuga, playful scale contrast, fluid creature animation, sweeping forest camera movement, expressive squash and stretch, cel-shaded characters against richly painted environments, warm green sunlight, turquoise spirit glow, orange sparks and flying leaves, joyful heroic atmosphere, ending with the drill titan transforming into a gigantic flowering tree as every machine in the army becomes covered in vines and the guardian lands inside a blossom above the restored village.
Author: Pierrick Chevallier | IA | Source: Link | Published: Aug 21, 2026
Sitcom Kitchen Empty Milk
A detailed multi-camera sitcom prompt featuring a family interaction in a kitchen around an empty milk carton, ending with a comedic arrival of new characters.
๐ Prompt
.0sโ1.2s Wide Shot (WS), static multi-cam. Father (mid-40s, average build, teal sweater, short brown hair), Mother (mid-40s, curly brown hair, patterned blouse), Daughter (20, curly hair, colorful sweater), Son (18, denim jacket, short brown hair) remain seated around the kitchen table. The empty milk carton still sits on the table edge, slightly tilted. Father leans back slightly, hand resting near cereal box. Dialogue: Father: โOkayโฆ so now the fridge is empty too?โ (LAUGH TRACK light) Transition: Hard cut. 1.2sโ2.4s Medium Shot (MS), slight push-in. Mother rotates mug clockwise, ceramic scraping lightly. Dialogue: Mother: โUnless the milk learned to walkโฆโ Daughter suppresses a grin. Transition: Rack focus shift. 2.4sโ3.6s Over-the-Shoulder (OTS) from Daughter โ kitchen door (right side of frame). Back of Daughterโs curly hair and shoulder visible. Door in background, closed. A faint knock sound interrupts. No face visible (POV rule enforced). SFX: Knock. Knock. Transition: Audio-driven cut. 3.6sโ4.8s Close-Up (CU) Daughter reaction. Face visible: eyebrows lift, lips part slightly. Dialogue: Daughter: โWeโre expecting guests?โ Emotional shift: confusion โ curiosity. Transition: Hard cut. 4.8sโ6.2s Wide Shot (WS), camera pan right toward door (key movement). Family remains seated left frame while door enters center frame. Door handle subtly turns. SFX: Handle click, hinge creak. Transition: Match on motion. 6.2sโ7.5s Over-the-Shoulder (OTS) from Father โ door opening. Back of Fatherโs head, shoulders tense. Door swings inward. Two figures appear in doorway silhouette. No face visible. Transition: Light reveal. 7.5sโ9.0s Medium Shot (MS), frontal reveal. New Character 1 (Blond Man, early 30s, tall, lean build, blond feathered 80s hair, beige jacket, striped polo, blue jeans) New Character 2 (Woman, early 30s, curly blonde hair, denim jacket, pink top, jeans, shoulder bag) They stand casually in doorway, relaxed posture. Dialogue (Blond Man): โHeyโฆ uhโanyone got milk?โ (LAUGH TRACK burst) Transition: Hard cut. 9.0sโ10.2s Close-Up (CU) Father reaction. Face visible: eyes widen, jaw tightens, lips press then open slightly. Dialogue: Father: โYouโve got to be kidding me.โ Emotional shift: disbelief โ frustration. Transition: Smash cut. 10.2sโ11.5s Over-the-Shoulder (OTS) from Mother โ doorway. Back of Motherโs curly hair, mug partially lifted. New couple visible in frame, standing still. Blond man shrugs slightly, hands relaxed. Dialogue (Woman): โWe followed the smell of cerealโฆโ (LAUGH TRACK) Transition: Match cut. 11.5sโ13.0s Medium Two-Shot (2-shot), Daughter + Son. Daughter leans slightly toward Son, elbow pressing table. Son tilts head, shoulders raised. Dialogue (Son): โThis is getting weird.โ Transition: Hard cut. 13.0sโ15.0s Wide Shot (WS), full kitchen + doorway. All characters visible. Door remains open, new couple standing casually. Milk carton still empty on table.
Author: Gumvue Studio | Source: Link | Published: Aug 21, 2026
Dark Fantasy Dragon Ride
A cinematic dark fantasy video prompt featuring two children riding a scaly dragon as it takes flight into a sunny, cloudy sky.
๐ Prompt
A realistic dark fantasy video opening with a close-up shot of two small, fair-haired children sitting on the back of a large, dark scaly dragon with glowing orange eyes. The dragon opens its mouth to roar as the children smile and hold on tightly. Suddenly, the camera smoothly pans out as the dragon launches into the air, spreading its massive wings and flying high up into a cloudy, sunny sky. Cinematic lighting, dramatic camera movements, photorealistic textures, dynamic wind effects, high-detail 3D fantasy style.
Author: Maya | Source: Link | Published: Aug 21, 2026
Xianxia Cold Comedy Short Film
A complex multi-shot script for a 15-second Chinese Xianxia comedy. It features a specific 'three-beat' comedic structure, character IDs for consistency, and detailed cinematography instructions.
๐ Prompt
Seedance | 15-second Deadpan Comedy Short | "The Fourth One"
I. Mission Objective
Generate a complete and continuous 15-second Chinese Xianxia (fantasy) movie short.
Overall Style Requirements:
Cinematic realistic texture
Pure ancient Chinese Xianxia aesthetics
Deconstruct the epic "avenger's entrance" pressure into a serious survival-type comedy
Restrained deadpan performance
Silent film-style reaction rhythm
Classic "three-beat progression"
Clear status reversal
Arri Alexa cinematic texture
Stable and clear facial micro-details
Fine film grain
Natural volumetric light
II. Core Comedy Logic
Keep only one easy-to-understand main line:
An enemy enters aggressively to avenge three brothers who have already lost, proudly identifying himself as the "fourth challenger."
Until the Master casually asks a very ordinary question, he suddenly realizes: he is the last one in his sect who can still stand and come to challenge.
Humor Sources:
Delayed reaction (belated realization)
A normal person's survival instinct
Serious dialogue rhythm
The character gradually realizing the problem himself
Prohibitions:
Character suddenly becoming stupid
Random environmental accidents
Exaggerated slapstick performance
III. Reference Anchors
Character Anchors
@Image 1: Character ID A | Sword Immortal Senior Sister
@Image 2: Character ID B | Junior Sister
Environmental DNA
All newly uploaded background and location reference images determine a single set of environmental DNA. Before formal composition, silently integrate and reconstruct compatible:
Real terrain, architectural language, spatial scale, vegetation, water bodies, weather, mountain mist, main light direction, reflection relationships, atmospheric depth, real walkable paths.
Environment Principles:
Water, mist, vegetation, fabrics, and distant ambient sounds must continue natural movement. The environment must remain Neutral in narrative: no active gags, no plot triggering, no reversal pushing, no interruption of character rhythm.
IV. Character Settings
Character ID A | Sword Immortal Senior Sister | @Image 1
Always the same 25-30 year old East Asian female: Tall and slender, oval face, dark almond eyes, long black hair half-up, fixed with a white jade hairpin, white embroidered silk Hanfu, semi-transparent layered wide sleeves, silver waist seal, jade pendant, white cloth boots, a single silver long sword.
Character Temperament: Calm, restrained, never exaggerated, handles challengers like daily sect chores.
Character ID B | Junior Sister | @Image 2
Always the same 20-25 year old East Asian female: Small build, round and lively face, black hair braided, cyan-green linen Hanfu, dark belt, wooden hairpin, black cloth shoes, a single dark steel sword.
Character Temperament: Quick reflexes, accurate comedic judgment, concise retorts, restrained but readable expressions.
Character C | Enemy Swordsman
An angry enemy swordsman enters with great momentum, viewing himself as a hero coming for revenge. Very oppressive in the first half, gradually realizing he shouldn't be fighting in the second half, eventually turning from an "avenger" to the "only surviving challenger."
Character D | Master
Same elderly Master, standing a few steps behind the two, serving as a quiet witness. Minimal lines, but one sentence completes the core reversal, followed by a final light verbal jab.
V. 15-second Three-Shot Structure
Shot 1 | 0โ5s | Wide / Long Shot | Avenger's Entrance
In the open area naturally planned according to the reference images: same white-robed Senior Sister, same green-robed Junior Sister, same Master. Spatial relationship is stable. An angry enemy swordsman strides into the frame. He draws his sword with a "clang" and announces heroically: "I come to avenge my three senior brothers!" The white-robed Sister is not nervous at all, calmly asking: "Which three?" The enemy immediately replies: "The one who fell in the water, the one hanging in the tree, and the one who rolled down the mountain, they are all my brothers!"
Shot 2 | 5โ10s | Medium / Cowboy Shot | The meaning of "The Fourth" changes
Maintain all characters, costumes, and the identical geographic space. The Junior Sister finally recognizes him and says: "Oh, you're the fourth one." The enemy instantly straightens up and proudly replies: "Correct!" He must not hear any problem, even becoming more proud. Then the focus shifts to the Master who asks casually: "How many disciples does your master have left?" The enemy answers instinctively without thinking: "... Just me." After speaking, there must be a beat of absolute silence. Don't cut away quickly. Keep the transformation on the enemy's face: heroic aura still hanging there, brain one beat late to react, then realizing what that sentence meant. The Junior Sister looks at his drawn sword, then back at him, asking naturally: "Are you still fighting?"
Shot 3 | 10โ15s | Close-up / Extreme Close-up | Survival instinct defeats revenge
Maintain all characters and relations. The enemy looks at the Sister, then the Junior Sister, and finally down at the sword in his hand. He begins to seriously calculate the consequences. Then he very slowly sheathes the sword, saying in a suddenly mature tone: "Wait for Master to recruit two more." Complete half-beat pause. The Sister actually nods to him formally, as if approving a true martial judgment: "Progressing." The Junior Sister adds: "Mostly he learned how to calculate." Focus on Master who nods seriously: "At least this trip wasn't in vain." Then extreme close-up. The enemy tries to maintain his last bit of dignity and turns to leave. After two steps, he stops without looking back, whispering: "My three brothers... they are all still alive, right?" The Sister answers almost instantly: "Alive." The enemy's shoulders show a visible, physical relaxation. Then he leaves with a noticeably faster pace. The Junior Sister watches his back and sighs: "This sect finally produced a cautious one." Finally, in the background, the Master hides a tiny smile as it cuts to black.
VI. Performance Requirements
Senior Sister: Never exaggerated, calm as if handling daily chores, formally acknowledging the enemy's retreat.
Junior Sister: Quick reactions, stable comedic timing, naturally delivered lines.
Enemy: First half full of avenger's momentum; middle transition shows the slow collapse of the heroic narrative; second half shows survival instinct and trying to keep face.
Master: Minimal lines, casual tone but accurate, extremely subtle final smile.
VII. Cinematography and Tone
15 seconds total, 16:9 horizontal, three continuous clear shots. Native Mandarin dialogue, precise lip-sync, clear comedic pauses. Arri Alexa look, stable sharp facial details, natural volumetric lighting. Restrained camera movement, stable shots, giving time for reactions to land.
VIII. Continuity
Author: Soran | Source: Link | Published: Aug 21, 2026
2000s MiniDV Balcony Night
A nostalgic 15-second video prompt designed to simulate early-2000s MiniDV home footage of a young woman on a quiet apartment balcony at night.
๐ Prompt
Authentic early-2000s MiniDV home-video footage. Young Korean woman, 24, long dark hair, minimal makeup, oversized cozy sweatshirt and loose pajama pants, wrapped in a soft blanket. Quiet apartment balcony at night, warm indoor light spilling through the open door, cool blue city light outside. 4:3 MiniDV, handheld imperfections, low-light noise, tape grain/compression, slight autofocus hunting. Natural candid behavior, no cinematic polish.
SHOT 1 โ 0:00โ0:03
Interior wide shot facing the balcony door. She walks toward the open door wrapped tightly in a blanket, sleepy and curious. She slides the door open a little further and steps outside.
SHOT 2 โ 0:03โ0:06
Cut to a balcony-side angle. She takes a few small steps outside, holding the blanket around her shoulders. She looks up at the quiet night sky and takes a deep breath.
SHOT 3 โ 0:06โ0:09
A sudden cold gust blows across the balcony. Her hair moves strongly in the wind and she immediately scrunches her shoulders, pulls the blanket tightly around herself, and makes a funny surprised expression.
SHOT 4 โ 0:09โ0:12
She quickly retreats back through the balcony door, almost stumbling from how fast she moves. She closes the door halfway, still wrapped tightly in the blanket, and looks back outside.
SHOT 5 โ 0:12โ0:15
She slowly peeks her head back around the door and looks toward the camera. She realizes how ridiculous her dramatic retreat was and starts quietly laughing. She shakes her head, smiles, and disappears back inside.
Author: Ahmad Faraz | Source: Link | Published: Aug 21, 2026
Handheld Scandinavian Influencer Running Vlog
A comprehensive prompt for generating a realistic 5 AM dawn running vlog featuring a Scandinavian woman. It utilizes a handheld Mini-DV aesthetic with intentional imperfections like camera shake and autofocus hunting to create an authentic, high-end influencer feel.
๐ Prompt
CAMERA Mini-DV tape camcorder handheld aesthetic, vertical framing. A gorgeous athletic Scandinavian running influencer films herself directly by hand in selfie-cam and first-person style during a dawn run. Keep realistic hand shake amplified by her stride, slightly crooked framing, delayed autofocus hunting in low dawn light, awkward zoom-ins and zoom-outs, occasional motion blur, wind buffeting the mic, and small framing mistakes where part of her face or the horizon briefly slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen.
LOOK:
Soft digital tape camcorder look with vintage DV character. Slight blur, faint tape noise, visible highlight bloom as the sun breaks the horizon, subtle auto-exposure flicker and hunting as she turns toward and away from the light, muted contrast in the shadows, realistic skin texture with visible pores and sweat sheen, cool blue pre-dawn ambient light warming to gold, realistic skin tones, real lens flare when facing the sun.
STYLE:
A realistic 5am dawn run vlog with a confident athletic lifestyle vibe. The tone is breathless, upbeat, a little self-deprecating, and natural. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded run vlog, not a polished Nike commercial. Fast clean jump cuts, strong continuity, natural body language, audible real breathing that gets heavier across the video, no awkward dead moments.
CHARACTER:
An exceptionally beautiful athletic Scandinavian woman in her mid-20s. Highly photogenic face, clear pale blue eyes, light freckles across the nose and cheeks, defined jawline, a natural full mouth, fair skin flushing pink at the cheeks from cold and effort, long thick ash-blonde hair in a low ponytail with loose strands escaping around the face. She looks like a high-end running and lifestyle influencer, not an ordinary jogger. Lean, long-limbed, athletic runner's build. Bare minimal makeup, slightly glossy skin from sweat. She wears a fitted long-sleeve technical running top in muted olive, matching high-waisted running shorts, a thin black running watch, low-profile running shoes, and small wired-look earbuds. No other jewelry.
SETTING:
A long empty coastal boardwalk at first light. Wooden slats underfoot, low dunes and beach grass on one side, flat grey sea and a breaking orange sunrise on the other, a single wooden railing, scattered gulls, one weathered bench, faint sea mist. Completely empty, no other runners, no dog walkers, no carries, no extra people. Cold still air with visible breath at the start.
IMPORTANT CONTINUITY
Author: ๆๆฆๅทฑCheer | Source: Link | Published: Aug 21, 2026
Japanese Hand-Drawn Anime Cooking Animation
A text-to-video prompt for creating a 30-second cooking sequence in a hand-drawn 2D Japanese anime style, consisting of 12 distinct scenes.
๐ Prompt
A 30-second video, 12 scenes, 2.5 seconds per scene, generated solely from text, no reference images, no storyboard images.
[Art style]
Original Japanese hand-drawn 2D animated cooking video. The look is completely hand-drawn.
Author: ใชใบ | Source: Link | Published: Aug 21, 2026
Asian Woman Cartoon Face Transformation
A professional video prompt for Seedance that combines live-action cafe footage with AI face deformation and cartoon transitions.
๐ Prompt
Overall Style and Setting:
Cafe live-action + AI face deformation/cartoonization hybrid style. Vertical composition, natural soft indoor lighting, blurred green trees outside the window, vinyl records/posters on the background wall (with 'RAY CHARLES' visible).
Character: Young Asian woman with a short bob and black hair, wearing a white shirt (with a small horse embroidery logo), khaki shorts, a fine necklace, and stud earrings. Light and natural makeup.
Props: Iced drink (with straw), mobile phone, and small cards on a wooden table; a white LV pattern handbag on the left.
Emotional Tone: Lively, playful, cute, with a slightly exaggerated 'taking cute photos' interactive feel. Scene Breakdown (Estimated by time):
0-1s: Frontal sitting position, pulling the corners of the mouth wide with hands to form a huge mouth, tongue sticking out, eyes rolling up, making an exaggeratedly cute funny face.
1-2s: Opening hands to both sides, returning to a normal face, smiling sweetly at the camera.
3-3s: Pressing hands on the head, instantly transforming into a big-headed cartoon/Q-version style (oversized round face, giant eyes, puffed cheeks, and pouting mouth) with a cute and dazed expression.
3-4s: Returning to a human face but overlaid with giant cartoon eyes + a wide-mouthed surprised expression, hands raised high above the head (as if fixing hair or making a surprised gesture).
4-5s: Turning the head to one side with a slight pout/thinking expression, arms swinging naturally.
5-6s: Cartoon head, eyes closed, corners of the mouth up, relaxing smile, hands on lap.
6-7s: Returning to a human head, hands raised in a 'claw' gesture, mouth open with tongue out, eyes squinted laughing, super excited and playful.
7-8.4s: Body slightly turned, one hand on hip, the other holding a large red cartoon flower (or similar prop), ending with a sweet smile sideways to the camera. Fast overall pace, quick expression switches, natural and smooth transformation between human and cartoon, highlighting a 'cute and wacky' atmosphere.
Author: PixelAIGC | Source: Link | Published: Aug 21, 2026
Ethereal Woman and White Peacock
A high-detail cinematic fantasy video featuring an elegant woman in a jewel-encrusted gown standing beside a giant white peacock.
๐ Prompt
Ultra-detailed 8k fantasy cinematic video of an elegant ethereal woman wearing an ornate jewel-encrusted pink and silver gown with a matching jewel tiara standing beside a majestic giant white peacock in a magical pink cherry blossom garden near a reflective pond, extreme close-up of her face with glitter makeup and bright turquoise eyes opening, close-up of a glittering pink oval gem, medium shot of the woman standing beside the peacock, dynamic camera movement showing the white peacock fanning out its grand tail feathers decorated with pink gemstone accents, serene atmosphere, soft warm cinematic lighting, floating glowing dust particles, hyper-realistic 3D render, highly detailed textures, masterpiece, ultra-hd, 16:9 aspect ratio.
Author: Zyrella | Source: Link | Published: Aug 21, 2026
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๐ค How to Contribute
Contributions are welcome! Please feel free to submit a Pull Request.
- Fork the repository
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๐ License
This work is licensed under CC BY 4.0. You are free to share and adapt, with appropriate credit.
๐ Acknowledgements
- ByteDance for developing Seedance 2.0
- YouMind for the prompt gallery and community
- All prompt contributors
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๐ค This README is automatically generated. Last updated: 2026-08-26T23:07:38.648Z